The lone survivor of an enigmatic spaceship incident hasn't returned home alone - hiding inside his body is a dangerous creature.The lone survivor of an enigmatic spaceship incident hasn't returned home alone - hiding inside his body is a dangerous creature.The lone survivor of an enigmatic spaceship incident hasn't returned home alone - hiding inside his body is a dangerous creature.
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This is a very well done sci-fi with a solid creature which isn't too over the top and is kept just simple enough to really work. Some of the only gems coming out of the horror and sci fi genres these days are the indie/foreign films and this one delivers a scary creature without getting so bogged down and convoluted as some of the more recent big budget films. It is subtitled but you can still appreciate that the actors/actresses were quite good. It was an unexpected surprise and I recommend it to anyone surging through the massive catalog of cookie cutter and ridiculous horror movies of late.
I have to say,I really liked it. The story was tense from the beggining and the acting was quiet good. This is how every sci-fi movie should be...Entertaining,good plot, new and fresh ideas...Overall a good sci-fi movie... well done
I know something about Russian cinema (I live near Russia and I speak Russian).
Let me explain why this movie is not what it could've been.
First of all, modern big-budget Russian cinema is desperately trying to copy Hollywood-style productions and franchises, they even borrow some scripts and ideas (which is fine, many European filmmakers do this). Indie Russian filmmakers mostly do other types of films and there are lots of great Russian films out there, like Durak (2014), Leviathan (2014), Zhit (2010), Zavod (2018) and many more.
This film is not an exception in terms of Hollywood copy-pasting. Up to around 1 hr mark, they just copy scenes and concepts from popular films like Annihilation, Venom, Gravity (opening scene), Arrival, After Earth, and Alien Covenant. This is a common practice since sometimes they just straight-up rip off scripts and whole films like Nochnye strazhi (2016) (MIB rip-off with vampires), Den D (2008) (Commando scene-by-scene ripoff), Voin (2015) (a rip-off of Warrior (2011) and many, many more.
They do this copy-paste pretty well, the cinematography is great, the 80ties Soviet-era setting works although they never really dive deep into it since this film was made for international release and most of the more complicated stuff just wouldn't be understood. In this film though they re-create those scenes not exactly knowing what they are meant to establish. Many scenes are supposed to be emotional but not in this film, they clearly misunderstood the tone of some of those since the music is heavily misused in this. Like the scene where the doctor is transported to the facility, which was taken from the Arrival, but they play military-style music which does not fit well into the "delving into the unknown" style of the scene, more like an action film build-up.
Right around 1hr mark, they run of these and just start making their own stuff up, making really big stretches in terms of the script. Since the premise was a mix of other films they didn't really know where to go with this and thus, the film transformed into a mess of unbelievable scenes and random unnecessary subplots. Character motivation is completely dropped and all the things the characters do make absolutely no sense, nobody knows what and why they are doing.
The kid subplot was so incredibly unnecessary and disconnected that removing it from the story would change absolutely nothing. I have absolutely no idea why it was even included (probably because of using this mix of ideas they didn't really know what genre the film is supposed to be, a sci-fi horror? a family drama? who knows).
The ending is very messy and kind of defeats the purpose of most of the unmotivated character actions, which is a staple of these types of films.
We will surely see more of these since foreign markets are very profitable, and since most of these big productions are co-funded by Fond Kino (Cinema Fund, Russian governmental organization), the creators are not really scared of losing money and are just trying to build up better visuals and more recognizable imagery to sell their product worldwide.
Even though this film was quite a mess, I still want to give props to the filmmakers (one of which is the son of a great Soviet director Sergei Bondarchuk (the author of many great films and even an oscar-winning Voyna i mir (1966-67), who plays the commander in this one) for achieving a technical level of a good Hollywood production.
Too bad they had no original concept or a general idea of what they are trying to show.
Hope this review makes it easier for foreign viewers to understand and appreciate this film for what it is.
Let me explain why this movie is not what it could've been.
First of all, modern big-budget Russian cinema is desperately trying to copy Hollywood-style productions and franchises, they even borrow some scripts and ideas (which is fine, many European filmmakers do this). Indie Russian filmmakers mostly do other types of films and there are lots of great Russian films out there, like Durak (2014), Leviathan (2014), Zhit (2010), Zavod (2018) and many more.
This film is not an exception in terms of Hollywood copy-pasting. Up to around 1 hr mark, they just copy scenes and concepts from popular films like Annihilation, Venom, Gravity (opening scene), Arrival, After Earth, and Alien Covenant. This is a common practice since sometimes they just straight-up rip off scripts and whole films like Nochnye strazhi (2016) (MIB rip-off with vampires), Den D (2008) (Commando scene-by-scene ripoff), Voin (2015) (a rip-off of Warrior (2011) and many, many more.
They do this copy-paste pretty well, the cinematography is great, the 80ties Soviet-era setting works although they never really dive deep into it since this film was made for international release and most of the more complicated stuff just wouldn't be understood. In this film though they re-create those scenes not exactly knowing what they are meant to establish. Many scenes are supposed to be emotional but not in this film, they clearly misunderstood the tone of some of those since the music is heavily misused in this. Like the scene where the doctor is transported to the facility, which was taken from the Arrival, but they play military-style music which does not fit well into the "delving into the unknown" style of the scene, more like an action film build-up.
Right around 1hr mark, they run of these and just start making their own stuff up, making really big stretches in terms of the script. Since the premise was a mix of other films they didn't really know where to go with this and thus, the film transformed into a mess of unbelievable scenes and random unnecessary subplots. Character motivation is completely dropped and all the things the characters do make absolutely no sense, nobody knows what and why they are doing.
The kid subplot was so incredibly unnecessary and disconnected that removing it from the story would change absolutely nothing. I have absolutely no idea why it was even included (probably because of using this mix of ideas they didn't really know what genre the film is supposed to be, a sci-fi horror? a family drama? who knows).
The ending is very messy and kind of defeats the purpose of most of the unmotivated character actions, which is a staple of these types of films.
We will surely see more of these since foreign markets are very profitable, and since most of these big productions are co-funded by Fond Kino (Cinema Fund, Russian governmental organization), the creators are not really scared of losing money and are just trying to build up better visuals and more recognizable imagery to sell their product worldwide.
Even though this film was quite a mess, I still want to give props to the filmmakers (one of which is the son of a great Soviet director Sergei Bondarchuk (the author of many great films and even an oscar-winning Voyna i mir (1966-67), who plays the commander in this one) for achieving a technical level of a good Hollywood production.
Too bad they had no original concept or a general idea of what they are trying to show.
Hope this review makes it easier for foreign viewers to understand and appreciate this film for what it is.
Hard to believe this is the director's first feature. Solid sci-fi horror film with strong characterization and strong tension and mood and also presents one of the most terrifying movie monsters I've seen in a while. Oksana Akinshina gives a soulful performance.
Oksana Akinshina, Fedor Bondarchuk, Pyotr Fyodorov, Oleg Karpachev (music), Maxim Zhukov (Cinematography) I gave a standing ovation.
Oksana Akinshina, Fedor Bondarchuk, Pyotr Fyodorov, Oleg Karpachev (music), Maxim Zhukov (Cinematography) I gave a standing ovation.
Set in 1983, this film opens with two cosmonauts preparing to return to Earth; they see something on the outside of their capsule. When the capsule lands one of them is dead and the other, Konstantin Veshnyakov, appears to be injured. He has no memory of what happened. The authorities, under Colonel Semiradov, invite psychiatrist Tatyana Klimova to try to help recover those memories. She is taken to a facility in Soviet Kazakhstan where she learns that there is far more to Konstantin's story than she was told... he has brought something back with him; something potentially very dangerous.
I enjoyed this film; some of the ideas may have been less than original but the setting gave it a freshness. Early on I wasn't sure what genre the film was as it is a while before it becomes obvious what the creature does and why. The design of the alien creature was impressive as was the way it moved. The cast did a solid job, most obviously Oksana Akinshina and Pyotr Fyodorov as Tatyana and Konstantin. While there isn't too much violence, what there is, is quite gory although unlikely to disturb horror fans. Overall I'd certainly recommend this to sci-fi fans.
These comments are based on watching the film in Russian with English subtitles.
I enjoyed this film; some of the ideas may have been less than original but the setting gave it a freshness. Early on I wasn't sure what genre the film was as it is a while before it becomes obvious what the creature does and why. The design of the alien creature was impressive as was the way it moved. The cast did a solid job, most obviously Oksana Akinshina and Pyotr Fyodorov as Tatyana and Konstantin. While there isn't too much violence, what there is, is quite gory although unlikely to disturb horror fans. Overall I'd certainly recommend this to sci-fi fans.
These comments are based on watching the film in Russian with English subtitles.
Storyline
Did you know
- TriviaAround 70% of the film's scenes were shot at the Shemyakin-Ovchinnikov Institute of Bio-organic Chemistry in Moscow. It was built in 1959 and is a good example of brutalist Soviet architecture.
- GoofsWhen Tatyana is first arriving at the facility in Kazakhstan, the guards are watching the car convoy arrive through a window and press the button to open the gate. In the next scene, the gate opens and the convoy enters the facility. A dog is walking near the fence by the gate, but was not visible in the area in the previous scene from the guardhouse.
- Quotes
Tatyana Klimova: Are you allergic to Buspironum?
Security guard: Me? I don't think so...
[Tatyana stabs him in the neck with a sedative syringe]
- ConnectionsFeatured in WhatCulture Horror: 8 Creepiest Horror Movie Monsters In Disguise (2020)
- How long is Sputnik?Powered by Alexa
Details
Box office
- Budget
- RUR 190,000,000 (estimated)
- Gross US & Canada
- $18,853
- Opening weekend US & Canada
- $11,024
- Aug 16, 2020
- Gross worldwide
- $354,023
- Runtime1 hour 53 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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