A guy's life is turned around by an e-mail that includes the names of everyone he's had sex with--and ever will have sex with. His situation gets worse when he encounters a femme fatale (Ryd... Read allA guy's life is turned around by an e-mail that includes the names of everyone he's had sex with--and ever will have sex with. His situation gets worse when he encounters a femme fatale (Ryder) who targets men guilty of sex crime.A guy's life is turned around by an e-mail that includes the names of everyone he's had sex with--and ever will have sex with. His situation gets worse when he encounters a femme fatale (Ryder) who targets men guilty of sex crime.
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An interesting premise, with a plot twist that feels very predictable but ends in a surprising way, its still not enough for me to recommend it to anyone, as the film doesn't leave with you anything - no glowing feelings, no revelations, not even a basic contentment after watching a horror, thriller or romantic comedy. Instead the film is bland, with no character development and no explanation as to any character motivations. Why did Winona Ryder's character choose to act the way she did (explained but not at all believable)-- what about the motivations of every other character in the film? What is Roderick's motivation? Pure boredom? Although explained by the script, there is no emotion from the actors, no expression of anything remotely connected to feeling, to depth. Nothing is really clear, its all hinted at, and the viewer is left feeling uninspired and unconnected from the characters and the story. The lead actors still did their best with it,(the ensemble was horrid though) and though this is Ryder's worst character ever, perhaps it was all a fault of the writing, who is to say? This film is like a tantalizing sandwich in the shop window. It looks beautiful at the start as it has good ingredients (seasoned actors) and has a unique and interesting recipe (premise) yet when you take a bite, there' s no meat, no filling, no flavour. The viewer is left with an empty mouth, empty head and a lighter wallet.
Simon Baker (The Devil Wears Prada) is wonderful. He will be a big star. Winona Ryder is a surprise. She is back. It seemed as if her career was on hold, but she's great in this film.
The language is unabashedly strong, the situations ditto, but the underlying message of the film is intelligent and 'right on'.
Go see this movie.
The film is about Rodrick who receives an e-mail with all the names of girls he have had sex with, and those he will have sex with within a year. The problem is, he at that time was meant to get married in not so long, but "the list" doesn't end with his wife-2-be's name. Actually: there are 72 more to come!
I won't say the movie is free of clishè, but compared to what were used to with these kind of films- it certainly is a good breath of fresh air. The plot is funny, the characters are interesting, the actors did a good job, and well the movie was good as well. Also Winona Ryder is as beautiful as ever! Watch it, but with reasonable expectations.
Enjoy:-)
Simon Baker stars as the allegorically named Roderick Blank, a handsome, seemingly insatiable lady killer who's decided it's finally time to put an end to his womanizing ways in favor of marriage to the beautiful Fiona Wormwood. Yet, literally on the eve of his bachelor party, Rod receives a mysterious email listing in chronological order not only all the women he's already slept with throughout the course of his life but all the women he is destined to sleep with in the time that still remains to him (the total is 101, if you haven't already surmised that from the film's title). Adhering to the adage "the spirit is willing but the flesh is weak," Rod allows the list to essentially take over his life, waiting for the next promised woman to fall into his lap (sometimes quite literally), then crossing her name off the moment he's had his way with her. But is this truly the route to a satisfying life, even for a notorious playboy like Roderick Blank?
Part science fiction and part metaphysical morality play, "Sex and Death 101" also boasts two wacky subplots that run contrapuntal to the main story: one featuring Winona Ryder as an avenging feminist who comes in the guise of a serial killer, luring unsuspecting misogynists to their well-deserved destruction; and the other involving three mysterious figures (mad scientists, intervening angels?) who kidnap Rod to inform him that he has been the victim of some bizarre cosmic prank and that he needs to destroy the list before it destroys him.
"Sex and Death 101" is not a perfect film by any means. Its attempts at surrealism are frequently heavy-handed and strained, and its black-comedy edge isn't always as razor-sharp as it could be. But, on the whole, this is a wildly original and surprisingly incisive look at the different ways in which men and women view sex and romance and the different ways they use both those things to get what they want. Writer/director Daniel Waters knows how to set even the most hackneyed romantic comedy cliché spinning on its head. For instance, the movie takes the obligatory "gay best friend" stereotype - who usually comes in the form of a flaming interior decorator or wedding planner - and turns it into a wise-cracking lesbian (smartly played by Mindy Cohn, best known as Natalie from "The Facts of Life"), whose duties as Rod's personal secretary go far beyond merely scheduling his appointments or knowing where his briefcase is.
Although Rod is, in many ways, a typical character for a romantic comedy - afraid of commitment, obsessed with nailing every woman who comes his way, etc. - the route the script takes to get him to his admittedly rather predictable pro-woman/pro-romance epiphany is anything but typical. This freshness is further enhanced by the devilishly playful and utterly disarming performance turned in by Baker who completely captivates the viewer with his easygoing charisma and charm. The scene in which Baker and Ryder finally share screen time together is exceptionally well acted and staged.
Even though the movie feels a little disjointed and unfocused at times, Waters does a nice job dovetailing all the seemingly unrelated plot elements into a satisfying whole in the end. "Sex and Death 101" is for those who like a little spice with their romantic comedies.
However, "Sex and Death 101" is too volatile to really be successful in any of the genres it touches. The story takes a thousand twists and turns. It's too cynical to be romantic, too shallow to be profound and too erratic to blow your mind. Characters are introduced and forgotten about in 10 minute-intervals and all of the main characters' friends just kind of disappear at the end, when Winona Ryder's character finally comes into the picture. Make no mistake, Ryder doesn't play a huge role in the whole movie. Her character seems awfully constructed and forced into the script. When the whole story is finally resolved it doesn't really make sense and leaves you totally uncertain of what the hell it was you just saw.
"Sex and Death 101" isn't the worst movie you could rent, but it's certainly pretty strange. I don't even know whom to recommend this to. Fans of Winona Ryder will not be happy with the little amount of screen time she gets. Friends of romcoms will find fault with both, the amount of rom and of com in this. To enjoy "Sex and Death 101" you probably just have to accept the fact that you don't know what you're gonna get. And, hey, that's kind of what the movie is about, too, I guess.
Storyline
Did you know
- TriviaThe list of lovers also includes Selena Kyle (Catwoman's real name), Kitty Twist (Jane Fonda's role in "Walk on the Wild Side" (1962)), Barbarella Pygar (formed from Fonda's Barbarella (1968) character and its blind angel Pygar), Candace Christian (the full name of the title character of the sex romp "Candy" (1968)), Annabelle Lee (the title of an Edgar Allan Poe poem), Carlotta Valdes (a character in "Vertigo" (1958)), and Gillian De Raisx (a modification of the 15th-century aristocratic French serial killer Gilles De Rais).
- GoofsThe school bus driver's nametag has a commonly misspelled word: "Your" instead of "You're".
- Quotes
Roderick Blank: Life is a lot like death it happens to everyone whether they like it or not. And meaning of it all? Honestly? Who gives a fuck?
- SoundtracksDeep Water
Written by 'Tony Marsico' and 'Ric Menck'
Performed by the 'Del Reys'
Courtesy of Swing-O-Matic Productions
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Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Blank's Slate
- Filming locations
- 1120 Westchester Place Los Angeles, California, USA(Rose Estate)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $5,000,000 (estimated)
- Gross US & Canada
- $23,624
- Opening weekend US & Canada
- $13,516
- Apr 6, 2008
- Gross worldwide
- $1,229,330
- Runtime1 hour 57 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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