- Runtime
- 2h(120 min)
- 2h 10m(130 min) (Extended Version)
- Sound mix
- Color
- Aspect ratio
- 2.39 : 1
- Camera
- Arri Alexa Plus, Hawk V-Lite, V-Plus, V-Series, Zeiss Super Speed, Ultra Prime and Angenieux Optimo Lenses
- Arricam LT, Hawk V-Lite, V-Plus, V-Series, Zeiss Super Speed, Ultra Prime, Angenieux Optimo and Canon Lenses
- Arricam ST, Hawk V-Lite, V-Plus, V-Series, Zeiss Super Speed, Ultra Prime, Angenieux Optimo and Canon Lenses
- Arriflex 235, Zeiss Super Speed and Ultra Prime Lenses
- Arriflex 35 BL4, Zeiss Super Speed and Ultra Prime Lenses
- Arriflex 435, Zeiss Super Speed and Ultra Prime Lenses
- Bolex H16 REX-5, Kern-Paillard Switar and Angenieux Lenses
- Canon 1014 AZ
- Laboratory
- DeLuxe, Hollywood (CA), USA
- Film Length
- 3,300 m
- Negative Format
- 16 mm(Kodak Vision3 250D 7207, Vision3 500T 7219)
- 35 mm(Kodak Vision3 250D 5207, Vision3 500T 5219, Vision2 500T 5260)
- 8 mm(Kodak Vision3 500T 5219, Ektachrome 100D 5285)
- Codex
- Cinematographic Process
- ARRIRAW(2.8K, source format, some scenes)
- Digital Intermediate(4K, master format)
- Hawk Scope(anamorphic, source format)
- Super 16(source format, some shots)
- Super 35(source format, some scenes)
- Super 8(source format, some shots)
- Techniscope(source format, some scenes)
- Printed Film Format
- 35 mm(partial blow-up, Fuji)
- D-Cinema
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