World's Greatest Dad

A very great (maybe even underrated?) performance by Robin Williams. We are used seeing him all over the place going all "Flubber" on us (not only in that specific movie, but in general). But if you expect him to be like that in this movie, you will be very disappointed. Of course same goes for the comedy/humor in the movie. It's obvious, but it's not laugh out loud moments you'll encounter.

It is more a social study, where a man tries to do the right thing. Emphasis on "tries" in this case. The dialogue is really good and all the performances are on the spot. I liked the social commentary that underlies the whole movie, but it might not be your cup of tea.

I loved the characterisation of this movie: Robin Williams is one of those actors you have to like. So when, as in this movie, he plays someone who is sweet and kind and weak and crawling through moral quicksand, the resulting conflict you feel has you laughing out loud and wringing your hands with anxiety all at the same time.

The plot is original and comes with a couple of unforgettable twists. The dialogue is sharp, the humour dark. The moral compass is spinning wildly, but it straightens up for us in the end.

There is a quote at the end of the movie that really struck a chord with me.

"I used to think the worst thing in life was to end up all alone, but it's not. The worst thing is ending up with people who make you feel all alone."

Brilliant.

Just watched this at the Sundance Film Festival. Absolutely great film. Dark, smart comedy in the spirit of Rushmore. The Bobcat is BACK! Very good cast; great soundtrack. He uses very real issues to simply tell a story about the relationship between an ungrateful punk kid and a painfully weak father. In the Q&A after the film, Bobcat pointed out that most of the comedies being made these days are basically R-rated films made for 13-year-olds (mindless, raunchy, etc.). World's Greatest Dad is a comedy for adults: insightful, original, uncomfortable at times...hilarious. Robin Williams manages to be miserable, mean, touching, and funny without any conflict at all, an inspired break from his traditional roles.

This movie worked very well as a dark comedy. It followed no set boundaries and goes its own way. The results are incredibly dark, sometimes being almost twisted. There are some scenes where the viewer doesn't know whether to laugh or feel sad. Robin Williams delivers his best performance in a while as Lance Clayton, a struggling writer striving for success and hell-bent on not dying alone. I personally found it rather impressive that it was both written and directed by Bobcat Goldthwait because I'm personally not too big of a fan of his stand-up and this was a far departure from it. However, the one thing that I saw as holding the movie back was its climax, which I believed took the right route, but could have been more powerful or had a bit more of a sting to it. Overall, this movie, like Observe and Report released earlier in 2009, won't be for everyone, but it works very well in its own way.

Suburbia has transformed from an innocent place with friendly neighbors to a world full of miserable, sometimes disturbed people, dreams deferred, and earth-shattering secrets. From this year's Sundance Film Festival we have Bobcat Goldthwait's dark comedy World's Greatest Dad, we delve once again into the unknown of Any Town, USA.

This film mainly takes place in a school setting, but the themes and conflicts that arise coincide with those found in other films about suburbia. Robin Williams stars as struggling writer Lance Clayton. He lives with his son Kyle (Daryl Sabara), a porn obsessed, perverted teenager who attends the private school Lance teaches a not-so-popular poetry elective. There is tough love between the two. It's a typical teenager vs. the parent relationship only the censors have been turned off.

Lance is dating another teacher on staff, Claire (Alexie Gillmore), who he suspects isn't totally committed to their relationship. Life isn't getting any easier for Lance who struggles to reach his students or find a publisher for his work. When things couldn't get any worse, Lance suffers a blow few could recover from. From tragedy comes opportunity and it is up to Lance to decide what is the right thing to do.

It would be wrong of me to give away the tragedy, but it is something that does occur in Any Town, USA. In fact it happened not too long ago just a town over from me. It's the first time I can think of it being used in a film, or at least of this magnitude. There are several times during the film that I felt uncomfortable, but not to the point of disgust. There are some pretty heavy issues handled here and I think it is tasteful.

Williams does a fine job, especially in the second half of the film. For a comedian I can imagine it being difficult to change emotionally like that, but Williams has proved time after time in films like Good Will Hunting, One Hour Photo, and Insomniac that he can play just about any role thrown at him. He has a presence that is very real and powerful.

I was surprised by Sabara's performance as Kyle. I had only seen him in Spy Kids so I really didn't know what to expect. He seemed to have a clear idea of who Kyle was and what is motives are.

Goldthwait, who also wrote the screenplay, tackles a lot of issues both for adults and teenagers. At first I thought the film was going to end up like last years Towelhead, a hodgepodge of issues and conflicts that are each could have been their own film, but here we have an even dosage of each, culminating to a great finale and realization by William's character.

The film isn't perfect. One thing I don't like films to do is talk about other films. I feel like it is only a way for the writer to show off his movie knowledge and personal views about certain movies, although one segment involving zombie movies is relevant to the story. Occasionally it can be beneficial. Some of the scenes were a bit overdone with cheesy, overused dialogue, and some of the deliveries felt like they were just saying their lines and not really connecting with them.

Overall I was impressed. Goldthwait is not a big time filmmaker but this is certainly a step in the right direction (he has acted in several films and worked on other projects behind the camera). Williams gives one of his better performances as of late, but he doesn't steal the show. I thought the story was good enough to stand on its own, which is a very good thing. I hope this film doesn't get completely overlooked this year. You should try to see this one if you can.