During World War II era, a young woman, Wang Jiazhi, gets swept up in a dangerous game of emotional intrigue with a powerful political figure, Mr. Yee.During World War II era, a young woman, Wang Jiazhi, gets swept up in a dangerous game of emotional intrigue with a powerful political figure, Mr. Yee.During World War II era, a young woman, Wang Jiazhi, gets swept up in a dangerous game of emotional intrigue with a powerful political figure, Mr. Yee.
- Director
- Writers
- Stars
- Nominated for 2 BAFTA Awards
- 28 wins & 56 nominations total
Tony Leung Chiu-wai
- Mr. Yee
- (as Tony Chiu Wai Leung)
Chung-Hua Tou
- Old Wu
- (as Tsung-Hua Tuo)
Zhi-Ying Zhu
- Lai Shu Jin
- (as Chih-ying Chu)
Lawrence Ko
- Liang Jun Sheng
- (as Ko Yu-Luen)
Ka-Lok Chin
- Tsao
- (as Kar Lok Chin)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaDirector Ang Lee made Tony Leung Chiu-wai study the performances of Marlon Brando in Last Tango in Paris (1972), Humphrey Bogart in In a Lonely Place (1950) and Richard Burton in Equus (1977), to give him a sense of wounded masculinity, which Lee felt was right for the character of Mr. Yee.
- GoofsIn the café scene where Mak Tai Tai is calling her comrades the ringer heard through the phone both times is a modern ringer, which wasn't used until the 1970s/early 1980s.
- Quotes
Wong Chia Chi: I'm afraid I have no gift for you.
Mr. Yee: Your presence itself is a gift.
- Alternate versionsAn R-Rated version was made for the home video market for sale in places that doesn't carry NC-17 films (e.g. supermarkets). The run-time of the R-rated version is only ~30 seconds less but features ~70 seconds of alternative footage to soften the rating.
- SoundtracksKlavierstücke Op. 118 No. 2 Intermezzo
Composed by Johannes Brahms
Performed by Alain Planès
(p) 2007 Decca Label Group
Featured review
I had been hyping myself up a great deal for Lust, Caution ever since I first heard of the project, so I'm glad to say that it did not disappoint. The film was a beautifully executed "espionage thriller," if you want to go with how it's being marketed to a broad audience. Steeped in the historically and culturally turbulent period of the second Sino-Japanese War, one must applaud Ang Lee for the dizzying array of minutiae he oversaw as director.
Because of the nature of the film's protagonist Wang Jiazhi (played by a newcomer named Tang Wei - not shabby for your first feature) as an agent working under a second identity to ensnare a dangerous collaborationist (Tony Leung), all the scenes where Wang masquerades as the bourgeois Ms. Mai are fraught with a psychological tension, doubling with the political agenda at stake as well as her womanhood. She portrays both roles with heartbreaking deftness; a great casting choice if there ever was one. While not as physically alluring as some of her competitors for the role - Chinese language actresses including Zhou Xun and Shu Qi - I don't think anyone else could have pulled it off like Tang. She convincingly transforms herself from a naive college girl to coy seductress...and back again.
The film struck quite a few personal nerves on my part too. While mainstream cinema should be, you know, self-sustaining or whatever you want to call it, there's really a lot to this movie that gets lost in subtitling to an extent, but also just in context and culture. Etiquette at the mah-jongg table; the omnipresent yet understated background of wartime occupation; political interests in the Chinese Civil War era; the weight of regional identity in dialects and interpersonal relationships. Tang Wei spoke Mandarin, Cantonese, and Shanghainese. My only thought is: What a hottie.
The sex scenes are...something else. As echoed by most critics, they serve the story perfectly in capturing the urgency that Tang and Leung have in their precarious affair. There's a lot of violence in them, and it is through these carnal and savage acts that Tony Leung's Mr. Yee character is established as a very dangerous man. I won't spoil too much but there were several times when it became too difficult to watch.
There were quite a few moments that made my heart flutter and eyes wobble. I'll just leave it at that.
Because of the nature of the film's protagonist Wang Jiazhi (played by a newcomer named Tang Wei - not shabby for your first feature) as an agent working under a second identity to ensnare a dangerous collaborationist (Tony Leung), all the scenes where Wang masquerades as the bourgeois Ms. Mai are fraught with a psychological tension, doubling with the political agenda at stake as well as her womanhood. She portrays both roles with heartbreaking deftness; a great casting choice if there ever was one. While not as physically alluring as some of her competitors for the role - Chinese language actresses including Zhou Xun and Shu Qi - I don't think anyone else could have pulled it off like Tang. She convincingly transforms herself from a naive college girl to coy seductress...and back again.
The film struck quite a few personal nerves on my part too. While mainstream cinema should be, you know, self-sustaining or whatever you want to call it, there's really a lot to this movie that gets lost in subtitling to an extent, but also just in context and culture. Etiquette at the mah-jongg table; the omnipresent yet understated background of wartime occupation; political interests in the Chinese Civil War era; the weight of regional identity in dialects and interpersonal relationships. Tang Wei spoke Mandarin, Cantonese, and Shanghainese. My only thought is: What a hottie.
The sex scenes are...something else. As echoed by most critics, they serve the story perfectly in capturing the urgency that Tang and Leung have in their precarious affair. There's a lot of violence in them, and it is through these carnal and savage acts that Tony Leung's Mr. Yee character is established as a very dangerous man. I won't spoil too much but there were several times when it became too difficult to watch.
There were quite a few moments that made my heart flutter and eyes wobble. I'll just leave it at that.
- disco_barrio
- Oct 7, 2007
- Permalink
Details
- Release date
- Countries of origin
- Official site
- Languages
- Also known as
- Lujuria y traición
- Filming locations
- Ipoh, Perak, Malaysia(students on the tram: Jalan Chung On Siew)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $15,000,000 (estimated)
- Gross US & Canada
- $4,604,982
- Opening weekend US & Canada
- $63,918
- Sep 30, 2007
- Gross worldwide
- $67,091,915
- Runtime2 hours 37 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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