Other Angle Pictures has boarded international sales on Christine Paillard and Chad Chenouga’s A Smile Doesn’t Lie and will kick off sales in Cannes in May.
The film, whose French title Pourquoi tu souris? means ‘why do you smile?’, follows a man who is always smiling despite life’s hassles. He heads to Bordeaux to start a new life, passes himself off as a migrant and forms an unlikely trio with a humanitarian woman and homeless man who secretly leads them into a questionable situation. It stars Simply Black’s Jean-Pascal Zadi, Emmanuelle Devos and 2023 breakout star Raphael Quenard.
The film, whose French title Pourquoi tu souris? means ‘why do you smile?’, follows a man who is always smiling despite life’s hassles. He heads to Bordeaux to start a new life, passes himself off as a migrant and forms an unlikely trio with a humanitarian woman and homeless man who secretly leads them into a questionable situation. It stars Simply Black’s Jean-Pascal Zadi, Emmanuelle Devos and 2023 breakout star Raphael Quenard.
- 4/23/2024
- ScreenDaily
Netflix teased its slate of new European series, including Part 3 of hit heist show “Lupin” starring Omar Sy, during its showcase at Series Mania in Lille.
The standing room-only session — which featured two DJs on stage spinning tracks to a Netflix sizzle — was a “roadshow”-style presentation that featured a number of clips from the streamer’s forthcoming European shows, followed by a short panel with commissioners Katja Hofem from Germany, Damien Couvreur from France and Jenny Stjernströmer Björk from the Nordics. Each briefly discussed their new shows but didn’t go into detail about their editorial strategies.
Due to the exclusive nature of the clips, security was extremely strict at the session, with French guards shouting at delegates — including journalists — to put away any laptops and phones, making any reporting of the session virtually impossible.
The streamer announced Season 2 of its off-beat comedy series “Represent,” starring Cesar-nominated actor-director Jean-Pascal Zadi...
The standing room-only session — which featured two DJs on stage spinning tracks to a Netflix sizzle — was a “roadshow”-style presentation that featured a number of clips from the streamer’s forthcoming European shows, followed by a short panel with commissioners Katja Hofem from Germany, Damien Couvreur from France and Jenny Stjernströmer Björk from the Nordics. Each briefly discussed their new shows but didn’t go into detail about their editorial strategies.
Due to the exclusive nature of the clips, security was extremely strict at the session, with French guards shouting at delegates — including journalists — to put away any laptops and phones, making any reporting of the session virtually impossible.
The streamer announced Season 2 of its off-beat comedy series “Represent,” starring Cesar-nominated actor-director Jean-Pascal Zadi...
- 3/22/2023
- by Elsa Keslassy and Manori Ravindran
- Variety Film + TV
French hub confirms €200m investment in French series and features this year.
Netflix France has given a taster of the 25 original French series and films due to be launched on the platform this year at a press event in Paris on Thursday (March 10) and revealed a further 20 titles are in production.
The French hub, which officially opened on the eve of the Covid-19 pandemic in January 2020, also confirmed it would be investing €200m in French content this year.
The Paris team announced two new French feature projects, the presidential election comedy En Place and Le Roi Des Ombres, a family...
Netflix France has given a taster of the 25 original French series and films due to be launched on the platform this year at a press event in Paris on Thursday (March 10) and revealed a further 20 titles are in production.
The French hub, which officially opened on the eve of the Covid-19 pandemic in January 2020, also confirmed it would be investing €200m in French content this year.
The Paris team announced two new French feature projects, the presidential election comedy En Place and Le Roi Des Ombres, a family...
- 3/10/2022
- by Melanie Goodfellow
- ScreenDaily
Netflix unveiled its 2022 slate of 25 French Originals, as well as projects including the second and third opus of its action movie “Lost Bullet,” and “En Place,” a comedy series created by Jean-Pascal Zadi (“Tout simplement Noir”) and Francois Uzan.
The company said it will invest more than €200 million ($220 million) in 2022 in France. Out of these 25 titles, there are about 10 series, and approximately eight films.
The streamers’ French presentation was hosted at the Comedy Club in Paris to tease “Standing-Up,” a series following aspiring stand-up comedians directed by Fanny Herrero, the creator of “Call My Agent.” Herrero attended the press conference along with key Netflix executives in Europe, including Damien Couvreur, Sara May and Gaelle Mareschi.
Besides “Standing Up,” Netflix’s anticipated highlights for 2022 including Romain Gavras’s “Athena,” an immersive and modern tragedy played by Dali Benssalah, Sami Slimane, Anthony Bajon and co-written by Ladj Ly (“Les Miserables”); as well as “Rhythm + Flow France,...
The company said it will invest more than €200 million ($220 million) in 2022 in France. Out of these 25 titles, there are about 10 series, and approximately eight films.
The streamers’ French presentation was hosted at the Comedy Club in Paris to tease “Standing-Up,” a series following aspiring stand-up comedians directed by Fanny Herrero, the creator of “Call My Agent.” Herrero attended the press conference along with key Netflix executives in Europe, including Damien Couvreur, Sara May and Gaelle Mareschi.
Besides “Standing Up,” Netflix’s anticipated highlights for 2022 including Romain Gavras’s “Athena,” an immersive and modern tragedy played by Dali Benssalah, Sami Slimane, Anthony Bajon and co-written by Ladj Ly (“Les Miserables”); as well as “Rhythm + Flow France,...
- 3/10/2022
- by Elsa Keslassy
- Variety Film + TV
One week on, France’s industry is still responding to the hot-button Cesar Awards, the country’s equivalent to the Oscars.
French actor Isabelle Adjani, journalist Caroline Fourest and Rachel Khan, an actor and jurist, collectively wrote an op-ed arguing that the political undertone of some acceptance speeches made during the ceremony are breeding divisions within France.
Published in Elle magazine on Thursday, the letter — which doesn’t name anyone and maintains a fairly ideological tone — suggests that the ceremony’s political edge was detrimental to a sense of togetherness and universalism that, they argue, French cinema should promote.
“Almost everyone delivered a monologue that we expected from [them], as if it was a prerequisite to speak out about ‘our causes,’ or ‘our community,’ or ‘our followers,'” reads the op-ed. “As if it has become impossible to find words that speak to everyone. As if cinema can no longer unite.
French actor Isabelle Adjani, journalist Caroline Fourest and Rachel Khan, an actor and jurist, collectively wrote an op-ed arguing that the political undertone of some acceptance speeches made during the ceremony are breeding divisions within France.
Published in Elle magazine on Thursday, the letter — which doesn’t name anyone and maintains a fairly ideological tone — suggests that the ceremony’s political edge was detrimental to a sense of togetherness and universalism that, they argue, French cinema should promote.
“Almost everyone delivered a monologue that we expected from [them], as if it was a prerequisite to speak out about ‘our causes,’ or ‘our community,’ or ‘our followers,'” reads the op-ed. “As if it has become impossible to find words that speak to everyone. As if cinema can no longer unite.
- 3/19/2021
- by Elsa Keslassy
- Variety Film + TV
After last year’s scandal over Roman Polanski’s director win, the 46th Cesar Awards, France’s highest film honors, which took place on Friday in the presence of nominees, has been the subject of vitriolic criticism from industry figures.
Some have claimed that the spectacle was so vulgar that it has tarnished the image of French cinema and will discourage audiences from returning to theaters when they finally reopen. But, in fact, the awards were a fitting encapsulation of an industry that’s increasingly at odds with itself.
The 2021 edition marked a new era for the Cesar Awards, which is now headed by Veronique Cayla, former president of Arte, and vice chaired by Eric Toledano, co-director of “The Intouchables,” who took over from Alain Terzian following an industry revolt over the lack of transparency and democracy within the institution. With the last six months, the operating model and corporate...
Some have claimed that the spectacle was so vulgar that it has tarnished the image of French cinema and will discourage audiences from returning to theaters when they finally reopen. But, in fact, the awards were a fitting encapsulation of an industry that’s increasingly at odds with itself.
The 2021 edition marked a new era for the Cesar Awards, which is now headed by Veronique Cayla, former president of Arte, and vice chaired by Eric Toledano, co-director of “The Intouchables,” who took over from Alain Terzian following an industry revolt over the lack of transparency and democracy within the institution. With the last six months, the operating model and corporate...
- 3/16/2021
- by Elsa Keslassy
- Variety Film + TV
Albert Dopontel’s “Bye Bye Morons” (“Adieu Les Cons”) has won the top prizes at France’s Cesar Awards, taking six awards including Best Film, Best Director and Best Supporting Actor.
The black tragicomedy is about a terminally ill woman and a suicidal man on the run who team up in an attempt to locate the child the woman hasn’t seen in almost 30 years. It also won awards for Dupontel’s screenplay and for its cinematography and set design.
The only other film to win more than one award was the documentary “Adolescents,” which won in the Best Documentary and Best Editing categories.
“Bye Bye Morons” went into Friday’s Cesar Awards, France’s version of the Oscars, with 12 nominations, second only to Frederic Niedermeyer’s “Love Affair(s)”. That film won a single award, for supporting actress Emilie Dequenne.
“Two of Us,” France’s entry in this year...
The black tragicomedy is about a terminally ill woman and a suicidal man on the run who team up in an attempt to locate the child the woman hasn’t seen in almost 30 years. It also won awards for Dupontel’s screenplay and for its cinematography and set design.
The only other film to win more than one award was the documentary “Adolescents,” which won in the Best Documentary and Best Editing categories.
“Bye Bye Morons” went into Friday’s Cesar Awards, France’s version of the Oscars, with 12 nominations, second only to Frederic Niedermeyer’s “Love Affair(s)”. That film won a single award, for supporting actress Emilie Dequenne.
“Two of Us,” France’s entry in this year...
- 3/13/2021
- by Steve Pond
- The Wrap
46th ceremony unfolded amid growing anger within French film industry over cinema closures.
Albert Dupontel’s Bye Bye Morons topped the awards at a politically-charged 46th Césars ceremony on Friday evening (March 12), marked by growing anger within the French film industry over the ongoing closure of cinemas and other cultural spaces as part of anti-Covid-19 measures.
Bye Bye Morons clinched seven Césars including best film, director, cinematography (Alexis Kavyrchine), best original screenplay (Dupontel), best supporting actor (Nicolas Marié), best production design (Carlos Conti) and the fledgeling César des Lycéens, which is voted on by 1,500 high school students.
Dupontel, who previously...
Albert Dupontel’s Bye Bye Morons topped the awards at a politically-charged 46th Césars ceremony on Friday evening (March 12), marked by growing anger within the French film industry over the ongoing closure of cinemas and other cultural spaces as part of anti-Covid-19 measures.
Bye Bye Morons clinched seven Césars including best film, director, cinematography (Alexis Kavyrchine), best original screenplay (Dupontel), best supporting actor (Nicolas Marié), best production design (Carlos Conti) and the fledgeling César des Lycéens, which is voted on by 1,500 high school students.
Dupontel, who previously...
- 3/13/2021
- by Melanie Goodfellow
- ScreenDaily
Albert Dupontel’s “Bye Bye Morons” won seven prizes, including best film and director, at the 46th Cesar Awards which took place as an in-person, yet socially distanced event at the Olympia concert hall in Paris on March 12. The ceremony was held in the presence of nominees only.
“Bye Bye Morons” also won awards for best supporting actor for Nicolas Mairé, original screenplay, cinematography and set design, as well as a prize voted on by high school students. A dark comedy, “Bye Bye Morons” stars Virginie Efira as a seriously ill woman on a mission to reunite with her long-lost child with the help of a man who’s having a burnout. Efira,
Emmanuel Mouret’s “Love Affair(s),” which was nominated for 13 awards, picked up the best supporting actress nod for Emilie Dequenne.
The best actor nod went to Sami Bouajila for his performance in Mehdi M. Barsaoui’s Tunisian drama “A Son.
“Bye Bye Morons” also won awards for best supporting actor for Nicolas Mairé, original screenplay, cinematography and set design, as well as a prize voted on by high school students. A dark comedy, “Bye Bye Morons” stars Virginie Efira as a seriously ill woman on a mission to reunite with her long-lost child with the help of a man who’s having a burnout. Efira,
Emmanuel Mouret’s “Love Affair(s),” which was nominated for 13 awards, picked up the best supporting actress nod for Emilie Dequenne.
The best actor nod went to Sami Bouajila for his performance in Mehdi M. Barsaoui’s Tunisian drama “A Son.
- 3/12/2021
- by Elsa Keslassy
- Variety Film + TV
March brings breezes loud and shrill/stirs the dancing daffodil. Bit of poetry for you there. What Sara Coleridge fails to mention is that March also brings season seven of Brooklyn Nine-Nine to Netflix UK, more weekly episodes of Riverdale season five, a brand new sci-fi series from the creators of Misfits, a new film directed by Amy Poehler and a host of cool animated series.
The One (pictured above) is an eight-part British series created by Howard Overman about a near-future world in which a DNA test can track down your perfect partner. It’s adapted from John Marrs’ novel of the same name, and yes, has a strikingly similar premise to US anthology sci-fi Soulmates. Another fun new UK addition is The Irregulars, a period supernatural fantasy set in the Sherlock Holmes universe in which a bunch of ragtag kids not only have to save the world from darkness,...
The One (pictured above) is an eight-part British series created by Howard Overman about a near-future world in which a DNA test can track down your perfect partner. It’s adapted from John Marrs’ novel of the same name, and yes, has a strikingly similar premise to US anthology sci-fi Soulmates. Another fun new UK addition is The Irregulars, a period supernatural fantasy set in the Sherlock Holmes universe in which a bunch of ragtag kids not only have to save the world from darkness,...
- 3/1/2021
- by Louisa Mellor
- Den of Geek
Emmanuel Mouret’s Les Choses Qu’On Dit, Les Choses Qu’On Fait, aka Love Affair(s), leads France’s César Award nominations with a total 13 including each of the top acting categories as well as Best Director and Best Film. The official 2020 Cannes Film Festival selection is followed by Albert Dupontel’s comedy/drama Adieu Les Cons (Bye Bye Morons) and François Ozon’s Eté 85 (Summer Of 85) with 12 each. The latter was released locally last summer and played Toronto in September.
Other titles to make the cut this morning include the Oscar shortlisted Two Of Us (Deux) from Filippo Meneghetti with Best Actress nods for leads Martine Chevallier and Barbara Sukowa as well as Best Original Screenplay and Best Debut Feature.
In the Foreign Film category are Sam Mendes’ 1917, Todd Haynes’ Dark Waters, Thomas Vinterberg’s Another Round (also Oscar shortlisted on Tuesday), Jan Komasa’s La Communion...
Other titles to make the cut this morning include the Oscar shortlisted Two Of Us (Deux) from Filippo Meneghetti with Best Actress nods for leads Martine Chevallier and Barbara Sukowa as well as Best Original Screenplay and Best Debut Feature.
In the Foreign Film category are Sam Mendes’ 1917, Todd Haynes’ Dark Waters, Thomas Vinterberg’s Another Round (also Oscar shortlisted on Tuesday), Jan Komasa’s La Communion...
- 2/10/2021
- by Nancy Tartaglione
- Deadline Film + TV
Emmanuel Mouret’s “Love Affairs” is leading the nominations for the Cesar Awards, France’s top film honors. Nominations were announced online on Wednesday.
The film, which was part of Cannes 2020’s official selection, weaves together a series of romantic tales exploring love, friendship and infidelity with an ensemble cast including Camelia Jordana, Niels Schneider, Vincent Macaigne and Julia Piaton. “Love Affairs” earned 13 awards nominations, including for best film, director, as well as nods for Jordana, Schneider, Macaigne and Piaton. The film previously won best film at the Lumieres Awards.
Meanwhile, Albert Dupontel’s “Bye Bye Morons” and Francois Ozon’s “Summer of 85” are each nominated for 12 Cesar Awards, including best film and best director. A dark comedy, “Bye Bye Morons” stars Virginie Efira as a seriously ill woman on a mission to reunite with her long-lost child with the help of a man who’s having a burnout.
The film, which was part of Cannes 2020’s official selection, weaves together a series of romantic tales exploring love, friendship and infidelity with an ensemble cast including Camelia Jordana, Niels Schneider, Vincent Macaigne and Julia Piaton. “Love Affairs” earned 13 awards nominations, including for best film, director, as well as nods for Jordana, Schneider, Macaigne and Piaton. The film previously won best film at the Lumieres Awards.
Meanwhile, Albert Dupontel’s “Bye Bye Morons” and Francois Ozon’s “Summer of 85” are each nominated for 12 Cesar Awards, including best film and best director. A dark comedy, “Bye Bye Morons” stars Virginie Efira as a seriously ill woman on a mission to reunite with her long-lost child with the help of a man who’s having a burnout.
- 2/10/2021
- by Elsa Keslassy
- Variety Film + TV
Gaumont is set to unveil sprawling period thriller “The Colors of Fire,” based on Pierre Lemaitre’s international bestseller.
Directed by Clovis Cornillac, “The Colors of Fire” is headlined by a prestigious cast, including Lea Drucker (pictured), the Cesar-winning actor of “Custody,” as well as Benoit Poelvoorde (“Sink or Swim”), Olivier Gourmet (“Karl Marx”), Fanny Ardant (“DNA”), Alice Isaaz (“Elle”) and Cornillac.
Set for delivery in the second half of 2021, “The Colors of Fire” is budgeted at $16 million — a big budget by French standards — and is being produced in-house by Gaumont, as part of the company’s recent mandate to fully finance and produce select films. The movie is in post and shot entirely in Paris.
Lemaitre, author of “The Colors of Fire,” previously wrote “See You Up There,” whose film adaptation directed by Albert Dupontel won five César Awards and sold more two million theatrical admissions in France.
“Although...
Directed by Clovis Cornillac, “The Colors of Fire” is headlined by a prestigious cast, including Lea Drucker (pictured), the Cesar-winning actor of “Custody,” as well as Benoit Poelvoorde (“Sink or Swim”), Olivier Gourmet (“Karl Marx”), Fanny Ardant (“DNA”), Alice Isaaz (“Elle”) and Cornillac.
Set for delivery in the second half of 2021, “The Colors of Fire” is budgeted at $16 million — a big budget by French standards — and is being produced in-house by Gaumont, as part of the company’s recent mandate to fully finance and produce select films. The movie is in post and shot entirely in Paris.
Lemaitre, author of “The Colors of Fire,” previously wrote “See You Up There,” whose film adaptation directed by Albert Dupontel won five César Awards and sold more two million theatrical admissions in France.
“Although...
- 1/12/2021
- by Elsa Keslassy
- Variety Film + TV
Awards ceremony will take place on January 19, 2021.
Italian director Filippo Meneghetti’s debut feature Two Of Us leads the nominations in the 26th edition of France’s Lumière awards, which were unveiled online today (December 14).
The awards, which are voted on by some 130 international correspondents hailing from 40 countries, are France’s equivalent of the Golden Globes.
In spite of the Covid-19 pandemic, which has delayed numerous releases this year, they have retained their traditional time slot and the awards ceremony will take place on January 19, 2021, in line with previous years.
Meneghetti’s Two Of Us is also France’s submission...
Italian director Filippo Meneghetti’s debut feature Two Of Us leads the nominations in the 26th edition of France’s Lumière awards, which were unveiled online today (December 14).
The awards, which are voted on by some 130 international correspondents hailing from 40 countries, are France’s equivalent of the Golden Globes.
In spite of the Covid-19 pandemic, which has delayed numerous releases this year, they have retained their traditional time slot and the awards ceremony will take place on January 19, 2021, in line with previous years.
Meneghetti’s Two Of Us is also France’s submission...
- 12/14/2020
- by Melanie Goodfellow
- ScreenDaily
French public broadcaster France Televisions is set to ramp up its roster of edgy premium scripted series aimed at younger audiences with “Carrement craignos,” “La Brigade des cauchemars,” “Bug” and “La meilleure moitié.”
The new shows, which are commissioned by France Televisions and/or by its online platform france.tv, were unveiled during a video presentation at the Fiction Festival in Paris on Wednesday. Running Sept. 16-18, the festival traditionally takes place in La Rochelle and relocated to Paris, at the Folies Bergeres theater, due to the pandemic.
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After ordering the second seasons of Noé Debré’s political satire “Parlement” and Simon Bouisson’s cyber thriller “Stalk,” the online platform of France Televisions boarded “Carrement craignos,” a half-hour comedy directed by actor-turned helmer Jean-Pascal Zadi, whose recent credits include Gaumont’s comedy “Tout Simplement Noir.”
“Carrement craignos” is headlined by a multi-ethic cast of up-and-comers, including Bun Hay Mean, Mathieu Longatte,...
The new shows, which are commissioned by France Televisions and/or by its online platform france.tv, were unveiled during a video presentation at the Fiction Festival in Paris on Wednesday. Running Sept. 16-18, the festival traditionally takes place in La Rochelle and relocated to Paris, at the Folies Bergeres theater, due to the pandemic.
.
After ordering the second seasons of Noé Debré’s political satire “Parlement” and Simon Bouisson’s cyber thriller “Stalk,” the online platform of France Televisions boarded “Carrement craignos,” a half-hour comedy directed by actor-turned helmer Jean-Pascal Zadi, whose recent credits include Gaumont’s comedy “Tout Simplement Noir.”
“Carrement craignos” is headlined by a multi-ethic cast of up-and-comers, including Bun Hay Mean, Mathieu Longatte,...
- 9/17/2020
- by Elsa Keslassy
- Variety Film + TV
Hype around sci-fi blockbuster also sparks debate.
Christopher Nolan’s Tenet has received a turbo-charged launch in France this week, with scores of previews in major cities across the country ahead of its general release on 800 prints yesterday (August 26).
There is no official data on how the film has performed over its previews and official opening day on Wednesday as Warner Bros France is not releasing figures until August 31 and requested cinemas keep quiet about their ticket sales.
The move has prompted anger among cinema professionals in a territory where the performances of new releases are carefully scrutinised, kicking off...
Christopher Nolan’s Tenet has received a turbo-charged launch in France this week, with scores of previews in major cities across the country ahead of its general release on 800 prints yesterday (August 26).
There is no official data on how the film has performed over its previews and official opening day on Wednesday as Warner Bros France is not releasing figures until August 31 and requested cinemas keep quiet about their ticket sales.
The move has prompted anger among cinema professionals in a territory where the performances of new releases are carefully scrutinised, kicking off...
- 8/27/2020
- by 1100388¦Melanie Goodfellow¦69¦
- ScreenDaily
‘Unhinged’ topped the box office in six countries, including new markets Russia and Austria.
South Korean box office rose 68% at the weekend, thanks to the arrival of strong local title Deliver Us From Evil, directed by Hong Won-Chan (2015’s Office).
Cj Entertainment’s action thriller grossed a handy $10.6m for the August 7-9 period, and $15m since its August 5 opening date. Admissions were 1.39m for the weekend period, and just over 2.03m since Wednesday – 78% of the total market. The film reunites Hwang Jung-min and Lee Jung-jae who appeared together in 2013’s New World.
Deliver Us From Evil’s numbers are...
South Korean box office rose 68% at the weekend, thanks to the arrival of strong local title Deliver Us From Evil, directed by Hong Won-Chan (2015’s Office).
Cj Entertainment’s action thriller grossed a handy $10.6m for the August 7-9 period, and $15m since its August 5 opening date. Admissions were 1.39m for the weekend period, and just over 2.03m since Wednesday – 78% of the total market. The film reunites Hwang Jung-min and Lee Jung-jae who appeared together in 2013’s New World.
Deliver Us From Evil’s numbers are...
- 8/11/2020
- by 1100901¦Charles Gant¦0¦
- ScreenDaily
Comedy sequel sees Spanish audiences defy Covid with biggest opening of 2020.
Russell Crowe road-rage thriller Unhinged released in 19 international markets last Friday, proving a notable draw in Australia, where the film opened with AUD798,000 from 214 cinemas in four days for distributor Studiocanal, achieving 39% market share.
That’s a big step up from the previous weekend’s top title in the territory, which was The King Of Staten Island with $207,000. Currently, 73% of Australia’s cinemas are open, but with reduced capacities and showtimes.
Unhinged was number one in 11 international markets: Australia, UK, Germany, Netherlands, New Zealand, Switzerland, Sweden, Ukraine, West Indies,...
Russell Crowe road-rage thriller Unhinged released in 19 international markets last Friday, proving a notable draw in Australia, where the film opened with AUD798,000 from 214 cinemas in four days for distributor Studiocanal, achieving 39% market share.
That’s a big step up from the previous weekend’s top title in the territory, which was The King Of Staten Island with $207,000. Currently, 73% of Australia’s cinemas are open, but with reduced capacities and showtimes.
Unhinged was number one in 11 international markets: Australia, UK, Germany, Netherlands, New Zealand, Switzerland, Sweden, Ukraine, West Indies,...
- 8/4/2020
- by 1100901¦Charles Gant¦0¦
- ScreenDaily
When the protests over the killing of George Floyd ripped through the U.S. in late May, they quickly found resonance abroad — perhaps nowhere more than in France, where the 2016 death of 24-year-old Adama Traoré while in police custody (in an incident with similarities to the Floyd case) gave the French their very own reason to take to the streets.
Such protests continue to this day in Paris and other parts of the country, which makes the release of the mockumentary Tout Simplement Noir (Quite Simply Black) all the more timely. Co-directed by and starring Jean-Pascal Zadi, who shot the ...
Such protests continue to this day in Paris and other parts of the country, which makes the release of the mockumentary Tout Simplement Noir (Quite Simply Black) all the more timely. Co-directed by and starring Jean-Pascal Zadi, who shot the ...
- 7/24/2020
- The Hollywood Reporter - Movie News
When the protests over the killing of George Floyd ripped through the U.S. in late May, they quickly found resonance abroad — perhaps nowhere more than in France, where the 2016 death of 24-year-old Adama Traoré while in police custody (in an incident with similarities to the Floyd case) gave the French their very own reason to take to the streets.
Such protests continue to this day in Paris and other parts of the country, which makes the release of the mockumentary Tout Simplement Noir (Quite Simply Black) all the more timely. Co-directed by and starring Jean-Pascal Zadi, who shot the ...
Such protests continue to this day in Paris and other parts of the country, which makes the release of the mockumentary Tout Simplement Noir (Quite Simply Black) all the more timely. Co-directed by and starring Jean-Pascal Zadi, who shot the ...
- 7/24/2020
- The Hollywood Reporter - Film + TV
Warner is opening ’The Way Back’ starring Ben Affleck in Germany.
As cinemas begin to reopen again in many territories, Screen is tracking which films are being released in key territories each week.
UK and Ireland, opening Friday July 24
Without major studio tentpoles driving audiences to cinemas, takings in the UK and Ireland remain low compared to pre-lockdown and were up just 1.8% last weekend despite a 27% increase in reopened sites.
But a raft of independent features and the re-release of a fantasy blockbuster may translate into a stronger weekend, as exhibitors hope to see audience confidence grow in returning to cinemas.
As cinemas begin to reopen again in many territories, Screen is tracking which films are being released in key territories each week.
UK and Ireland, opening Friday July 24
Without major studio tentpoles driving audiences to cinemas, takings in the UK and Ireland remain low compared to pre-lockdown and were up just 1.8% last weekend despite a 27% increase in reopened sites.
But a raft of independent features and the re-release of a fantasy blockbuster may translate into a stronger weekend, as exhibitors hope to see audience confidence grow in returning to cinemas.
- 7/24/2020
- by 1100453¦Michael Rosser¦9¦¬1100388¦Melanie Goodfellow¦69¦¬1101325¦Gabriele Niola¦35¦¬158¦Martin Blaney¦40¦
- ScreenDaily
Exclusive: As the international box office slowly limps back to life, the tendency for audiences to lean into fresh and local titles continues. France, for example, saw a 23% increase in ticket sales across the Top 10 over the most recent weekend, led by Gaumont’s new local comedy Tout Simplement Noir and followed by Warner Bros’ Scoob!, also a new entry, which did $900K in the Hexagon – and $1.8M total in five markets.
Scoob!, the feature animation from director Tony Cervone, opted to have a PVOD and digital ownership release instead of theatrical domestically. It began streaming on HBO Max in June, but is hitting cinemas in some overseas markets. The full weekend was $1.8M from France, Netherlands, Germany, Switzerland and Vietnam. The results are strong in light of the ongoing crisis. Spain opens today and there are about 20 more releases still to come.
Looking back at France, in total across the Top 10 movies,...
Scoob!, the feature animation from director Tony Cervone, opted to have a PVOD and digital ownership release instead of theatrical domestically. It began streaming on HBO Max in June, but is hitting cinemas in some overseas markets. The full weekend was $1.8M from France, Netherlands, Germany, Switzerland and Vietnam. The results are strong in light of the ongoing crisis. Spain opens today and there are about 20 more releases still to come.
Looking back at France, in total across the Top 10 movies,...
- 7/15/2020
- by Nancy Tartaglione
- Deadline Film + TV
As cinemas begin to reopen again in many territories, Screen is tracking which films are released across the globe each week.
As cinemas begin to reopen again in many territories, Screen is tracking which films are being released in key territories each week.
France, opening Wednesday July 8
The French box office, which runs Wednesday to Wednesday, entered its third full week of activity on July 8, following the reopening of cinemas on June 22 after their 14-week Covid-19 hiatus. Programming for the first 10 days of reopening consisted mainly of re-released films, the theatrical careers of which were put on hold mid-March due to the lockdown,...
As cinemas begin to reopen again in many territories, Screen is tracking which films are being released in key territories each week.
France, opening Wednesday July 8
The French box office, which runs Wednesday to Wednesday, entered its third full week of activity on July 8, following the reopening of cinemas on June 22 after their 14-week Covid-19 hiatus. Programming for the first 10 days of reopening consisted mainly of re-released films, the theatrical careers of which were put on hold mid-March due to the lockdown,...
- 7/10/2020
- by 1100388¦Melanie Goodfellow¦69¦¬1100142¦Wendy Mitchell¦39¦¬158¦Martin Blaney¦40¦¬134¦Jean Noh¦516¦¬1101324¦Elisabet Cabeza¦37¦¬1101321¦Ben Dalton¦26¦
- ScreenDaily
France is getting ready to reopen cinemas on June 22 after a three-month shutdown, with plans in place to cap admissions to 50% of auditorium capacities.
The limitations in France aren’t as strict as in Germany, Norway or the Czech Republic, where theaters reopened with a 50 to 100-person capacity per screen.
Securing a percentage of auditorium capacity rather than a hard, fixed number was a big win for exhibitors as it will allow them to reopen auditoriums of all sizes on day one, explained Jocelyn Bouyssy, who runs Cgr Cinemas, the country’s second biggest multiplex chain.
On top of the 50% cap in France, there will need to be an empty seat on each side in between each patron; however, groups that aren’t necessarily people living in the same household will be able to sit together.
The guidelines also recommend that patrons wear a mask during their whereabouts in the cinemas,...
The limitations in France aren’t as strict as in Germany, Norway or the Czech Republic, where theaters reopened with a 50 to 100-person capacity per screen.
Securing a percentage of auditorium capacity rather than a hard, fixed number was a big win for exhibitors as it will allow them to reopen auditoriums of all sizes on day one, explained Jocelyn Bouyssy, who runs Cgr Cinemas, the country’s second biggest multiplex chain.
On top of the 50% cap in France, there will need to be an empty seat on each side in between each patron; however, groups that aren’t necessarily people living in the same household will be able to sit together.
The guidelines also recommend that patrons wear a mask during their whereabouts in the cinemas,...
- 6/19/2020
- by Elsa Keslassy
- Variety Film + TV
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