Saw VI

I am going to say it up front. The Saw series is a guilty pleasure of mine. That being said the last couple have not really engaged me all that much. After this one though, consider me back in the fold. Longtime series editor turned first time director Kevin Greutert has recharged the series and injected something these films have lacked since the beginning: humor.

Saw VI starts with a bang. You know right off the bat that this isn't the same dead serious almost somber type of Saw film you're used to. I'm going to give Greutert and company the benefit of the doubt here and assume that this is by design. You know when Jigsaw is putting people in traps for smoking too much that your tongue should be firmly planted in cheek. This film is also much more open and colorful than previous films. After the claustrophobic Saw V that seemed to take place in only three different rooms this is a welcome change of pace. Also the traps here are much more inventive than V and maybe even IV (nothing will best III in my mind for sheer over the top-ness). The amount of twists and surprises is also plentiful and really do help bring the game full circle. This is definitely not the transition film that the last one was and it really left me to wonder where exactly they can go from here. The twists and turns of the plot are not something I want to give away as its part of the fun but suffice to say if you've stuck with the series up until now you won't feel gipped as you walk out of the theater. The film follows Hoffman as he tries to stay one step ahead of the FBI while conducting a game involving John Kramer's insurance broker William who is put through a series of tests involving his co-workers. The film moves at a breakneck pace cutting back and forth between the two main plot threads while also throwing in the now famous Saw flashbacks to fill in the gaps of all the past movies. I was never bored and special mention has to be given to Greutert for really keeping this thing from getting bogged down in the procedural aspects that really plagued the last few films. This is balls to the wall entertainment and it delivers while also winking and nodding along the way. Saw also gets extremely topical here for the first time and the main thrust and theme of this film will hit home to anyone who even has a passing knowledge of current affairs in this country.

The only negatives I can really point out in the film is some of the suspect acting but again this might be done on purpose through the director's eyes to inject some humor without resorting to having Jigsaw or Hoffman crack jokes Freddy Krueger style while they dispense moral justice. We haven't gotten there yet, maybe Saw X. The other problem I had was that some of the back story really pushed the suspension of disbelief but I guess I shouldn't nit-pick because that has been a problem as far back as Saw II and is needed to stretch out this far anyway.

All in all this is easily the best Saw since the 2nd one and I am glad to see the series get back on track after the CSI elements of the last two films. This is Saw how I like it: down and dirty and over the top. Bring on Saw VII!

"Saw" was never a franchise that was designed to last. The first film made a point of killing off every main character save one who was already dying of an inoperable brain tumor. But, when a movie grosses 100 times its budget filmmakers tend to find untapped wells of ingenuity.

"Saw VI" tells a story that is almost certainly incomprehensible to those who have not seen the previous five films. The entire plot hinges on the reveal of an element first introduced in "Saw III" and details the rise of a character who made his debut as a glorified extra. The entire twist ending is predicated upon one's memory of a secondary character who is never even on screen during this feature except during a brief flashback. It's some straight up "Star Trek" level minutia.

Because of this, a plot summary is useless. You either know what to expect, in which case it is best to see the movie completely cold, or you've already determined that you don't care. Suffice it to say, John "Jigsaw" Kramer and Amanda Young are still dead, (as they have been since part three) and Agent Hoffman is still on the loose, trying to teach more people to appreciate life. Then things get complicated.

"Saw" has always worked under a strange moral code, espousing a bizarre brand of carpe diem philosophy spoken by serial killer who seems to think that he is saving people by throwing them in pits of used needles or forcing them to cut off their feet. This philosophy has long been an albatross for the series because Jigsaw's ideas are, to put it bluntly, completely idiotic. The result of these tests would likely be a crippling case of post-traumatic stress disorder, not a moment of truth.

"Saw VI" works hard to solve this problem. For the first time in series history Jigsaw is shown to be maybe the slightest bit mentally unsound. This is a small but important step as the series makes infinitely more sense and is far more chilling if Jigsaw is taken as a David Berkowitz type instead of some sort of blood and guts Buddha. Simultaneous to this, the filmmakers have finally created a cast of victims who might well deserve their fate. Thinking back, it's actually quite surprising that it took five sequels to get to a trap where loan sharks are forced to contend with Shylock's infamous demand of "A pound of Flesh".

While many have anticipated a jump to the supernatural for several entries, few if any guessed that Saw would ever become a political story. You see, "Saw VI" is just as much about the current healthcare reform debate as it is about soap opera plot twists. In one scene Jigsaw literally says the words "Medical decisions should be made by Doctors and patients" before going on to equate HMO's with murderous thugs. And while the political polemic elements are perhaps a bit overcooked, they do imply a level of effort on the part of the filmmakers that goes beyond the call of duty. The social consciousness of Jason Voorhees' sixth outing began and ended with a happy face symbol made of blood.

Longtime series editor Kevin Greutert moves to the director's chair for this entry and his experience with the franchise shines through. He has clearly been planning for this opportunity for quite some time, and he makes the most of it, combining the indie grunge of the original with the flashy scene transitions of the sequels all while expanding the color palette, steadying the ADHD afflicted cinematography and toning down the ultra-violence.. This is almost certainly the best looking part six the horror genre has ever seen. Keeping pace with the direction is a slick, fast, and occasionally inventive screenplay by Marcus Dunstan and Patrick Melton, who handedly outdo their work on the previous two films.

Everything that was wrong with the five previous films is still wrong here. The sets still look like those of a movie made for about a million dollars, the actors are mostly second rate and the logic is tenuous within a real world scenario. The dialogue is occasionally as cringe inducing as the gory set pieces and the script makes excessive use of expository tape recordings in place of legitimate character development. And yet, I had a damn good time.

This film is easily the best since part two, and somehow actually made me want to see part seven. For those already invested in the series "Saw VI" is a Halloween treat. It's smarter than the previous three and it features some of the series most interesting traps. It even gives you a little something to talk about after the credits roll. Most will hate it sight unseen, but those who show up to watch, "Saw VI" is better than it has any right to be.

A lot of the replies here haven't even touched the storyline regarding people getting screwed over by the insurance industry in the states. I gave the movie a 7 for the simple fact it brings to light in a vivid way a subject that should be very close to home for many people who live in the states and have to deal with health insurance companies and their policies, loopholes, and shady insurance agents. Not all insurance agents are shady - I used to be one for almost 10 years and it was my job to help people select the lessor of the evils out there and I told them that up front. Anyway, any person involved in the industry should be made to watch this movie if not for the mere fact it hopefully could wake some of the crooked people up. Now, the movie from a story-telling point of view is average, but watchable. If you are just out to see another movie with people getting killed in a cruel and unusual way as opposed to looking for some meat in the storyline (pun intended?) then I'm sure many were disappointed. Maybe watch it again when it comes out on DVD as a rental and think about the millions of people every year getting messed over by an insurance company that is trying to take in only healthy people so they can turn a profit as opposed to helping people who need it.

I found Parts II, III and IV of the Saw series increasingly tedious, so much so that I left it six years before watching Part V. I was pleasantly surprised, then, to (eventually) find that the fifth instalment marked a turning point, the plot-line becoming a bit more interesting with Agent Hoffman (Costas Mandylor) taking on the mantle of Jigsaw, the gore being even more graphic, and the makers clearly taking matters with a welcome pinch of salt (the extreme nature of some of the gruesome traps bordering on self-parody). I was having fun at last.

The series continues to improve with Part VI, which develops the Hoffman character further, ladles on even more revolting splatter, and steadfastly refuses to get bogged down with trifling matters such as the cash, time, and skill required to build such amazing methods of torture. Part VI simply gets on with entertaining the fans, with a twisty-turny narrative and bucket-loads of the red stuff.

This time around, Jigsaw has assembled a group of despicable life-insurance business-people, and proceeds to teach them that choosing between life and death should not be an easy decision to make. As a result, bodies are blasted, crushed, hung, and, in the film's most revolting scene, melted from the inside with a highly corrosive acid. Meanwhile, the F.B.I. are closing in on Hoffman, although Kramer's wife Jill Tuck (Betsy Russell) also has a surprise in store for the deviant agent. Rather surprisingly, this satisfyingly sick chapter has left me looking forward to more Saw.

7.5/10, rounded up to 8 for IMDb.

Finally, the Saw series has regained some of it's previous credibility. Saw VI proved to be a very bloody, but clever mainstream romp.

There were a couple of great twists and turns, the gore was jacked up to a fantastic level of brutal extremity (easily beating the rather tame 5th installment), and most importantly, I, plus everyone in the theatre had a ball with it.

As well as being a valid continuation of the 'Saw' story, it worked well as a standalone film. The main twist actually had nothing do to with the previous movies... but don't get me wrong, you'll get plenty of answers for questions left open from the other films at the same time.

As you'd expect, the acting and production values weren't to flash, but the good screenplay and balls-out sadistic torture made this a vast improvement over the last couple of sequels. Apart from the first, I'm happy to say this is definitely one of my favorites from the series. 7.5/10.

Check it out. I found it to be a pleasant surprise.