It's Kind of a Funny Story

Ryan Fleck and Anna Boden are, in this reviewer's opinion, the best writer / director team working in film today. Both Half Nelson and Sugar (Which made my top 5 for 2008) were good and here they go more mainstream and produce a simple yet vibrant low-fi comedy. If you go expecting the Hangover, a full on comedy, then this might take some adjusting to - it is more than that. It reminded us most of the same vibe Nick and Norah's Infinite Playlist had.

Craig (Keir Gilchrist) is an angsty teen and checks himself into a psych ward for 5 days. He is excellent, like a cross between Justin Long and Michael Cera and should get good work off the back of this. Here Craig meets the wizened Bobby (Zack Galifianakis), who has a complete emotional range here, his hangdog is perfect and watched closely you'll see every thought and facial gesture with real pleasure, and a teenage girl his age, Noelle (Emma Roberts). The supporting cast have groupworked this really well and it all just gels nicely. The film is a journey of self- discovery.

What lifts this is it doesn't have a mean bone in its body yet delivers beautifully - this film is firstly, optimistic about pessimism and abounds with humor, laughter, and originality, and secondly, Fleck again coxes the the actors to simply act, without excess.

It does a wonderful balancing act of making us see the world afresh too. In addition to all this it is totally refreshing to see a teen movie that is about teens and their world and not just another slapstick sex comedy.

I could only wish for 20 films a year like this, rather than the cookie cutter production values that govern Hollywood. The common trait in all three films are honesty, struggle, and eventually, something more. That's three in a row for Fleck / Boden - and I, for one, can't wait to see the fourth...

"It's Kind of a Funny Story" is based on the book of the same title in which Ned Vizzini tells of his experience checking himself into an adult psychiatric ward at the suggestion of a suicide hotline. The film by Anna Boden and Ryan Fleck is lighter than their previous two films, "Half Nelson" and "Sugar", which deal with drug addiction and an immigrant's experience. Still the issue of teenage suicide is a serious one, even though Vizzini's book, and Boden/Fleck's screenplay, treat it with many comedic moments. Keir Gilchist from "The United States of Tara" is nuanced and convincing in the lead role, and is backed up by a strong supporting cast led by Zach Galifianakis and Emma Roberts. If you can remember or relate to what it is to be a teenager under pressure from school, parents, friends, and life in general you will like this movie. It will make you laugh, cry, and be glad to be alive--isn't that what film is all about?

An important movie, and an original movie whose originality is not its reason for being. That is, "It's Kind of a Funny Story" has emotional chops. Musical chops as well, but that's another review.

Yes, the shadow of a memory of "One Flew Over the Cuckoo's Nest" came to me while watching, but I have to say this echo did not lessen "Kind of a Funny Story" by comparison. It's not an angry movie. It's not a star vehicle. It's not a plot-fest. It is not ego-driven. It is not desperate for laughs, though I laughed hard on several occasions. In fact I'll see it again to remember those lines.

This movie gives you time with interesting people. Defenseless and ordinary, and beautiful people. Teens need to feel, we all need to feel compassion for ourselves and everyone around us pushed to depression. "Funny Story" while not grimly realistic is realistic in heart.

Zach Galifianakis has transcendent scenes. Keir Gilchrist is just lost enough. Much to admire in the film-making. This one should not sink under the radar.

Craig (Keir Gilchrist) is depressed. Although his parents (Lauren Graham and Jim Gaffigan) are nice, they are a mildly over-achieving duo who try to gently push their teenage son in a certain direction. This means going to a competitive high school and following a specific curriculum. But, even though Craig is quite intelligent, his stress level is very high and he dreams of "jumping off a bridge". One morning, before sunrise, he sneaks out of the house to contemplate his own suicide but ends up going to a hospital emergency room. The teen insists they admit him. They do. However, the adolescent ward is undergoing renovations and doesn't have room for Craig. Instead, he is placed in the adult psych ward, with a nearly catatonic roommate, Muqtada (Bernard White). In short order, Craig wants to go home but his new shrink, Dr. Eden (Viola Davis) says that is impossible, he must remain for five days. Fortunately, he soon makes friends with an affable patient named Bobby (Zach Galifianakis) and casts his eye on a lovely young female Noelle (Emma Roberts), who bears telltale scars on her wrists. These three strike up a friendship, with Bobby schooling Craig on how to "dress up like an employee" and leave the ward, at least temporarily! It is quickly evident, however, that Bobby has some dark secrets, as does Noelle, and Muqtada seems to be going nowhere fast. Can Craig get the help he needs, even as he helps others? This is a lovely film which highlights the topic of mental illness in a sensitive, intelligent way. Yes, there are patients with more severe troubles than others but all remain part of the human race, as shown here. The cast is great, with Gilchrist doing a fantastic job as the film's main character. Galifianakis, Roberts, Davis, and especially White, do great work too, as do all of the lesser actors. The setting is fairly limited, as most of the action takes place in the hospital, and the costumes are suitably drab, although Roberts looks very pretty in whatever she wears. Then, too, the script is comically insightful while the direction and camera work are quite nice. All in all, if you are hoping to watch a great film that touches the heart, with depth, view this one kind of soon.

This is one of the most rewarding pictures I've seen in a long time. It's a breath of fresh air from the usual mainstream hokum, mixing black comedy and dry humor with genuine warmth and empathy. It's a movie you don't want to end, but when it does, you kinda want to give it a big hug.

There are no cheap laughs or lame gags here - the humor bubbles along like an undercurrent, echoing real life. Life is a constant source of amusement - we just have to recognize the fact and tap into it sometimes.

The storybook device, where the protagonist speaks directly to the audience, was perfectly weighted, cutting in at just the right moment to pace the movie and remind you of the pretext.

All the characters were well-rounded and authentic - I was particularly impressed that Craig's psychiatrist was played totally straight. The temptation to have her do or be something slightly crazy or contrived must have been great, but it was thankfully resisted. Likewise, the inmates of the psychiatric ward - there's a charming and utterly believable sense that everyone's a bit off kilter, rather than jokingly deranged.

The patients in the film aren't the butt of the joke - society and its proclivities are. That said, as a British viewer, I found it more difficult to appreciate how academia and peer pressure drive school-kids to anti-depressants and therapy - and for them to be impressed by the fact. I probably missed some of the main messages and in-jokes of the film, being from Yorkshire, rather than New York.

Nevertheless, I don't think you can fail to love this film. Zach Galifianakis is adorable, Emma Roberts is gorgeous and Keir Gilchrist manages to combine confusion and teenage erudition superbly.

If nothing else, you have to love the self-indulgent interludes, especially the 3D animation through Craig's fictional, line-drawn world and the wonderfully camp group performance of 'Under Pressure'. The soundtrack is spot on right to the last - who knew traditional Egyptian music could be the saving grace?