A secretary at a Berlin newspaper in 1936 gets to write about two Alpinists, as she knows them well. She later gets to report on and photograph her friends' and other Alpinists' climbs of th... Read allA secretary at a Berlin newspaper in 1936 gets to write about two Alpinists, as she knows them well. She later gets to report on and photograph her friends' and other Alpinists' climbs of the dangerous Swiss Eiger north face.A secretary at a Berlin newspaper in 1936 gets to write about two Alpinists, as she knows them well. She later gets to report on and photograph her friends' and other Alpinists' climbs of the dangerous Swiss Eiger north face.
- Awards
- 4 wins & 7 nominations total
- Hans Schlunegger
- (as Hanspeter Müller-Drossaart)
Featured reviews
Due to the Swedish distributor Atlantic Films commercial need to picture Nordwand (a.k.a North Face) as a WWII-movie the Blu-ray cover is covered in Nazi-symbols and references to Der Führer. I thankfully found very little of this in the movie. Instead the director choose to invest the first third of the movie into the characters which he did great. Then the story moved to the Eiger and the Nordwand.
Watching Andi and Toni climb in their 1936-gear is breathtaking. I was totally on the edge of my seat most of the time, and remember, I didn't know how the story would end. The experience was amazing and I really connected with the actors and their story.
It's now been 12 hours since I finished watching Nordwand and I have been thinking about it ever since. Nordwand is a heartwarming story unlike everything that could ever come out of Hollywood. It's up there with another German masterpiece; Das Boot. A perfect 10 and a Must See!
The film poses many questions. Is our attraction to mortally dangerous acts powered by the same force that drew Roman crowds to the gladiator arena? Do adventurers seek glory for themselves, or are they goaded to risk their lives for the satisfaction of others? And if the daring cross the line between the heroic and the foolhardy, must their rescuers do the same?
This film is a travelogue back in time, from Berlin to Bavaria to the Swiss Alps by bicycle and train. It's an art film, with the Eiger providing photogenic backdrop. It's an adventure film. It's a love story. It's a tragedy. It is one part historic documentary and three parts cinematic drama, all in cadence. Oh yes, it is also a great film about climbing.
This movie gets a 10 out of 10 from me. It is a harsh story about Germany in the 30s as the Nazis were rising and wishing to prove to the world that they were the best. The tale is about two German men who take on a very difficult climb. The story is quite riveting, and human. Full of laughs, tragedy, and ... a little bit of a love story.
Although the movie starts a little slowly, it really picks up about one third the way in. The main characters (the two mountain climbers and the one female love interest) are all solid actors, well directed, and well casted. The director did a great job at capturing the climb. Everything was so convincingly shot, it makes you wonder if they actually filmed some of it on a real mountain. I suppose they must have used CGI, but it was used so sparingly and realistically that it must be commended. The contrast between the plight of the mountain climbers and that of the rich bystanders makes the movie so much more emotionally riveting. Some people in the audience cried.
This is a tragedy that must be seen. It captures humanity at its best and worst... and shows us that sometimes nature rules our lives, and that it is not forgiving.
Overall, I felt this movie was a small masterpiece. One that will probably not be seen by many. But for those who do, you will get a very special treat...
It was especially amazing to know that you, as the viewer, had more than a telescope to watch this climb with... unlike the bystanders in the movie, we were able to see more than just the ascent and the final moment. We saw the part that mattered the most: the climb.
10/10.. Solid
I think it was let down (not much) by the way the climbing theme was tied to the sub-plots. A third of the film has no mountains in it at all, which is fine, but as long as it was going to branch into another kind of film, I think I would have enjoyed more character development. The Nazi theme is brushed over as background politics, with little attempt to show disturbing things were brewing. We barely learn anything about the attitudes of the people involved in the film. I guess this may have been fear of distracting from the film's main theme, but which I think could have made the entire story and characters stronger if it were done well and believably.
Some details of these sub-plots also directly interfered with the main climbing theme, and maybe believability. eg. The love story (presumably tacked on for interest) included Luise shouting into a storm and amazingly being heard. I found this very difficult to believe -- I've been in what I thought were similar storms at high altitude (not dangling from a cliff), and had trouble screaming and being heard by people a couple of metres in front of me. Since leaving I've also read conflicting stories about the ending sequence, and although there would clearly have to be much creative licence for much of this under the circumstances, I now also wonder how much even confirmed facts have been changed to romanticise the story more.
All of this is small nitpicking, though. If you want to see some awesome cinematography it's a brilliant mountain film which makes it one of my favourite films. It's also not such a bad story if you're less pedantic than myself.
Solid performances all round.
Storyline
Did you know
- TriviaAs Luise Fellner and her boss, Herr Arau, arrive at the Eiger, the local guides are standing in front of the hotel advertising their services to the tourists. One of the guides notices a pair of climbers in the crowd. "Look who's coming," he says, "Bartolo Sandri and Mario Menti." A fellow guide mutters: "Another couple of fools. Come in a train and leave in a coffin." These two Italian climbers fell to their deaths from the north face June 21, 1938.
- GoofsAt the beginning of the film, when Luisa watches the news in the cinema theater, the voice-over gets the first-names of the alpinists who died on the Eiger wrong. It says Max Mehringer and Karl Sedlmayr, but it's the opposite: KARL Mehringer and MAX Sedlmayr. This may have been intended to show the unreliability of the report.
- Quotes
[last lines]
Luise Fellner: [voiceover] All I know is that death spared me, and that Toni went away forever that day. One has lived if one has loved. There are times when I find this infinitely hard to believe. Most days I feel that I am alive. And that love is the reason for that.
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Details
- Release date
- Countries of origin
- Official sites
- Languages
- Also known as
- Vùng Núi Nguy Hiểm
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $711,421
- Opening weekend US & Canada
- $23,050
- Jan 31, 2010
- Gross worldwide
- $6,815,056
- Runtime2 hours 6 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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