Anybody who loves a good adaptation of a book, lovely period detail, compelling storytelling and great writing and acting should find no real reason to not enjoy 'Wives and Daughters'. It has every single one of those and more from the very start and never loses any of them.
'Wives and Daughters' as an adaptation is hardly disappointing, the adaptation does show loyalty to the book while telling it intricately and freshly. Have always however found it fairer to judge an adaptation on its own, and on its own 'Wives and Daughters' is brilliant and you don't even have to have read the book to enjoy what is personally considered one of the best series the BBC has ever done. The second episode continues the outstanding standard set by the first and is even better, now that there is more to the characterisation and storytelling.
The scenery and locations are stunning and the costumes, hair and make-up are true to period and a feast on the eye, which is always a great starting point for a period drama adaptation. The music is quirky yet at other times understated and is never obtrusive, letting the story speak for itself when needed.
Dialogue is incredibly thought-provoking with splashes of humour, ranging from subtle and hilarious, and emotional impact, and the story has every nuance and detail of society at the time down-pat and spot on and the telling of it is done loyally while fresh and relevant and intricate while never dragging or being too staid or too faithful. Deliberate perhaps but dull? Never.
Characters are immensely engaging and are developed just fine, Gaskell's characters like George Eliot's and Charles Dickens's were quite flesh-and-blood-like and there is a sense of that here.
The acting is superb from all, especially from Michael Gambon who is gruff yet poignant and Francesca Annis who makes a formidable character genuinely beastly. Justine Waddell is excellent and never comes across as too perfect considering her type of character, while Keeley Hawes is incredibly charming and naturally.
Bill Paterson is likable and admirably restrained. Tom Hollander, who plays a conflicted character most touchingly, and Anthony Howell, who is effortlessly dashing, provide the heart of the drama without problem.
To conclude, can't fault anything to fault again. 10/10 Bethany Cox
'Wives and Daughters' as an adaptation is hardly disappointing, the adaptation does show loyalty to the book while telling it intricately and freshly. Have always however found it fairer to judge an adaptation on its own, and on its own 'Wives and Daughters' is brilliant and you don't even have to have read the book to enjoy what is personally considered one of the best series the BBC has ever done. The second episode continues the outstanding standard set by the first and is even better, now that there is more to the characterisation and storytelling.
The scenery and locations are stunning and the costumes, hair and make-up are true to period and a feast on the eye, which is always a great starting point for a period drama adaptation. The music is quirky yet at other times understated and is never obtrusive, letting the story speak for itself when needed.
Dialogue is incredibly thought-provoking with splashes of humour, ranging from subtle and hilarious, and emotional impact, and the story has every nuance and detail of society at the time down-pat and spot on and the telling of it is done loyally while fresh and relevant and intricate while never dragging or being too staid or too faithful. Deliberate perhaps but dull? Never.
Characters are immensely engaging and are developed just fine, Gaskell's characters like George Eliot's and Charles Dickens's were quite flesh-and-blood-like and there is a sense of that here.
The acting is superb from all, especially from Michael Gambon who is gruff yet poignant and Francesca Annis who makes a formidable character genuinely beastly. Justine Waddell is excellent and never comes across as too perfect considering her type of character, while Keeley Hawes is incredibly charming and naturally.
Bill Paterson is likable and admirably restrained. Tom Hollander, who plays a conflicted character most touchingly, and Anthony Howell, who is effortlessly dashing, provide the heart of the drama without problem.
To conclude, can't fault anything to fault again. 10/10 Bethany Cox
