Shattered

This movie is the equivalent of shattering an already broken mirror. We are introduced to the happy, functioning family: Father's successful and climbing the corporate ladder in the advertising industry, while mom stays at home and takes care of cute-as-a-cupcake daughter. All is well...

(if you are really intent on going through the dissatisfaction of watching this movie and are as thick as brick, you shouldn't read any further)

...But right from the start we see father weaseling his way to the top, egotistically snatching away his colleagues' well deserved moment to shine from under their noses. We see father exchange an all too obvious glance with his secretary. We see mom holding a camera and longingly looking at photos she once took. We can overhear a conversation between mom and dad's secretary that seems casual, but carries the promise of becoming significant later on in the movie all too obviously.

If the writer or director - I'm guessing these are directorial decisions - had done a better job at concealing the cracks in the foundation of the perfect family-life facade in the beginning, maybe the shattered dreams at the end would have packed a slightly bigger punch. But half way into the movie we give up on the chance of this becoming anything remotely worth wile. And we masochistically watch the plot unfolding in more and more implausible ways, as the characters (read: plot-devices) propel it to its breathtakingly uninteresting, and actually insulting ending. Ultimately the only thing this movie shatters, is the audience's hope of seeing an intelligent and entertaining movie.

A normal married couple's life (Gerard Butler and Maria Bello) is thrown into turmoil when their daughter is kidnapped and the kidnapper (Pierce Brosnan) put's them through a series of brutal challenges and horrible experience, threatening to kill their daughter if they don't pass every challenge.

This is a gripping thrill ride that constantly makes you think what YOU would do in this situation and question why it's happening. There are very few clues throughout the movie as to why they have been specifically targeted by the kidnapper and there are a few roller-coaster twists at the end that are jaw-dropping.

It's a psychological thriller of note, with never-ending suspense. This is the problem. It's a constant torrent of "what are they going to do". It never relents nor gives a moment to breath. Consequently you become frustrated and irritated that the movie doesn't give you any answers. Eventually you're just waiting to find out what happens, rather than holding onto the edge of your seat.

Ultimately it lacks the balance of suspense versus relief of similar kidnap thrillers like Mel Gibson's Ransom. The suspense just turns to irritation However this film is well worth watching if you want a no-nonce thriller that requires little thinking on your part and don't mind that half the movie takes place in a car due to the small budget.

I had to speak out after seeing quite a few negative reviews. Especially to the ones that label this cliché and others who turn it off after 30min -- are you kidding me! I applaud the writer Morrissey here for trying to create something different and unique! It is. There are a few small issues (and one big one at the end) but for the most part very entertaining. The way I saw it is -- The Game/Fatal Attraction combination. I work in the business and as far as I'm concerned there are far far worse ones being made daily. I do see this one as a gem, if nothing else, for its courage to hang out something different. It won't change the world but there is meaning to be found for those pundits that say this an absolute mindless ... bad behavior can have consequences, and what about trust?? Something to think about.... For those that can't see the beauty in that you can always go rent "Dude Where's My Car" for intellectual fodder!

The producers of BUTTERFLY ON A WHEEL (a/k/a SHATTERED in U.S.), didn't have enough faith in their project to seek widespread theatrical distribution of the finished film--even though it had GERARD BUTLER fresh from his box-office triumph in "300". Instead, they went a more direct route--directly to TV on TNT, which seems more like a last resort. Once again, a Gerard Butler film with limited distribution even though co-starred with PIERCE BROSNAN and MARIA BELLO.

Seeing it on TNT, it's understandable that the film had some problems in connecting with a larger audience. Brosnan's villain is below par for the actor and Butler has done better work elsewhere although he gives all his energy to the role of a distraught husband.

The plot is an elaborate cat-and-mouse game that Brosnan plays with the unlucky couple, Butler and Bello. While it does generate a certain amount of suspense, Brosnan's character remains an enigma for almost the whole story. Never once do we get a hint of why he's going to such extremes to torture the couple by demanding that they perform tasks at his bidding. A grungy looking Brosnan makes the villain a very unappetizing psychotic and we're never quite sure about Butler either, an ad agency man who gradually loses his swaggering overconfident manner.

Without giving away more of the plot (except to say that there is a mildly interesting twist toward the end followed by a double twist), the whole thing plays more like a made-for-TV movie than an actual film because none of the characters are more than one-dimensional despite the good acting. And the final scene between Butler and Bello is totally unbelievable as to motivation.

Summing up: Basically tricky and shallow at the core.

When their happy lifestyle is suddenly interrupted and turned upside down by the forceful intrusion of a menacing kidnapper (Brosnan), Abby and Neil (Bello and Butler) are left with no choice but to follow the increasingly difficult demands and tests set them by this man. It's edge-of-the-seat stuff most of the way, with plenty of twists and turns and even when you get to that stage where you think you know all the answers, something else catches you off guard. The three leading actors all provide sound performances in this intelligent, edgy little thriller, with Brosnan proving yet again, because a lot of people seem not to have realised it before, that he really can act.