Two veteran New York City detectives work on a case of serial executions of criminals who escaped justice.Two veteran New York City detectives work on a case of serial executions of criminals who escaped justice.Two veteran New York City detectives work on a case of serial executions of criminals who escaped justice.
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Featured reviews
One word, no, actually, two words to describe this film: TOTAL Disappointment (obviously for Robert Deniro and Al Pacino). If you're a fan of these two actors, and films like Heat, I recommend you NOT to see this film. And if you do, expect the worst (maybe that way you won't be that disappointed). The acting was sad but the worst part: the roles they play, they don't fit with their age. Tell me, how can a 68 year old or a 65 year old be a cop, lift weights, try to get in a fight with 30ish year old guys, jump a fence and not break both knees?? It doesn't fit, it doesn't look cool, it looks ridiculous and disappointing! I mean c'mon, learn from actors like Anthony Hopkins, he is 70 and still does films that kick ass like Fracture. He doesn't go running, fighting or anything like that, in the contrary, he does films that FIT HIS AGE! Anyways, this is just my opinion...
This film has a lot of problem, but the great performances of its stars still make it worth seeing at the theater. The twist was way too predictable (I had it solved half an hour in, and I'm usually unable to figure out twists way ahead of time) and the script wasn't very impressive. The direction is OK, but nothing special. There were some pretty funny moments and one liners though. The only thing that makes this better than a sub-par thriller is De Niro and Pacino, both of whom put in great performances and really save this movie. The supporting actors do just fine, but are overshadowed. I was really anxious for a movie in which the pair finally share some significant screen time together, and this movie was about as good as could be expected, considering the makers of the film.
It isn't the best movie out right now (try Burn After Reading), but I do recommend going to see this one. I give it 7/10. I hope Robert De Niro and Al Pacino team up again, hopefully with a better screenplay and director.
It isn't the best movie out right now (try Burn After Reading), but I do recommend going to see this one. I give it 7/10. I hope Robert De Niro and Al Pacino team up again, hopefully with a better screenplay and director.
'Righteous Kill' not only disappoints, it's an epic failure. And I mean wanna-punch-everyone-involved failure. Re-watching that one petite coffee-house scene with De Niro and Pacino in 'Heat' will jolt more electricity into you than this whole waste of celluloid. 'Righteous Kill' is a movie that actually accomplishes to have both De Niro and Pacino hand in a performance so far under their usual level, I'm still in disbelief over it. A healthy suggestion: avoid all films by this untalented hack not worthy of the title 'director'. For example, he also made Pacino look bad in the stinker '88 minutes', a straight-to-cable thriller meets 'Phone Booth'.
Shouldn't these two legends make use of their golden years to partake in interesting movies, why doesn't Pacino make another Lumet (see: Dog Day Afternoon) or why not team up again with Mann again (Heat). Surely they have the power to pull the tablecloth toward them when it comes to getting roles in prestigious projects? Why they rather star in a movie that kids 'you can lick my balls any time' is beyond me.
If you think I'm being too dramatic, go see for yourself but don't come crying to me when you get your heart ripped out and served on a platter as well...
Shouldn't these two legends make use of their golden years to partake in interesting movies, why doesn't Pacino make another Lumet (see: Dog Day Afternoon) or why not team up again with Mann again (Heat). Surely they have the power to pull the tablecloth toward them when it comes to getting roles in prestigious projects? Why they rather star in a movie that kids 'you can lick my balls any time' is beyond me.
If you think I'm being too dramatic, go see for yourself but don't come crying to me when you get your heart ripped out and served on a platter as well...
FINALLY! DeNiro! Pacino! Together! For more than one scene! I couldn't wait. I'm also happy to say that, while the film won't be winning any Oscars, it isn't bad by any means, and is certainly an improvement over Pacino and director Jon Avnet's last film, 88 Minutes. Avnet is growing as a filmmaker, and has learned from past mistakes. Righteous Kill is an acceptable mystery film, and of course, features two great performances from two of the greatest of all time.
Righteous Kill, despite having the two leads that it does, is really a director's film, and Jon Avnet cloaks the film in a black blanket of mystery very well. While the main plot twist of the film (and oh, there are many of them) is sort of obvious, the fact that there's more to it than that really helps the film and saves it from oblivion.
What I liked most about the film, however, was the casting of DeNiro in a role Pacino would normally play (the hotheaded cop who just can't seem to keep his mouth shut or stop cursing), and Pacino in a role DeNiro would normally play (the reserved, yet silently intense friend). The film is split up into two parts, each showcasing the talents of one of the legends. Unfortunately, I can't really describe the performances in a deep way without coming close to spoilers, but rest assured, both are excellent. John Leguizamo is a nice addition as a hot headed detective at odds with DeNiro, and Carla Gugino as the eye candy was not a mistake by any means. I have no comment on the inclusion of 50 Cent in this film. Thankfully, he doesn't have a ton of screen time.
The script of the film, on paper, isn't really good, but there's a few techniques that really work on screen, such as the main characters' nicknames, and the feeling that almost everyone in the film is bad. I definitely like Avnet a little more now. DeNiro and Pacino share a wealth of screen time and have a lot of meat to chew on as actors, especially DeNiro, who turns up the intensity and the New York accent (it's a little stronger here than it normally is). While the film won't go down as legendary, I think every fan of both actors will be pleased and will smile at numerous moments just because these two are playing off each other so often, and so well.
My complaints lie with the emotional feel of the film, which I felt wasn't strong enough. I wanted to shed tears in the end, but for some reason, I couldn't. I won't say the acting in the climax could have been stronger, but had it been done in a different way, I might have liked it a bit more. All in all, Righteous Kill is not a bad film, as it managed to keep my attention and hold me in suspense for it's duration without making me feel frustrated. It definitely requires your full attention, and may even require a couple of viewings.
Righteous Kill, despite having the two leads that it does, is really a director's film, and Jon Avnet cloaks the film in a black blanket of mystery very well. While the main plot twist of the film (and oh, there are many of them) is sort of obvious, the fact that there's more to it than that really helps the film and saves it from oblivion.
What I liked most about the film, however, was the casting of DeNiro in a role Pacino would normally play (the hotheaded cop who just can't seem to keep his mouth shut or stop cursing), and Pacino in a role DeNiro would normally play (the reserved, yet silently intense friend). The film is split up into two parts, each showcasing the talents of one of the legends. Unfortunately, I can't really describe the performances in a deep way without coming close to spoilers, but rest assured, both are excellent. John Leguizamo is a nice addition as a hot headed detective at odds with DeNiro, and Carla Gugino as the eye candy was not a mistake by any means. I have no comment on the inclusion of 50 Cent in this film. Thankfully, he doesn't have a ton of screen time.
The script of the film, on paper, isn't really good, but there's a few techniques that really work on screen, such as the main characters' nicknames, and the feeling that almost everyone in the film is bad. I definitely like Avnet a little more now. DeNiro and Pacino share a wealth of screen time and have a lot of meat to chew on as actors, especially DeNiro, who turns up the intensity and the New York accent (it's a little stronger here than it normally is). While the film won't go down as legendary, I think every fan of both actors will be pleased and will smile at numerous moments just because these two are playing off each other so often, and so well.
My complaints lie with the emotional feel of the film, which I felt wasn't strong enough. I wanted to shed tears in the end, but for some reason, I couldn't. I won't say the acting in the climax could have been stronger, but had it been done in a different way, I might have liked it a bit more. All in all, Righteous Kill is not a bad film, as it managed to keep my attention and hold me in suspense for it's duration without making me feel frustrated. It definitely requires your full attention, and may even require a couple of viewings.
Turk (Robert De Niro) and Rooster (Al Pacino) are longtime NYC police partners, in this Jon Avnet thriller that has them trying to stop an unknown serial killer, a person who leaves a poem at the scene of each crime. Victims are law-breakers who were freed on legal technicalities. Two other cops, played by John Leguizamo and Donnie Wahlberg, become suspicious of the investigation, and this hampers the efforts of Turk and Rooster.
The script on which the film is based is rather poor. The setup is muddled; none of the characters are especially sympathetic, and secondary characters are not well defined. Further, "Righteous Kill" is not that much different from other serial killer or urban crime films.
The mood here is dark, and the tone is rather cynical. Characters go out of their way to telegraph their toughness by using lots of "hard" language. There's an edginess to the characters, and that's okay. But I could have wished for a character with some degree of softness. That would have provided much needed balance to the overall tonal savagery.
Without a doubt, the film's best element is the acting. There's not a weak performance in the bunch. Of course, the focus is on De Niro and Pacino. This is really their film. And it's their camaraderie, their back and forth playful banter, that makes the film worth watching. Production design and costumes are credible. Color cinematography is generally dark, consistent with the story's mood.
In spite of a weak script, "Righteous Kill" does provide some good plot misdirection that will leave viewers unsure as to the story's outcome. But the film's main virtue is the casting of De Niro and Pacino, two contemporary screen legends whose performances here are quite good.
The script on which the film is based is rather poor. The setup is muddled; none of the characters are especially sympathetic, and secondary characters are not well defined. Further, "Righteous Kill" is not that much different from other serial killer or urban crime films.
The mood here is dark, and the tone is rather cynical. Characters go out of their way to telegraph their toughness by using lots of "hard" language. There's an edginess to the characters, and that's okay. But I could have wished for a character with some degree of softness. That would have provided much needed balance to the overall tonal savagery.
Without a doubt, the film's best element is the acting. There's not a weak performance in the bunch. Of course, the focus is on De Niro and Pacino. This is really their film. And it's their camaraderie, their back and forth playful banter, that makes the film worth watching. Production design and costumes are credible. Color cinematography is generally dark, consistent with the story's mood.
In spite of a weak script, "Righteous Kill" does provide some good plot misdirection that will leave viewers unsure as to the story's outcome. But the film's main virtue is the casting of De Niro and Pacino, two contemporary screen legends whose performances here are quite good.
Storyline
Did you know
- TriviaRobert De Niro and Al Pacino have said in interviews that they did not feel proud of the final result of Righteous Kill. They even stated feeling unworthy of their fans' appreciation during the premiere, with Pacino going as far as saying that it is a movie they are both trying to forget. Therefore, both actors agreed that the next project they collaborated in together would be one to be proud of. 11 years later, they were finally very proud and pleased with their next collaboration: Martin Scorsese's The Irishman (2019).
- GoofsWhen Karen Corelli goes to her apartment, thinking she is being followed, you can see the shadow of the cameraman just before she steps up the first step leading to her door.
- Crazy creditsAfter the credits, the sound of a train is heard.
- ConnectionsFeatured in Entertainment Tonight: Episode dated 12 September 2008 (2008)
- SoundtracksWe Fly High
Written by Jim Jones (as James Jones), Zukhan Bey
Performed by Jim Jones
Published by All rights administered by Songs of Universal, Inc. (BMI) on behalf of itself and Sally Ruth Esther Publ.,
Inc. (BMI)/Zukhan Music/Art in the Fodder Music (BMI); admin by Arthouse Entertainment
Courtesy of Koch Records by arrangement with Shelly Bay Music
- How long is Righteous Kill?Powered by Alexa
Details
Box office
- Budget
- $60,000,000 (estimated)
- Gross US & Canada
- $40,081,410
- Opening weekend US & Canada
- $16,288,361
- Sep 14, 2008
- Gross worldwide
- $79,498,846
- Runtime1 hour 41 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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