A naive young man assumes a dead man's identity and finds himself embroiled in an underground world of power, violence, and chance where men gamble behind closed doors on the lives of other ... Read allA naive young man assumes a dead man's identity and finds himself embroiled in an underground world of power, violence, and chance where men gamble behind closed doors on the lives of other men.A naive young man assumes a dead man's identity and finds himself embroiled in an underground world of power, violence, and chance where men gamble behind closed doors on the lives of other men.
- Awards
- 1 win & 1 nomination
Alice Barrett
- Leanne Ferro
- (as Alice Barrett Mitchell)
Mike D'Onofrio
- Frank
- (as Michael D'Onofrio)
Storyline
Did you know
- TriviaAll of the numbers on the train cars shown in various parts of the film add up to the number 13.
- GoofsThe cylinder in a properly functioning revolver will not spin freely once closed. While normally correct, the double-action revolvers used for the competition were owned and distributed by the holder(s) of the competition, and were likely modified for use in the competition. The modification is a simple one, and considering the stakes and as a necessary element of the competition, it is very likely the modification was made. It is obvious during the competition, that the cylinders are, in fact, able to spin when closed, despite common functional design.
- ConnectionsEdited into The Clock (2010)
- SoundtracksJUST BUSINESS
Performed by Phil Soussan
Written by Phil Soussan
Courtesy of Blue Cat Tales / ASCAP
Under license from PUSS IN BLUE RECORDS
Featured review
The plot: Bewildered young man stumbles into a tense game of chance when he impetuously steals a dead man's invitation.
I really liked the original French movie, though I found it to be a little pretentious. The American remake excises all of the art house elements in favor of big name actors, a curiously extended back story for Mickey Rourke's character, and some really bizarre (but awesome) acting from Michael Shannon. The original French version was also a bit more bleak and nihilist, which I think was watered down for American version. Despite this, I've seen several people complain that this movie was too bleak and nihilist! Wow. I guess some people were expecting a traditional, by-the-numbers thriller with car chases and shoot-outs rather than a pensive, darker drama. Unfortunately, a lot of the tension was also streamlined out this version, though I might be misjudging because I already knew the plot. Still, the brutality and nihilism of the original, made all the starker by the black and white stock, really stuck with me, and I didn't feel as though I had quite the same experience when watching the remake.
I'm not one of those snobs who thinks that the original movie is always better than the remake, but, in this case, I think it's true. If I hadn't seen the original and liked it so much, I'd probably rate this a bit higher. Judged on its own merits, I think this is an enjoyable movie, but it doesn't live up to the original. For a movie billed as a thriller, it's lacking the tension that audiences expect, and, as a Jason Statham movie, it's lacking in Jason Statham scenes, which audiences will also expect. Despite my criticism and lukewarm rating, I still liked 13, and I'd probably recommend it to people who haven't seen the original. However, I'd highly recommend you see the original, instead. It's a better movie.
I really liked the original French movie, though I found it to be a little pretentious. The American remake excises all of the art house elements in favor of big name actors, a curiously extended back story for Mickey Rourke's character, and some really bizarre (but awesome) acting from Michael Shannon. The original French version was also a bit more bleak and nihilist, which I think was watered down for American version. Despite this, I've seen several people complain that this movie was too bleak and nihilist! Wow. I guess some people were expecting a traditional, by-the-numbers thriller with car chases and shoot-outs rather than a pensive, darker drama. Unfortunately, a lot of the tension was also streamlined out this version, though I might be misjudging because I already knew the plot. Still, the brutality and nihilism of the original, made all the starker by the black and white stock, really stuck with me, and I didn't feel as though I had quite the same experience when watching the remake.
I'm not one of those snobs who thinks that the original movie is always better than the remake, but, in this case, I think it's true. If I hadn't seen the original and liked it so much, I'd probably rate this a bit higher. Judged on its own merits, I think this is an enjoyable movie, but it doesn't live up to the original. For a movie billed as a thriller, it's lacking the tension that audiences expect, and, as a Jason Statham movie, it's lacking in Jason Statham scenes, which audiences will also expect. Despite my criticism and lukewarm rating, I still liked 13, and I'd probably recommend it to people who haven't seen the original. However, I'd highly recommend you see the original, instead. It's a better movie.
- How long is 13?Powered by Alexa
Details
Box office
- Budget
- $20,000,000 (estimated)
- Gross worldwide
- $3,701,600
- Runtime1 hour 31 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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