263 reviews
Excellent direction, photography and set design enliven this account of Wing Chun instructor Yip Man's life before he moved to Hong Kong. Every Wing Chun instructor today tries to make a lineage connection to Yip Man to legitimize their teaching so he is a very important figure in Kung Fu. Donnie Yen portrays the master with intense reserve and is possibly the best acting in his career. It surprised me for sure.
The story line of this film is invented as historical accounts show Yip Man to have been a police officer in the time frame this film covers, not staying at home and only practicing kung fu as depicted here. Also the film claims that he refused to teach anybody but that is also not true. He left for Hong Kong a few years after WW2 not in the middle of it as this film presents. The plot with the Japanese army seems invented although they did ask him to teach the troops which he refused.
However the film muddies up the historical record, that is not to say it isn't a great film. Sammo Hung's choreography is exceptional and a throwback to his great kung fu films of the early 1980's. The martial arts are done with great respect to traditional styles although some wire work is used to assist the actors with the difficult acrobatic moves. No flying across the room in this film.
Although the ending is a little abrupt, this is one kung fu film that can be recommended to people who don't like these films. Highly recommended.
The story line of this film is invented as historical accounts show Yip Man to have been a police officer in the time frame this film covers, not staying at home and only practicing kung fu as depicted here. Also the film claims that he refused to teach anybody but that is also not true. He left for Hong Kong a few years after WW2 not in the middle of it as this film presents. The plot with the Japanese army seems invented although they did ask him to teach the troops which he refused.
However the film muddies up the historical record, that is not to say it isn't a great film. Sammo Hung's choreography is exceptional and a throwback to his great kung fu films of the early 1980's. The martial arts are done with great respect to traditional styles although some wire work is used to assist the actors with the difficult acrobatic moves. No flying across the room in this film.
Although the ending is a little abrupt, this is one kung fu film that can be recommended to people who don't like these films. Highly recommended.
Donnie Yen is a long time favorite of mine, although this is mainly due to his martial arts skills and screen presence rather than his acting skills. In Ip Man (or Ye Wen, as they were shouting in the seats next to mine) he delivers a truly solid performance on the acting side, carrying the burden of a nation on his shoulders with gravitas, at least that's what he conveyed to the audience at the cinema. They were actually applauding at times. Then again, moviegoers might be more absorbed over here on a regular basis. I digress.
I'm not going to delve deeper into plot details. The basic stuff is already outlined above, and I also feel the historical accuracy of certain events depicted can be debated. That's a bit of a moot point, though, since most people will watch this for the action scenes. Nobody will be disappointed. Donnie kicks twelve kinds of ass in this movie, and it is all accompanied by some of the meanest sound design I've ever heard. Every one of his rapid punches can be felt as he pummels the poor bastards in his way with the Ip Man-style of martial arts (imdb won't let me spell out the name for some reason). The final bout is epic,but for me it was one scene about halfway through that got my heart beating faster. It involves Donnie, ten Japanese karate practitioners and some of the most furious fighting I've ever seen on screen. You can really sense the anger of his character in this scene. Great stuff.
The film moves forward at a brisk pace and contains a surprisingly large amount of fight scenes. It totally lacks the vintage over-the-top-aesthetics of Donnie Yen's films of the 80's and 90's, but for some people that's a good thing. I personally think this is his finest performance to date.
Highly recommended for fans of martial arts cinema!
I'm not going to delve deeper into plot details. The basic stuff is already outlined above, and I also feel the historical accuracy of certain events depicted can be debated. That's a bit of a moot point, though, since most people will watch this for the action scenes. Nobody will be disappointed. Donnie kicks twelve kinds of ass in this movie, and it is all accompanied by some of the meanest sound design I've ever heard. Every one of his rapid punches can be felt as he pummels the poor bastards in his way with the Ip Man-style of martial arts (imdb won't let me spell out the name for some reason). The final bout is epic,but for me it was one scene about halfway through that got my heart beating faster. It involves Donnie, ten Japanese karate practitioners and some of the most furious fighting I've ever seen on screen. You can really sense the anger of his character in this scene. Great stuff.
The film moves forward at a brisk pace and contains a surprisingly large amount of fight scenes. It totally lacks the vintage over-the-top-aesthetics of Donnie Yen's films of the 80's and 90's, but for some people that's a good thing. I personally think this is his finest performance to date.
Highly recommended for fans of martial arts cinema!
- DouglasQuaid
- Dec 13, 2008
- Permalink
Ip Man has quenched our thirst of a real good martial art movie where we don't just watch man kicking asses but where we can appreciate the man's moral and virtues.
The movie flows well, from the view of the kungfu street of Fo Shan, to the introduction of Ip Man, and so on. Scene by scene are there in a well done play, and when someone had to display martial art act, they don't just throw bunch of minions out from nowhere to have him beating them all over. I think the scenario is well written.
Fight choreography is great. Different approach from what we usually see, people doing flashy flying kicks and sorts; since it is about wing chun, feet hardly ever leave the ground but it doesn't decrease the beauty and flashiness of the fights.
People may complain about bits that might not fit the real condition of those era. Well, I think producers have to make sure they made entertaining movies, not documentaries.
Last words, Donnie Yuen has always been a good martial art actor, he just never get the spotlight. And finally as Ip Man he gets to stand on where he deserves.
The movie flows well, from the view of the kungfu street of Fo Shan, to the introduction of Ip Man, and so on. Scene by scene are there in a well done play, and when someone had to display martial art act, they don't just throw bunch of minions out from nowhere to have him beating them all over. I think the scenario is well written.
Fight choreography is great. Different approach from what we usually see, people doing flashy flying kicks and sorts; since it is about wing chun, feet hardly ever leave the ground but it doesn't decrease the beauty and flashiness of the fights.
People may complain about bits that might not fit the real condition of those era. Well, I think producers have to make sure they made entertaining movies, not documentaries.
Last words, Donnie Yuen has always been a good martial art actor, he just never get the spotlight. And finally as Ip Man he gets to stand on where he deserves.
This is Donnie Yen's best acting piece for awhile now, and he still delivers the action sequences brilliantly. At 44 years of age, he looks so energetic, confident and charismatic. I believe the combination of Yen, Sammo Hung and Wilson Yip is the right choice for this particular film and fighting style. Wing Chun is best depicted without the flamboyant ballet of acrobatics often seen in other wushu films.
The movie doesn't dwell on historical accuracy, but rather use that settings to set the mood, deliver the message and simply tells you the life journey of a Grandmaster in an fun and entertaining way.
I remember that Richard Attenborough said (regarding Gandhi) that there was no way a director/movie maker could encompass and depict a person's life journey in only a 2 or 3-hour movie. But rather one should aim to emulate the spirit of that person, and the message/lesson of his story. I think this movie does that, with a quality production that raised the bar for period drama.
My rating is missing 1 point because I feel that there were plot devices that had been done-to-death before in other movies like: Fists of Fury, Fearless, Kill Bill, etc. However, Yip Man simply turns the notch to a higher sound-beating level.
Don't miss this on the big screen!
The movie doesn't dwell on historical accuracy, but rather use that settings to set the mood, deliver the message and simply tells you the life journey of a Grandmaster in an fun and entertaining way.
I remember that Richard Attenborough said (regarding Gandhi) that there was no way a director/movie maker could encompass and depict a person's life journey in only a 2 or 3-hour movie. But rather one should aim to emulate the spirit of that person, and the message/lesson of his story. I think this movie does that, with a quality production that raised the bar for period drama.
My rating is missing 1 point because I feel that there were plot devices that had been done-to-death before in other movies like: Fists of Fury, Fearless, Kill Bill, etc. However, Yip Man simply turns the notch to a higher sound-beating level.
Don't miss this on the big screen!
- dont_b_so_BBC
- Dec 17, 2008
- Permalink
I shall now proclaim unabashedly that I absolutely love this movie! It's been some time since we last saw a biopic on one of the Chinese's martial arts folk heroes, with Jet Li's Fearless being the last memorable one to hit the big screen. While Li lays claim to three of such roles in the iconic Wong Fei Hung (in the Tsui Hark movies), Fong Sai Yuk and Huo Yuan Jia in Fearless, after which he felt he had to hang up his martial arts roles because he thought that he had communicated all that he wanted about martial arts through these films. And thank goodness for Donnie Yen still being around to pick up from where the genre left off, and presenting a memorable role which he truly owned, with Ip Man being the first cinematic rendition of the Wing Chun martial arts grandmaster.
In this bio-pic, Ip Man, one of the earliest Wing Chun martial arts exponents credited to have propagated its popularity, gets portrayed as the best of the best in 1930s Fo Shan, China, where the bustling city has its own Martial Arts Street where countless of martial arts schools have set up shop to fuel the craze of kung fu training. With each new school, the master will pay their respects to Ip Man and to challenge him to a duel. Ip Man, an aristocrat who spends most of his quality time developing and perfecting his brand of martial arts, will take them on behind closed doors, so as not to damage his opponents' reputation nor embarrass them in public. His humility is his virtue, and his style is never violent or aggressive, which often gets assumed and mistaken for being effeminate, since Wing Chun after all was founded by a woman.
The bulk of the story gets set in the outbreak of the Sino-Japanese war, and it's not all fight and no story. Witth this historical setting, at times it does seem that there is an air of familiarity with the type of stories told, with how the Japanese Imperial Army had made life really miserable for the Chinese, and how the Chinese being fragmented in spirit, fail to unite during dire straits. More often than note, martial arts become a unifying force, and this aspect of the narrative might seem to be a walk in the usual territory.
But with its array of charismatic supporting cast with the likes of Simon Yam as Ip Man's best friend and industrialist Quan, and Lam Ka Tung as a cop turned translator, there are little nicely put sub plots which seek to expand the air of respect that Ip Man commands amongst his community. The story by Edmond Wong did not demonize all the villains, often adding a dash of empathy and sympathy to the likes of the Japanese General Miura (Hiroyuki Ikeuchi), a highly skilled exponent from the North called Zhao (Fan Siu Wong) as well as Lam's translator character who is deemed as a traitor for being in the service of the Japanese. Ip Man the family man also gets put under the spotlight, where his passion could sometimes leave him neglecting his wife and kid, and through the course of the story this focus often leaves one quite exasperated for his family's safety as he puts his countrymen above self and family when going up against the oppressive Japanese forces.
So what's the verdict on the action? Action junkies won't have to wait too long before watching Ip Man in action, and to Sammo Hung and Tony Leung Siu Hung's credit, they have intricately designed some of the most varied martial arts sequences in the movie, such as private fights in his home, a factory mêlée, a Japanese dojo battle as seen in the trailer, (which I know has actually sent some positive vibes amongst moviegoers, mouth agape at that incredible scene of Yen continuously beating down a karateka) being somewhat of a throwback and reminiscent of Bruce Lee in Fists of Fury, and a ringside duel amongst others. And it's not just Ip Man who gets in on the action, but specialized martial arts moves designed for the various practitioners as well. It's so difficult to name any particular one as a personal favorite, though I must add that you definitely won't feel short changed by the time the inevitable final battle comes rolling along and gets delivered with aplomb.
I'm no Wing Chun practitioner, but Donnie Yen has this marvelous calm and zen like approach with his Ip Man taking out his opponents quite effectively with the minimal of moves. Like Huo Yuan Jia, he doesn't deliver the killing blows to friendly opponents, but rather simulates the various hit points, which actually calls for some astonishing control of strength and precision. This approach will change of course as the opponents become anything but friendly. And unlike the usual martial arts stance of crouching low, here we see him standing tall and striking with such precision and efficiency, it's like poetry in motion with some astounding closed quarter combat utilizing plenty of upper limb strength.
With Wong Kar-wai at one point also declaring interest in making a Ip Man movie, I thought that this effort will be hard to beat, just like how Tsui Hark has crafted some of the more definitive movies in modern times about Wong Fei Hung and Jet Li benefiting from a major career boost, I'd say Ip Man just about cements Yen's reputation as a martial arts leading man, which I guess the cinematic world these days severely lacks. This has to go down in my books as one of my favorite movies of the year, and I'm already setting some money aside to get the best available edition of the DVD when it gets released. Highly recommended, so make a beeline for the box office now!
In this bio-pic, Ip Man, one of the earliest Wing Chun martial arts exponents credited to have propagated its popularity, gets portrayed as the best of the best in 1930s Fo Shan, China, where the bustling city has its own Martial Arts Street where countless of martial arts schools have set up shop to fuel the craze of kung fu training. With each new school, the master will pay their respects to Ip Man and to challenge him to a duel. Ip Man, an aristocrat who spends most of his quality time developing and perfecting his brand of martial arts, will take them on behind closed doors, so as not to damage his opponents' reputation nor embarrass them in public. His humility is his virtue, and his style is never violent or aggressive, which often gets assumed and mistaken for being effeminate, since Wing Chun after all was founded by a woman.
The bulk of the story gets set in the outbreak of the Sino-Japanese war, and it's not all fight and no story. Witth this historical setting, at times it does seem that there is an air of familiarity with the type of stories told, with how the Japanese Imperial Army had made life really miserable for the Chinese, and how the Chinese being fragmented in spirit, fail to unite during dire straits. More often than note, martial arts become a unifying force, and this aspect of the narrative might seem to be a walk in the usual territory.
But with its array of charismatic supporting cast with the likes of Simon Yam as Ip Man's best friend and industrialist Quan, and Lam Ka Tung as a cop turned translator, there are little nicely put sub plots which seek to expand the air of respect that Ip Man commands amongst his community. The story by Edmond Wong did not demonize all the villains, often adding a dash of empathy and sympathy to the likes of the Japanese General Miura (Hiroyuki Ikeuchi), a highly skilled exponent from the North called Zhao (Fan Siu Wong) as well as Lam's translator character who is deemed as a traitor for being in the service of the Japanese. Ip Man the family man also gets put under the spotlight, where his passion could sometimes leave him neglecting his wife and kid, and through the course of the story this focus often leaves one quite exasperated for his family's safety as he puts his countrymen above self and family when going up against the oppressive Japanese forces.
So what's the verdict on the action? Action junkies won't have to wait too long before watching Ip Man in action, and to Sammo Hung and Tony Leung Siu Hung's credit, they have intricately designed some of the most varied martial arts sequences in the movie, such as private fights in his home, a factory mêlée, a Japanese dojo battle as seen in the trailer, (which I know has actually sent some positive vibes amongst moviegoers, mouth agape at that incredible scene of Yen continuously beating down a karateka) being somewhat of a throwback and reminiscent of Bruce Lee in Fists of Fury, and a ringside duel amongst others. And it's not just Ip Man who gets in on the action, but specialized martial arts moves designed for the various practitioners as well. It's so difficult to name any particular one as a personal favorite, though I must add that you definitely won't feel short changed by the time the inevitable final battle comes rolling along and gets delivered with aplomb.
I'm no Wing Chun practitioner, but Donnie Yen has this marvelous calm and zen like approach with his Ip Man taking out his opponents quite effectively with the minimal of moves. Like Huo Yuan Jia, he doesn't deliver the killing blows to friendly opponents, but rather simulates the various hit points, which actually calls for some astonishing control of strength and precision. This approach will change of course as the opponents become anything but friendly. And unlike the usual martial arts stance of crouching low, here we see him standing tall and striking with such precision and efficiency, it's like poetry in motion with some astounding closed quarter combat utilizing plenty of upper limb strength.
With Wong Kar-wai at one point also declaring interest in making a Ip Man movie, I thought that this effort will be hard to beat, just like how Tsui Hark has crafted some of the more definitive movies in modern times about Wong Fei Hung and Jet Li benefiting from a major career boost, I'd say Ip Man just about cements Yen's reputation as a martial arts leading man, which I guess the cinematic world these days severely lacks. This has to go down in my books as one of my favorite movies of the year, and I'm already setting some money aside to get the best available edition of the DVD when it gets released. Highly recommended, so make a beeline for the box office now!
- DICK STEEL
- Dec 16, 2008
- Permalink
- A_Different_Drummer
- Nov 23, 2013
- Permalink
Forget "Flashpoint". "Ip Man" shows Donnie Yen at his brutal best. Telling the story of Yip Man, the man believed to have popularized the martial art of Wing Chun, before and mostly during the Sino-Japanese war.
Yen caught my attention after seeing him in "SPL". Then in "Flashpoint", I was stunned by his moves, and thought he was the next Jet Li. Well, after this I think he may very well be the next Bruce Lee. I mean it! Not only injecting humanity and superb characterization, Yen also demonstrates his brutality when it comes to fighting. And boy, it does not get more brutal than this! Seriously, Yen's fists move like machine gun bullets. And he makes sure that his opponents are down for the count... at their expense, and our enjoyment. Definitely Yen at his bruising best.
Other actors worth mentioning, Simon Yam and Hiroyuki Ikeuchi as Ip Man's business partner/friend and the Japanese General respectively. The former portrays Ip Man's comrade with heart, while the latter performs with steely resolve and honor. This is a film that is not just made with action, but a good story as well.
The fight scenes here are arguably Yen's best so far, and the best in over a decade. People are getting beaten, martial arts duels are taking place, and blood is spilled. This is not an action movie, it's a kung fu movie. And it shows. Legendary kung fu star Sammo Hung brilliantly choreographs the fight scenes to perfection, and it looks like he's not going to slow down any time soon. The direction by Wilson Yip is slick and gripping as always, and he also gives the film a nice sepia tone to give feeling to the film.
In short, great. This is a must-see for kung fu film fans to get their adrenal glands pumping. It's one of the best kung fu films of the decade. See it if you have the chance.
Overall: 7/10
Yen caught my attention after seeing him in "SPL". Then in "Flashpoint", I was stunned by his moves, and thought he was the next Jet Li. Well, after this I think he may very well be the next Bruce Lee. I mean it! Not only injecting humanity and superb characterization, Yen also demonstrates his brutality when it comes to fighting. And boy, it does not get more brutal than this! Seriously, Yen's fists move like machine gun bullets. And he makes sure that his opponents are down for the count... at their expense, and our enjoyment. Definitely Yen at his bruising best.
Other actors worth mentioning, Simon Yam and Hiroyuki Ikeuchi as Ip Man's business partner/friend and the Japanese General respectively. The former portrays Ip Man's comrade with heart, while the latter performs with steely resolve and honor. This is a film that is not just made with action, but a good story as well.
The fight scenes here are arguably Yen's best so far, and the best in over a decade. People are getting beaten, martial arts duels are taking place, and blood is spilled. This is not an action movie, it's a kung fu movie. And it shows. Legendary kung fu star Sammo Hung brilliantly choreographs the fight scenes to perfection, and it looks like he's not going to slow down any time soon. The direction by Wilson Yip is slick and gripping as always, and he also gives the film a nice sepia tone to give feeling to the film.
In short, great. This is a must-see for kung fu film fans to get their adrenal glands pumping. It's one of the best kung fu films of the decade. See it if you have the chance.
Overall: 7/10
Ip Man is very touching and full of mildness,considering it's an action movie. Wisedom, courage, elegance, humour...all the mixed elements you surely will feel from Ip man and they will definitely move you. All actors have done a great job. I believe this is the best movie that Zhen Zidan has ever contributed. This time he is not only a warrior, but also a wise, gentle, and conscientious man, a good husband. People clapped hands and weeped from time to time. I have watched it for two times,and longing for the third time when the DVD is coming. You know, Ip Man did not ballyhoo before it is shown, but it undoubtedly becomes a huge dark horse. It is really worthy of watching it.
- minlu_hbtv
- Dec 31, 2008
- Permalink
- dertyphinterdir
- Feb 3, 2010
- Permalink
Oh man what a great movie, Just seen it and im stunned. This moves up to my number 5 top list of greatest Martial Arts movies ever. Ip Man was a great man in Chinese history and i can see why. This movie is so well directed and Donnie Yen suits great as a young Ip Man. Its so dramatic at times, you start sniffing your nose and gets sad and angry at the same time. Awesome movie which will be a true classic instantly. I Bought the two disc HK Special Edition and i will see the extras later today cause i will go to sleep now, if i can sleep. Cant wait for part 2. See this film in theaters or on DVD as soon as you can, you will not be disappointed. Kung Fu cinema is back and what a comeback. WOW!!
- lion_paw73
- Mar 11, 2009
- Permalink
Ip Man is a heavily fictionalised biopic of the founder of Wing Chun style of Kung Fu and someone who went on to become a mentor to Bruce Lee.
Ip man is a wealthy family man in 1930s China and a reluctant teacher who we see initially combat with his fellow martial art masters from rival schools who want to see for themselves how they are in comparison.
When a rival bully from the north turns up and beats up all the kung fu masters in the town, it is left to Ip man to defend the town's honour as he humiliates the upstart who wants to start his own rival martial arts school.
Once the Japanese invade China, Ip man descends into poverty especially when his wife becomes ill. He gets a labouring job and finds out that other kung fu masters are getting involved in duels with the Japanese platoon for an extra bag of rice. Ip man angrily takes on 10 Japanese soldiers and beats them up when he finds out that one of the kung fu masters was shot dead by one of the soldiers.
This display puts him in a collision course with General Miura, the Japanese's top exponent of karate and the man who organises the combat bouts with the Chinese kung fu masters and wants to prove himself against Ip man.
The film is certainly well made with good production values and art direction. The martial arts does not have the over the top choreography and wire work of many other recent Chinese or Hong Kong films.
There are some references to the Bruce Lee action films such as teaching the factory workers to fight in order to defend themselves against the same bully who beat up all the other kung fu masters.
The film is certainly restrained and lacks the histrionics of other martial art films, even General Miura is portrayed as more honourable than the other Japanese officers.
However it is not a true story. The real Ip man was an opium addict and plagued with money problems.
Ip man is a wealthy family man in 1930s China and a reluctant teacher who we see initially combat with his fellow martial art masters from rival schools who want to see for themselves how they are in comparison.
When a rival bully from the north turns up and beats up all the kung fu masters in the town, it is left to Ip man to defend the town's honour as he humiliates the upstart who wants to start his own rival martial arts school.
Once the Japanese invade China, Ip man descends into poverty especially when his wife becomes ill. He gets a labouring job and finds out that other kung fu masters are getting involved in duels with the Japanese platoon for an extra bag of rice. Ip man angrily takes on 10 Japanese soldiers and beats them up when he finds out that one of the kung fu masters was shot dead by one of the soldiers.
This display puts him in a collision course with General Miura, the Japanese's top exponent of karate and the man who organises the combat bouts with the Chinese kung fu masters and wants to prove himself against Ip man.
The film is certainly well made with good production values and art direction. The martial arts does not have the over the top choreography and wire work of many other recent Chinese or Hong Kong films.
There are some references to the Bruce Lee action films such as teaching the factory workers to fight in order to defend themselves against the same bully who beat up all the other kung fu masters.
The film is certainly restrained and lacks the histrionics of other martial art films, even General Miura is portrayed as more honourable than the other Japanese officers.
However it is not a true story. The real Ip man was an opium addict and plagued with money problems.
- Prismark10
- Jun 21, 2016
- Permalink
- harry_tk_yung
- Dec 21, 2008
- Permalink
Directed by Wilson Yip (Killzone, Flashpoint) This movie is a "portrayal" of the famous Wing Chun master Yip Man, credited as being the guy that taught Bruce Lee kung fu.
The movie starts of a bit slow, and seems a bit awkward imo. The dialogue didn't really work on me, and I didn't quite feel the comedy or drama the dialogue was supposed to invoke. However, troublemakers enter the city and the fighting shall begin. When that part began, the movie immediately started to grow on me. The fighting is very well choreographed, and the stunts are really amazing. I am very interested in martial arts and fighting, and thus many movies loses me when I have to see a 300 pound muscular guy supposedly gets knocked out for 10 minutes by 1 jab from e.g. Jackie Chan or choked out by Angelina Jolie. However, in this movie the fight scenes are so amazing that I easily accept that a knee to the body can send a guy a flying across the room. The fighting is of course unrealistic (though not extremely so), but they somehow make it seem legit in this movie, and you actually start believing for the duration of the movie that Ip Man is capable of this stuff.
As for the cast, Donnie Yen is the one that stands out. He is a really great choice for Ip Man, with a very calm and intelligent charisma, and he shows in this movie that he is capable of being a diverse actor. The other actors did a fine job as well, most notably his wife (Lynn Hung) and General Miura (Hiroyuki Ikeuchi), considering their acting experience. The cinematography, soundtrack, costumes and art direction are all well done. They got some fairly experienced people for that, but not anyone "really" famous (except for the movie buffs perhaps), most notably Kenji Kawai and Kenneth Mak.
My main critique lies in the fact that this movie markets itself as a historical portrait, while this is clearly not so. Apart from the fight scenes that has probably never gone down in reality, we also have the portrayal of the Japanese. While they definitely did invade China and committed some atrocities there, I somehow doubt they had karate tournaments with Japanese vs Chinese. The movie also claims that the city population was reduced from 300k to 72k, which I somehow doubt, but I am unable to find any source that either disprove or confirms that statement. But since the movie is from China I guess a non-biased portrayal of the Japanese invasion is too much to ask. But the thing that bugged me the most was the final part of the movie, which show a fight scene with following events that I am 100% positive has never happened, but the movie actually try to claim that it did (obviously I can't explain the scene to you without spoiling).
So all in all a great movie. The plot meets the required amount of relevancy that is needed to keep you interested, but what really stands out is the fight scenes which is what lift this movie to great heights, and what I assume has secured it a place on the IMDb top 250 list. I greatly enjoyed the movie, but the fact that the movie tries to sell itself as being a historic portrayal really bugs me the wrong way and drags it down a point.
The movie starts of a bit slow, and seems a bit awkward imo. The dialogue didn't really work on me, and I didn't quite feel the comedy or drama the dialogue was supposed to invoke. However, troublemakers enter the city and the fighting shall begin. When that part began, the movie immediately started to grow on me. The fighting is very well choreographed, and the stunts are really amazing. I am very interested in martial arts and fighting, and thus many movies loses me when I have to see a 300 pound muscular guy supposedly gets knocked out for 10 minutes by 1 jab from e.g. Jackie Chan or choked out by Angelina Jolie. However, in this movie the fight scenes are so amazing that I easily accept that a knee to the body can send a guy a flying across the room. The fighting is of course unrealistic (though not extremely so), but they somehow make it seem legit in this movie, and you actually start believing for the duration of the movie that Ip Man is capable of this stuff.
As for the cast, Donnie Yen is the one that stands out. He is a really great choice for Ip Man, with a very calm and intelligent charisma, and he shows in this movie that he is capable of being a diverse actor. The other actors did a fine job as well, most notably his wife (Lynn Hung) and General Miura (Hiroyuki Ikeuchi), considering their acting experience. The cinematography, soundtrack, costumes and art direction are all well done. They got some fairly experienced people for that, but not anyone "really" famous (except for the movie buffs perhaps), most notably Kenji Kawai and Kenneth Mak.
My main critique lies in the fact that this movie markets itself as a historical portrait, while this is clearly not so. Apart from the fight scenes that has probably never gone down in reality, we also have the portrayal of the Japanese. While they definitely did invade China and committed some atrocities there, I somehow doubt they had karate tournaments with Japanese vs Chinese. The movie also claims that the city population was reduced from 300k to 72k, which I somehow doubt, but I am unable to find any source that either disprove or confirms that statement. But since the movie is from China I guess a non-biased portrayal of the Japanese invasion is too much to ask. But the thing that bugged me the most was the final part of the movie, which show a fight scene with following events that I am 100% positive has never happened, but the movie actually try to claim that it did (obviously I can't explain the scene to you without spoiling).
So all in all a great movie. The plot meets the required amount of relevancy that is needed to keep you interested, but what really stands out is the fight scenes which is what lift this movie to great heights, and what I assume has secured it a place on the IMDb top 250 list. I greatly enjoyed the movie, but the fact that the movie tries to sell itself as being a historic portrayal really bugs me the wrong way and drags it down a point.
Ip Man (1893-1972) is the expert in the Wushu fighting style of Wing Chun, and is the master of the famous Bruce Lee. As there has never been any previous film record of Ip Man, this film produced by Raymond Wong and directed by Wilson Yip will be the very first.
The movie opens and dates back to 1935 Foshan, with the city bustling with activities and various schools of martial arts are seen busy with the practice of their craft. In the people's mind however there would be only one martial artist who is the best. He however would have no interest in opening a school to teach his art. He is Ip Man, played by Hong Kong action star Donnie Yen.
Our introduction to Ip Man began on the day when Master Liu (Chen Zhi-Hui) visits Ip Man at his residence when the latter is having dinner with his wife and son. Being the typical martial arts enthusiast that Master Liu is, he declined to leave when advised by Ip Man to come back at another time, choosing instead to stay and wait until Ip Man have finished his dinner. He is eager to test his skills against Master Ip Man. The mood here is not of hostility but of a light hearted and humorous fashion. Ip Man even invited Master Liu to sit and have dinner with his family when he spots him restlessly waiting by the living room. We see here the humble and modest character of the protagonist.
When the sparring finally got underway, it ended as swiftly as Ip Man's strokes suggest. Because in three strokes and a set of quick fists, he had Master Liu at his peril, well defeated yet without injury, as this was all but a friendly exchange in the spirit of martial arts. The essence of Ip Man's fighting style, Wing Chun, is characterized by its tall narrow stance with effectiveness demonstrated through speed and power. It reminds of the time when Bruce Lee had to slow his punches down during filming, as they were just too fast for the cameras back then to capture.
In the world of martial arts, with all its attractiveness, it also brings with it the competitive nature of those who practice them. With competitiveness taken the wrong way, things can go awfully wrong when all one wants to achieve is to have the other beaten so as to prove who the superior fighter is. A thug in Kam Shan-chau (Fan Sui-Wong) later arrives and challenges the various schools, defeating their masters ruthlessly, until he came face to face with Ip Man. Kam lost to Ip Man with a lesson he ought to have learn, only that he did not and left Foshan with only disgrace in his mind. The people celebrate as they hail Ip Man the savior who brought glory to Foshan by sending the thug away.
The fight ends but the story have only just began, and with it a change of mood from lightness to heavy because war has broken. The Japanese have seized Foshan.
What follows will be Ip Man's struggles and challenges as he has to make ends meet for his family in the dreadful time of adversity. It is here we see the true character of Ip Man, who has captured the hearts of the people of Foshan and their respect. This is most notable among his friends in Chow Ching-chuen (Simon Yam), his son Chow Kong-yiu (Calvin Cheng), and Crazy Lam (Xing Yu).
To mistake this film, as one of just good versus evil is easy because in a movie that has a hero, there must be a villain. There are a few characters here befitting of the role. We have the Japanese general, Miura (Hiroyuki Ikeuchi). We have the aforementioned thug, Kam Shan-chau. We also have police officer turned interpreter, Li Chiu (Lam Ka-tung) who appears to be a traitor. The film here however should not to be seen as a fight against evil but rather of the depiction of humanistic values that Ip Man himself would possess.
There are many meaningful messages encrypted in the various plots and subplots in this wonderful film that really is about virtues more than anything else. As producer Raymond Wong would suggest on why the production team had chosen to make this film, it is that of really making a kung fu movie that is authentic and real, moving away from past attempts at glorifying and stylizing violence on screen. The intention is to make a film that would reflect the spirit of Chinese kung fu, and what better than to portray it through the virtuous character of Master Ip Man.
I would have like to compare this film to Fearless aka Huo Yuan Jia (2006), starring Jet Li, which strings from a similar root, but at the very core, the approach is different. While Fearless is written in a more dramatic nature, with a more compelling story and edited with a creative dimension, Ip Man is honest and direct because that is who our protagonist is.
What stood out for me in Ip Man is when he ponders in introspection about what use his training and expertise in Wing Chun all his years would come to. It would appear that there is destiny waiting to be fulfilled. And he would also influence those around him with what he has and even lead those who have been wrong to do right despite the pressure of circumstances, because to the very basis, it is the right thing to do in humanity.
History means nothing if its lessons are not learned.
The film also stars the stunning Xiong Dai Lin as Cheung Wing-sing, Ip Man's wife, and I must also not forget to mention that the acclaimed Sammo Hung directs the action.
The movie opens and dates back to 1935 Foshan, with the city bustling with activities and various schools of martial arts are seen busy with the practice of their craft. In the people's mind however there would be only one martial artist who is the best. He however would have no interest in opening a school to teach his art. He is Ip Man, played by Hong Kong action star Donnie Yen.
Our introduction to Ip Man began on the day when Master Liu (Chen Zhi-Hui) visits Ip Man at his residence when the latter is having dinner with his wife and son. Being the typical martial arts enthusiast that Master Liu is, he declined to leave when advised by Ip Man to come back at another time, choosing instead to stay and wait until Ip Man have finished his dinner. He is eager to test his skills against Master Ip Man. The mood here is not of hostility but of a light hearted and humorous fashion. Ip Man even invited Master Liu to sit and have dinner with his family when he spots him restlessly waiting by the living room. We see here the humble and modest character of the protagonist.
When the sparring finally got underway, it ended as swiftly as Ip Man's strokes suggest. Because in three strokes and a set of quick fists, he had Master Liu at his peril, well defeated yet without injury, as this was all but a friendly exchange in the spirit of martial arts. The essence of Ip Man's fighting style, Wing Chun, is characterized by its tall narrow stance with effectiveness demonstrated through speed and power. It reminds of the time when Bruce Lee had to slow his punches down during filming, as they were just too fast for the cameras back then to capture.
In the world of martial arts, with all its attractiveness, it also brings with it the competitive nature of those who practice them. With competitiveness taken the wrong way, things can go awfully wrong when all one wants to achieve is to have the other beaten so as to prove who the superior fighter is. A thug in Kam Shan-chau (Fan Sui-Wong) later arrives and challenges the various schools, defeating their masters ruthlessly, until he came face to face with Ip Man. Kam lost to Ip Man with a lesson he ought to have learn, only that he did not and left Foshan with only disgrace in his mind. The people celebrate as they hail Ip Man the savior who brought glory to Foshan by sending the thug away.
The fight ends but the story have only just began, and with it a change of mood from lightness to heavy because war has broken. The Japanese have seized Foshan.
What follows will be Ip Man's struggles and challenges as he has to make ends meet for his family in the dreadful time of adversity. It is here we see the true character of Ip Man, who has captured the hearts of the people of Foshan and their respect. This is most notable among his friends in Chow Ching-chuen (Simon Yam), his son Chow Kong-yiu (Calvin Cheng), and Crazy Lam (Xing Yu).
To mistake this film, as one of just good versus evil is easy because in a movie that has a hero, there must be a villain. There are a few characters here befitting of the role. We have the Japanese general, Miura (Hiroyuki Ikeuchi). We have the aforementioned thug, Kam Shan-chau. We also have police officer turned interpreter, Li Chiu (Lam Ka-tung) who appears to be a traitor. The film here however should not to be seen as a fight against evil but rather of the depiction of humanistic values that Ip Man himself would possess.
There are many meaningful messages encrypted in the various plots and subplots in this wonderful film that really is about virtues more than anything else. As producer Raymond Wong would suggest on why the production team had chosen to make this film, it is that of really making a kung fu movie that is authentic and real, moving away from past attempts at glorifying and stylizing violence on screen. The intention is to make a film that would reflect the spirit of Chinese kung fu, and what better than to portray it through the virtuous character of Master Ip Man.
I would have like to compare this film to Fearless aka Huo Yuan Jia (2006), starring Jet Li, which strings from a similar root, but at the very core, the approach is different. While Fearless is written in a more dramatic nature, with a more compelling story and edited with a creative dimension, Ip Man is honest and direct because that is who our protagonist is.
What stood out for me in Ip Man is when he ponders in introspection about what use his training and expertise in Wing Chun all his years would come to. It would appear that there is destiny waiting to be fulfilled. And he would also influence those around him with what he has and even lead those who have been wrong to do right despite the pressure of circumstances, because to the very basis, it is the right thing to do in humanity.
History means nothing if its lessons are not learned.
The film also stars the stunning Xiong Dai Lin as Cheung Wing-sing, Ip Man's wife, and I must also not forget to mention that the acclaimed Sammo Hung directs the action.
- andydreamseeker
- Feb 5, 2009
- Permalink
When I saw IP Man in the IMDb top 500, I thought I will have a look at it & am I glad I did! It is one of the most memorable martial arts movies I have seen. If reading subtitles annoys you, then you may not get motivated to watch IP Man, but if you can get passed that, this is a fantastic movie.
It tells the story of IP Man (Yip Man), a Chinese Martial Art Grandmaster who teaches Wing Chum. It is based on the life of Yip Man (1893-1972) whom taught many students throughout his life, several of which became martial arts teachers in their own right. His most famous student was Bruce Lee. This movie has lots of action, from martial arts training to big fight scenes, interwoven with drama that makes you really feel for IP Man. It has a great storyline supplemented with top notch acting. Donnie Yen does an excellent job in his role as IP Man, and in my opinion this is one of his best performances.
IP Man 2 is also very good but lacking in story compared to the original. I would rate the original, IP Man as being the better out of them. This is truly a must see for any action/martial art fan.
It tells the story of IP Man (Yip Man), a Chinese Martial Art Grandmaster who teaches Wing Chum. It is based on the life of Yip Man (1893-1972) whom taught many students throughout his life, several of which became martial arts teachers in their own right. His most famous student was Bruce Lee. This movie has lots of action, from martial arts training to big fight scenes, interwoven with drama that makes you really feel for IP Man. It has a great storyline supplemented with top notch acting. Donnie Yen does an excellent job in his role as IP Man, and in my opinion this is one of his best performances.
IP Man 2 is also very good but lacking in story compared to the original. I would rate the original, IP Man as being the better out of them. This is truly a must see for any action/martial art fan.
- YohjiArmstrong
- Jun 29, 2011
- Permalink
I was inspired to watch this movie by all the positive reviews it has received, and the high rating here on IMDb. I was expecting something epic beautiful and captivating. I was however disappointed.
The problem with this movie is that it is a martial arts movie that tries to be 'Gone with the wind'. However martial arts has no place in a serious drama about the cruelty of the Japanese occupation of China, and human tragedy is probably too angsty a backdrop for a movie that seeks to entertain you by kicking people in the groin. The genres are fairly incompatible, so they can only be held together by a story that is so contrived and stupid that you might as well just fast-forward through it to the next fight scene.
In this film the universe seems to revolve around martial arts. Everyone cares way too much about it. Even though it has zero practical applications, and they all have more pressing concerns like war and famine.
As a martial arts movie it holds up quite well. The first 20 mins has some of the best fight scenes I've ever seen in any movie. The cinematography is also excellent. It is really just the awkward, nonsensical wartime narrative that makes it blow.
As a historical wartime drama, it is obviously just shallow and silly, not to mention overly long and boring. Movies like Full Metal Jacket, Schindler's list, Empire of the sun etc... explore this subject properly. Ip Man really only scratches the surface, and I kind of wish it didn't bother.
I would give this film a 6 because that is a realistic representation of how much I enjoyed it. It was okay, but I doubt I would watch it again or recommend it to anyone (apart from the first 20 mins which are unquestionably awesome). I'm tempted to give more because it is quite epic, and has that rich epic quality too it. But 7 is probably too high, for all it's qualities, it is just not that interesting.
The problem with this movie is that it is a martial arts movie that tries to be 'Gone with the wind'. However martial arts has no place in a serious drama about the cruelty of the Japanese occupation of China, and human tragedy is probably too angsty a backdrop for a movie that seeks to entertain you by kicking people in the groin. The genres are fairly incompatible, so they can only be held together by a story that is so contrived and stupid that you might as well just fast-forward through it to the next fight scene.
In this film the universe seems to revolve around martial arts. Everyone cares way too much about it. Even though it has zero practical applications, and they all have more pressing concerns like war and famine.
As a martial arts movie it holds up quite well. The first 20 mins has some of the best fight scenes I've ever seen in any movie. The cinematography is also excellent. It is really just the awkward, nonsensical wartime narrative that makes it blow.
As a historical wartime drama, it is obviously just shallow and silly, not to mention overly long and boring. Movies like Full Metal Jacket, Schindler's list, Empire of the sun etc... explore this subject properly. Ip Man really only scratches the surface, and I kind of wish it didn't bother.
I would give this film a 6 because that is a realistic representation of how much I enjoyed it. It was okay, but I doubt I would watch it again or recommend it to anyone (apart from the first 20 mins which are unquestionably awesome). I'm tempted to give more because it is quite epic, and has that rich epic quality too it. But 7 is probably too high, for all it's qualities, it is just not that interesting.
I have seen and enjoyed many, many martial arts film. However, I am not blind to the problems that have often plagued the genre. For every exceptional film (such as most of the Shaw Brothers films or the better films of Sonny Chiba) there are the god-awful ones--movies that are embarrassingly bad. In these bad films, you see horrible martial arts where blows barely come near their opponents or kicks that look like my grandmother was fighting! Heck, I even remember one film with gorillas doing kung fu--and they obviously were two guys wearing VERY cheap Halloween costumes! Because of the many bad films, it's a pleasure to see "Ip Man"--a film where the fighting is the most realistic you'll ever see. There is no 'wire fu' here--just fast and amazingly talented people making it look authentic.
The film covers only a portion of Master Ip Man's life--mostly the 1930s--both before and during the Japanese occupation of his homeland. I read that MUCH liberty was taken with his life in the film--and I doubt if the guy really did half the things they show the actor (Donny Yen) playing him did! But, it is constantly entertaining and even uplifting. I am very sure that in China this film must have been a great source of pride--seeing Ip Man standing up to the murderous Japanese occupiers. A simply terrific film--and I challenge you to find one better! Because it is so good, I couldn't help but give this one a well-earned 10.
The film covers only a portion of Master Ip Man's life--mostly the 1930s--both before and during the Japanese occupation of his homeland. I read that MUCH liberty was taken with his life in the film--and I doubt if the guy really did half the things they show the actor (Donny Yen) playing him did! But, it is constantly entertaining and even uplifting. I am very sure that in China this film must have been a great source of pride--seeing Ip Man standing up to the murderous Japanese occupiers. A simply terrific film--and I challenge you to find one better! Because it is so good, I couldn't help but give this one a well-earned 10.
- planktonrules
- Jan 29, 2014
- Permalink
- scorpius1486
- Jan 7, 2009
- Permalink
In FoShan, southern China, Master Liu challenges Ip Man (Donnie Yen) and gets beaten. Ip Man promises to keep it private but loudmouthed Yuan tells everyone. Jin from the north challenges every master in FoShan. He wins in every match except for Ip Man. In 1937, war starts between Japan and China. Ip Man loses everything. Japanese General Miura has organized fight tournaments. Yuan's older brother Lin is killed. Ip Man fights to avenge his death. Meanwhile, Jin leads his bandits including Yuan. They steal from Ip Man's friend Zhou Qingquan.
The start is well-done kung fu movie and a good solid story. Donnie Yen has great dignity. The movie is essentially extended into two parts. The war scrambles everybody and everything. The second part is also good. It introduces whole new villains. I would have preferred having two separate movies. The fight action is fun, and energetic. This is a solid kung fu action movie.
The start is well-done kung fu movie and a good solid story. Donnie Yen has great dignity. The movie is essentially extended into two parts. The war scrambles everybody and everything. The second part is also good. It introduces whole new villains. I would have preferred having two separate movies. The fight action is fun, and energetic. This is a solid kung fu action movie.
- SnoopyStyle
- Jul 12, 2016
- Permalink
As a Chinese, I really can't believe this movie is on the top 250 list! This is one of the most superficial movies I have ever seen. The nationalism dialog and the detract of Japanese and the unrealistic display of Kung Fu is almost a joke. I voted for 1 not only because it's a bad movie, but also for a protest. I cant this one can have a higher score of the real masterpieces of Chinese movie. This is UNBELIEVABLE! For those who interested in Chinese movie, I recommend Zhang Yimou's 'Lifetimes Living', Kaige Chen's 'Farewell My Concubine' and Jiang Wen's 'Devils on the Doorstep'. These are all masterpieces, revealing the real mental attitude of Chinese people and the historical appearance of Chinese society. For those who interested in Kung Fu movie, Jackie Chan is better, Bruce Lee is always good. All in all, FORGET THIS ONE!!!
- user-182-108156
- Dec 15, 2014
- Permalink
This luxurious Kung Fu film was marvelously filmed with good production design , colorful cinematography , spectacular combats and breathtaking scenes . The flick displays lots of violence , action filled , thrills and fierce fights . This exciting film deals with the celebrated Kung Fu master of Bruce Lee . A semi-biographical account of Yip Man , the first martial arts master to teach the Chinese martial art of Wing Chun ; though not mentioned in the film Grandmaster Yip Man was actually employed as a police officer during the Japanese invasion . Although it's the first film centering around Yip Man, the idea of doing a Yip Man biopic have been conceived for as long as 30 years . Dramatizes the life of Yip Man (1893-1972) in the mid to late 1930s . Foshun is a big city with many martial arts schools . Yip, who practices Wing Chun, is a famous local master . When a rough band comes to the prosperous town , they decide challenge Yip and then he kicks them out . After that , in 1937 Japan invades China and Chinese people suffer the continual racist harassment by the Japanese military . Japanese celebrate hard combats and IP accepts the challenge of a fighter General . The General proceeds to mercilessly crush each of them with a brutal yet efficient barrage of his martial art mastery , showing barely any of the restraint he exhibited in previous engagements . At the end takes place the match between Ip and the General , it is held in public in Foshan's square .
This moving Chop-Socky displays action-packed , thrills , fast-paced and wild fighting images . It is an action-filled and violent film , being filmed in Hong Kong . The picture is full of tumultuous sequences with frenetic action , surprises , fierce combats and groundbreaking struggles . The rousing fights with deadly use of fists , feet and palms , along with such weapons as swords and sticks . Fights , attacks and exciting combats very well staged by expert Sammo Hung , the result is a strong entry for action buffs Amid the glamour and grandeur of the scenarios is developed an intrigue between Chinese-Japanese confrontation . Groundbreaking combats between IP Man and a lot of Japonese soldiers ; furthermore , an overwhelming final duel between Yip Man and a General . Classic as well as impressive Chop-Socky in which wild fighting scenes provide an overwhelming view of Donnie Yen's skills. Donnie Yen was actually slated to play Yip Man in the supposed first biopic that was about to go into production in 1997 . The film would've also featured Stephen Chow playing an adult Bruce Lee . However, only one day of shooting took place before the project was canceled . Actors made their owns stunts ; some of the players got injured and to had to be hospitalized during the shooting , as Hiroyuki Ikeuchi , who played the Japanese general , suffered a mild concussion during filming, after being struck four times during a fight scene.
The motion picture was stunningly directed by Wilson Yip . It is followed by two sequels such as ¨IP Man 2¨ (2010) by Wilson Yip with Donnie Yen as Yip Man , Xiaoming Huang , Wong Shun-Leung , Sammo Hung Kam-Bo , Lynn Hung , Simon Yan and ¨IP Man 3¨ (2013) with Anthony Wong Chau-Sang as Ip Man, Gillian Chung , Jordan Chan and Eric Tsang .
This moving Chop-Socky displays action-packed , thrills , fast-paced and wild fighting images . It is an action-filled and violent film , being filmed in Hong Kong . The picture is full of tumultuous sequences with frenetic action , surprises , fierce combats and groundbreaking struggles . The rousing fights with deadly use of fists , feet and palms , along with such weapons as swords and sticks . Fights , attacks and exciting combats very well staged by expert Sammo Hung , the result is a strong entry for action buffs Amid the glamour and grandeur of the scenarios is developed an intrigue between Chinese-Japanese confrontation . Groundbreaking combats between IP Man and a lot of Japonese soldiers ; furthermore , an overwhelming final duel between Yip Man and a General . Classic as well as impressive Chop-Socky in which wild fighting scenes provide an overwhelming view of Donnie Yen's skills. Donnie Yen was actually slated to play Yip Man in the supposed first biopic that was about to go into production in 1997 . The film would've also featured Stephen Chow playing an adult Bruce Lee . However, only one day of shooting took place before the project was canceled . Actors made their owns stunts ; some of the players got injured and to had to be hospitalized during the shooting , as Hiroyuki Ikeuchi , who played the Japanese general , suffered a mild concussion during filming, after being struck four times during a fight scene.
The motion picture was stunningly directed by Wilson Yip . It is followed by two sequels such as ¨IP Man 2¨ (2010) by Wilson Yip with Donnie Yen as Yip Man , Xiaoming Huang , Wong Shun-Leung , Sammo Hung Kam-Bo , Lynn Hung , Simon Yan and ¨IP Man 3¨ (2013) with Anthony Wong Chau-Sang as Ip Man, Gillian Chung , Jordan Chan and Eric Tsang .
I had a choice of watching The Spirit or Ip Man. It is a tough decision and after a long while, I finally makes the choice of watching Ip Man. The director of Dragon Tiger Gate makes his comeback with his usual star, Donnie Yen. As expected, the martial arts fighting scenes are amazing. This director is amazing, he knows how to direct realistic martial arts fighting features in Dragon Tiger Gate. This guy can create, I can say, some of best martial arts movies.
The story: It tells about Ip Man's life, the soon-to-be master of the famous Bruce Lee. I can't say much about the plot but the fighting and the music are great. The Japanese soon attacks China which affects Ip Man and his family. Soon, he goes for a fight, organised by the Japanese, which can earn him rice. The Japanese General is impressed by his ability which leads to the final battle of all. It is fast paced with amazing fights in between and humour.
Overall: If you are a martial arts movie fan, this is definitely stunning and not to be missed. If you get entertained by any form of action and want to know the facts of Bruce Lee's master, this should also not be missed. Another good martial arts movie.
The story: It tells about Ip Man's life, the soon-to-be master of the famous Bruce Lee. I can't say much about the plot but the fighting and the music are great. The Japanese soon attacks China which affects Ip Man and his family. Soon, he goes for a fight, organised by the Japanese, which can earn him rice. The Japanese General is impressed by his ability which leads to the final battle of all. It is fast paced with amazing fights in between and humour.
Overall: If you are a martial arts movie fan, this is definitely stunning and not to be missed. If you get entertained by any form of action and want to know the facts of Bruce Lee's master, this should also not be missed. Another good martial arts movie.
I loved this film. One of the best martial arts films ever made. A true gem.
As a martial artist, I love the teaching behind Confucius and WuShu. Self-discipline, mindfulness, respect, and honor.
Well done!
As a martial artist, I love the teaching behind Confucius and WuShu. Self-discipline, mindfulness, respect, and honor.
Well done!