An American Crime

The "disclaimer" at the end of "An American Crime" could not be more appropriate. Why does Hollywood have to make up "fake scenarios" about one of the most horrific crimes ever committed? Are the actual facts not "interesting" enough for the big screen? I can assure you, they are indeed, and need to be told. Anyone who has ever comprehensively researched this case can tell you, there is very little "fact" here. The ferocity and unrelenting cruelty of the monster "Gertrude," as well as the "enthusiasm" of the children who participated in the torture of Sylvia Likens, particularly, daughter Paula, has been falsely conveyed and greatly understated. It's really a travesty and dishonors the memory of an innocent young girl. They had a great opportunity to show the truth, and they blew it. Shame on them.

I was born in 1970 and had an Aunt that lived just down the street from the house where Sylvia and her sister were staying. When I first heard the name "Sylvia Likens" it was in a childhood chant which was very disrespectful to her life/death. When my mother heard me, she asked why I was doing that and I said it was a spooky game. She explained to me at that time that Sylvia was a real girl who lived through a horrid time. It wasn't until I was older that I found out she was murdered. Although it was a bad neighborhood, sometimes my husband and would drive by the house. Its frightening to think of what happens in our country, and in the very state I live in. I think it was important for this film to be made, especially when I read that none of the actors had heard of Sylvia's story. There is a park not far from her home that has a memorial in place for her, with her picture on it.

Let me begin by saying, I believe this story is one that everyone should be familiar with. And for that, I would recommend people see this movie. But I do not think the film, in itself, was the quality I would've liked it to be.

The scenes seem to be too conservative at times. And the flashbacks to what had happened, previously, give the viewer an outside perspective of things. And it is that omniscient point of view that keeps the viewer from really becoming involved in the story.

I think Ellen Page did an incredible job of acting. And I truly love her movies. But I wonder if the people making this film were so afraid of insulting certain persons that they did not want to submerge themselves into a truly emotional reenactment of what had actually happened.

Bottom line: If you want a story that is presented to you in segments, then by all means, watch this movie. But if you want a truly disturbing film that puts you in the eyes of the victim, and makes you feel sick to your stomach... then there are other movies based on the same event that are much more involved!!!

First of all someone said " The Girl Next Door" wasn't based on actual events .You'd have to be oblivious not to see it's based on this case with some minor changes.

I feel that The Girl Next Door is a much more disturbing film then An American Crime because the degree of abuse is much more accurate in relation to what happened in real life.

Also I was somewhat disturbed that the the director tried to show Gertrude in a somewhat sympathetic light as if he was trying to make some sort of feminist statement that Gertrude was a victim of 50's male oppression.In reality she was a sexual sadist of unspeakable proportions.

I attended the world premiere of "An American Crime" at the 2007 Sundance Film Festival. Among the several decidedly downbeat films I saw this past week, this one was by far the hardest to watch. But something about it is compelling, like craning your neck to see what horrors can be spotted at the scene of a car crash. You know it can't be anything pretty, yet you can't take your eyes off it. Perhaps it was knowing that the film is, in fact, based on a true story. The opening courtroom scenes and disclaimer that "actual transcripts" were used make that clear. There's something about a "true crime" drama that triggers a desire to sit through whatever terrifying images lie ahead. And the images conjured up here are bone-chilling.

In 1965, Betty Likens (Romy Rosemont) and her husband Lester (Nick Searcy) decided it was best to leave their two daughters with a neighbor while they went off with a traveling carnival. So Sylvia Likens (Ellen Page) and her sister Jennie Fae (Hayley McFarland) settled in with the Baniszewski clan. And what a clan it was. Mother Gertrude (Catherine Keener) already had five of her own in tow, and now she added two more. What happened then, well documented in the record, is now played out for us with horrifying realism.

This is Keener and Page's film, despite the large ensemble cast assembled for the story. And both actors create frighteningly devastating portrayals of characters we still can't quite believe really endured these horrors. Mommie Dearest doesn't hold a candle to Keener's Gertrude, and Page is as heartbreaking as any victim I've seen in modern cinema. Both turn in award-winning performances that left me with chills.

In addition to the numerous family members, an assortment of school chums has the opportunity to get involved in some way. Coy Hubbard (Jeremy Sumpter) is the boyfriend of one of the Baniszewski brood. Known to most from 2003's "Peter Pan," we can't help but feel that he will be the hero here. Teddy Lewis (Michael Welch), is an enigma from the start. One of our most prolific yet underrated young actors today, Welch is perfectly cast as the boy whose blood runs hot or cold depending on the prevailing winds. Other notables include The West Wing's Bradley Whitford as prosecutor Leroy K. New.

This is a period piece set in the mid-60s, and the costumes, sets, and palette of colors effectively evokes that era to a T. Much of the film's look can be attributed to the cinematography of Byron Shah, who had two films here at Sundance (his "The Go-Getter" was one of my favorite film' at this year's festival).

"An American Crime" is not for everyone. It's a horror film that isn't a work of fiction. If it was from the hand of Stephen King it would be scary and delicious. Instead it's scary and nauseating. Yet it deserves the label "important," because the subject matter is worthy of discussion. And that's because the horrors exposed in this film are still occurring today. That's the real crime.