Taxi to the Dark Side

With a title like Taxi to the Dark Side, you know it's not going to be a light-and-fluffy film, but it's a film that needed to be made, and should be seen by everyone.

The measure of a nation is how well it lives up to its ideals in the worst of times. 9/11 was that trial for America, and America failed. If you do not believe that former U.S. president George W. Bush, former vice president Dick Cheney, Secretary of Defense Donald Rumsfeld, White House Council John Yoo, and at least a half dozen other members of the Bush Administration are guilty of war crimes, you must see this documentary.

Even if you suspect they do, but have lingering doubts – you must see this documentary.

And especially if you don't know either way, and know nothing about this issue – you must see this documentary.

This is not some sort of Michael Moore propaganda piece. This transcends partisan politics. It deals with a broader issue. It focuses on the treatment of just one detainee and will probably make you sick to your stomach – if you can stomach it at all. And then reminds you that this happened not to just one guy, but to 83,000 others too.

Hell yes, its difficult to watch - there is graphic photos of torture – but is that an excuse not to watch it? The fact is they are presented because showing them is necessary to fully understand the extent of what went on. And guess what? If you are an American, you damn well should sit through this, because you are guilty too – this is what your elected officials did.

Of course when word finally got out, and they got blowback for it, in an outrageous act of cowardice, they left their own subordinates out to dry.

The film makes the case, clearly, efficiently and thoroughly. Which makes it not only an excellent documentary, but an important one too.

... at least not on Discovery Channel.

Said director Alex Gibney recently (on DemocracyNow): "Well, it turns out that the Discovery Channel isn't so interested in discovery. I mean, I heard that — I was told a little bit before my Academy Award nomination that they had no intention of airing the film..."

Discovery Channel has bought the exclusive TV rights for the next 3 years, but Gibney hopes they can be persuaded to sell them "for a profit".

And it is a powerful film. Although it reveals nothing new about the torture and degrading techniques we've become accustomed to over the last three years, it puts politician's faces and statements in context with a "real" victim and a name: young Afghan Taxi driver Dilawar, who was arrested at a checkpoint for alleged involvement in a rocket attack. Five days later he died at Bagram, after two days of continuous beatings, standing up in chains inside his solitary confinement cell. The American coroner checked "homicide" on his death certificate and handed it with the body to his family, who couldn't read English.

The film then takes us along the ride from Afghanistan to the present day. Dilawar was only the beginning, and one of two detainees who died from torture roughly at the same time. Today, about 180 people have died in custody, 38 with "homicide" on their death certificates. Dilawar's torturers tell their story. They took the rap, they repent, but is this justice? What's the bigger picture, the one that's usually glossed over, and the reason Discovery deems this documentary "controversial"?

Alex Gibney dismantles "Torture the American way" just like he did the Enron scandal in "Enron: The smartest guys in the room", from the inside to the bigger inside, like a Russian doll. You will hear the words "war crimes", see the infamous torture memo, Abu Ghraib photos and film, Kiefer Sutherland torturing with electric wires, Guantanamo, Cheney, Rumsfield, Bush and their lawyers wriggling around the t-word and egging on that "we must take our gloves off". "We have to work the dark side, if you will. We're going to spend time in the shadows", says Cheney.

"But... is the dark side stronger?"

"No. Quicker, easier, more seductive. Anger, fear, aggression, the dark side are they.

"Once you start down the dark path, forever will it dominate your destiny."

In 2002 taxi driver Dilawar was picked up by US forces with his passengers in the desert and taken to Bagram prison in Afghanistan. Five days later he was dead. Injuries to his legs were compared with those he would have sustained if he had been run over by a truck – had he lived it was likely that his legs would have had to have been amputated due to the damage. With this as the starting point, this documentary tells the story of the role of "torture" in the war on terror, from Abu Ghraid to Guantanamo.

Having put Gibney's documentary on Enron as one of my ten favourite films of 2005, I eagerly took up the opportunity the UK (and much of Europe) had to catch this on television ahead of the full release in the US in 2008. Shown as part of the BBC's excellent "Why Democracy" series of films, this one opened with the caption question "can terrorism destroy democracy?". To the casual listener the question appears to be about the ability of terrorists to bring down what we see as Government (ie by crashing planes into it) but really the question in regards this film appears to be more about whether our idea of freedom and democracy can survive the way we fight terrorism. As a result this film is about the use of "torture" against terrorist suspects, specifically focusing on the United States.

The reader may be wondering why the focus (in the title) on Dilawar. Well I did too because he died in Bagram and his story sadly ends there, while the vast majority of the film focuses on the infamous examples of torture and inhumane treatment in the other places. Well it turns out that Dilawar is a device and one that the film uses very well. The morality of the use of torture is not black and white and of course the usual "ticking time bomb" scenario is thrown up; the film does counter this by suggesting that the weekly scenarios in Fox's 24 are not the norm (to say the least) but the best answer to most of the moral questions are simply to refer back to a taxi driver who died after five days in captivity with horrific injuries – the film doesn't say he was innocent but it doesn't need to – nobody suggests he was evil or a key player either, but yet he is dead. This hangs over the film even though he is not the focus after the first twenty minutes.

What the film does from then on in is paint a picture of lack of respect for humanity, lack of respect for international laws, lack of accountability and lack of transparency. The film plays a clip of Rumsfeld speaking on the (then) allegations of mistreatment and says that it will be looked into so that "the world will see how a free system, a democratic system, functions and operates"; well he was right – and it is not pretty viewing. As with Enron, Gibney does betray his politics and the film has very little in the way of even handedness about the debate. This is a little disappointing in regards the debate but the overwhelming nature of the presentation of arrogance and carelessness did make wonder how you would balance these issues – certainly the quotes I have heard down the years from politicians have not been able to convince. Certainly a clip of Bush talking about "suspected terrorists" who have died, or as he says "put it this way – they're no longer a problem to the United States"; the fact that he acknowledges they are "suspects" rather than convicts but yet sees their death as a good thing says it all.

Considering this issue is everywhere in the media, Gibney does very well to structure his film to build it from the ground up. Not only does he use the words of the Bush administration against them ("the only thing I know for certain is that these are bad people") but he also details the wider political picture beyond the blame that was dumped onto Lynndie England, Charles Graner and others. He does this very well, bringing in the input of John Yoo and the terribly smarmy Alberto Gonzales. Even after the photographs in the paper, seeing the unedited video and hearing firsthand accounts from both sides is shocking and disturbing affair – again, how would you set out to "balance" these? Beyond the issue of torture I found the lack of accountability and ownership to be just as shocking as privates are floated down the river while those in charge never face worse than early retirement. The biggest challenge with this material is to keep it as a valid piece of work even as the topic grows daily and that many will be tired of hearing about it – just this last week or so we have seen more debate and also the CIA deleting old tapes of interrogations (tapes that Bush has "no recollection" of existing); however Gibney brings the film to a close well, making it feel like something that can stand still and still work – the personal touch of his late father's comments at the end (himself a WWII Navy interrogator) talking about how "we" should be different than "them", making for a suitable summing up of why the film is important.

Another strong documentary from Gibney despite the lack of balance and the challenges with the topic. It deserves to be seen by a bigger audience than it has been, even if it won't make the difference it should do. Depressing to think that, decades from now people will look back on this and wonder how on earth we allowed our leaders to do this in our names and let them get away with it.

There is something you need to know about this film: it is not about real insurgents or terrorists or about real soldiers, and it is certainly not an anti-American film.

It is about how senior military and civilian officials demand results from their subordinates, even if the results are to be obtained by unconscionable, immoral, and illegal means, up to, and including, torture and murder. The fact that many of these results - what the military like to call "the mission" - are faked or just wrong is of no particular concern to them. Naturally, you'll never find a document signed by any of those officials advocating torture and murder. The most you'll ever find is a reference to "enhanced interrogation techniques" (i.e., torture). And if a detainee dies, the senior officers and officials always benefit from "plausible deniability" and claim that it must be the fault of junior "bad apple" troops. If terrorists are murderers, some of our own troops have certainly engaged in murder, too. To reveal this is not anti-American; it's just a simple fact. Because the troops often do it in a group they think they're not murderers. Just as, I imagine, someone who participates in gang rape does not consider himself, individually, to be a rapist.

While most Military Police (MP) troops are fighting hard on the ground every day in Iraq and Afghanistan, one group of troops which this film examines are those Military Police who are used as prison guards. The other troops examined in the film are some military intelligence ("MI") troops employed as interrogators in prison camps.

If you don't know already, Military Police are usually despised by their own troops. If you give a soldier special power over his fellow soldiers he will often abuse it. I still recall an Australian friend of mine mentioning that many of the Aussie "Red Hats" (MPs) who sailed for home after WWII never made it back; their fellow troops threw them overboard.

The old saw about military intelligence being a contradiction in terms is never more apparent than in the case of interrogators. When you hear the word intelligence here you must forget all about spies, codes, and the stuff of James Bond novels. The interrogators of MI are an example of soldiers who are ill prepared, in general, to carry out work that would normally take years to master. They are mostly low-ranking enlisted men and women, privates and sergeants, almost none of whom speak with any proficiency the language of the detainees they're interrogating.

So, imagine the scenario: senior officials demanding intelligence, no matter how it's obtained; unqualified interrogators using whatever means they can think of to satisfy their superiors' demands; and MP prison guards who have the power of life and death over their detainees, with almost no restrictions on what they can do to them. Behind all this is the unwritten understanding that if something goes wrong, the troops will probably not be prosecuted. God help the innocent person swept up into this sadistic, bureaucratic system. But as we all know, if you've been arrested, you must be guilty. Right?

The elephant in the closet in all this is the Central Intelligence Agency, an organization that regards itself as above law, morality, and civilized behavior. It gets away with much of what it does by having the military, foreigners, and contractors to do its dirty work for it. And when somebody has to take a fall, well, that's what privates and sergeants are for. If your kids are MPs, interrogators, or just in the military, advise them always to watch their backs around those people.

This may be a disturbing film for civilians, but it won't include many surprises if you've served in the armed forces, or on a police force, or in a prison. Those are the people who know about this, but they're not about to tell you. No wander the USA has pulled out of the War Crimes Treaty. But what officials do not want to admit, even to themselves, is that war crimes are war crimes, no matter if you're a treaty signatory or not.

This horrifying documentary won the Oscar for 2007. Using the case of an innocent Afghan taxi driver who were tortured to death by American interrogators in Bagram prison as the starting point, the film chronicles the atrocities committed by the Bush administration in the name of American people and an ill-defined 'war on terror'.

The film is written, directed and narrated by Alex Gibney, son of a high-ranking naval officer who was an interrogator in World War II. A great American and a true patriot, Frank Gibney's final disappointment of what became of the great nation of the United States in the hands of a few liars is heart-wrenching.

There is not a single frame in the film that is not supported by hard evidence. All of the investigation was conducted by Americans whose credentials of decency and patriotism are above suspicion. The film is a chronicle of how paranoia, self-serving deceit and mere stupidity can threaten the very values a great nation was built on. It should be impossible for anyone who watches this meticulous document to ever criticize the veracity of claims put forward by the recent films, Rendition, In the Valley of Elah, or Redacted - flawed as films though that they were.

Every person in the world, especially every American, that cares about the true nature of freedom and the sanctity of the individual (the basic tenets on which America was built) should see this film. How could anyone claim that it would be loved only by the supporters of Taliban is beyond me.