Romulus, My Father

Richard Roxburgh has picked a difficult story to tell through a motion picture. For a first timer, he doesn't do a bad job. Through his cinematographer, he captures the raw Australian landscape beautifully and contrasts it well with the 'depression' of that time. He extracts phenomenal performances from his actors. He also displays the subtle layers quite effectively and seems to have an understanding of how difficult things were during that time. The only problem is that 'Romulus, My Father' moves at an extremely slow pace and some of the events appear patchy rather than smooth. Eric Bana does an excellent job. Marton Csokas is superb. Franka Potente handles a difficult role with élan. Child actor Kodi Smit-McPhee is terrific as Rai who is torn between his parents. The background score has a subtle effect. 'Romulus, My Father' reminded me of 'Angela's Ashes' but in my opinion, the latter remains a superior film.

A broken family have a growing boy at his early teenage years and have no sense of responsibility to grow a child. Considering that both mother and the father is uneducated and clueless, they live in a farm before the World War II; we still have no idea upon why they ruin a child's life making a havoc of his psychology.

Proved by adversity the family have nothing to distinguish their boy, nor to give anything to make him happy, nor to teach him anything precisely good. Father gets to figure out that the kid needs a college education, and sends him to a college. Then after the suicide of the mother, the boy gets closer to his father. A happy ending occurs and mops up all the pain and unpleasant situations out of the movie, and hopefully out of the boy's memory. Thus, his father taught him one thing, a very important one, how to be patient of adversity.

For a tough story to put on silver screen, the actors' performances are somewhat exhilarating; and that's the mainspring to tolerate this movie. Within low-budget movies with no technical endeavors, if you like to witness a modest triumph of a child, much better than My Father Romulus, I advise you to watch "I am David".

I could not speak more highly of this film. It is flawlessly realised and I plead with anyone serious about film-making as a sincere form of high art to support this film. I have never experienced anything that is richer with real emotional substance and that conveys a convergence of humanity with more dignity.

Furthermore, I have never seen an ensemble of actors grasp the very essence of a story so powerfully and accurately. Each performer, even the youngest, is acutely aware of the history of their character and the significance of each and every moment that is being so beautifully captured.

For me, dissecting this movie in any way would be like sitting outside in the rain during a sunshower and trying to explain what was right or wrong with the situation.

'Romulus, My Father' confirms, without question, that Australian Filmaking has come of age.

After watching Romulus, My Father I was really impressed with how realistic and convincing the performances were in this film. The acting was superb especially Eric Bana and the boy and I was really drawn into the film. I completely forgot about everything else and felt like I was right there. The acting was so convincing, the sounds, the scenes, the mood and the whole atmosphere in the film really pulled me in. At times during the first half of the film it was slightly slow-moving but this was mainly due to a lot of good character development and getting to know the setting, and we really get to know the boy in the film. Some of Eric Bana's moments near the end of the film were just amazing. Although he was great throughout the whole film, he really did hit the mark near the end. It's just the way that his character gradually changed that amazes me and it looks like he really did put a big effort into his performance because it is (or very close to) the performance of his career so far. As an Aussie, I've been disappointed with a few recent Aussie films but this one was no disappointment. Some people may find it a little slow-moving to begin with but easily makes up for that with all of its great qualities and an ending that may draw some tears from some people. 8/10

Arena Films in Sydney Australia have developed and produced some of the best small films made here in the last ten years. I have seen ROMULUS; I saw it at a media screening in Sydney mid April 2007. I understand the film will go into release in May 2007. Helmed by John Maynard and Robert Connolly, Arena are responsible for THE BANK, THE BOYS with David Wenham, and SWEETIE among their excellent library of films. However this time, I am delighted to say they have managed to create a film so genuinely superb, so astonishingly well cast and with a major turn as director by actor Richard Roxburgh, I find myself actually struggling for adequate superlatives as to not sound like I am overstating the quality and qualities of this profoundly satisfying and emotionally moving father/son relationship drama. Set in the early 1960s in rural Victoria Australia, it basically tells of the marriage difficulties of a migrant family from eastern Europe. It is the mother with wanderlust that causes the central emotional drama and ripples of overwhelming joy and despair as the men around her, husband his brother and her lovers, and including her 8 year old son Raimond, attempt to hold their extended family together, survive on a farm, and deal with her fracturing emotions. I was the same age as the boy in this film in 1961 and I lived in Sydney among many migrant families from Europe who had moved post WW2 to find a better life here. Many did but equally as many became bewildered in Australia, emotionally lost because they had lost the thread of their village life and European life/morality and found their freedom here created mental and moral abandon... they became lost and found the new country too huge too free and too full of emotional pitfalls: it was just too different: sunny and open yes, but no family bonds and not strong with religious ties. As a result emotional inertia and immorality and sometimes drink and violence took over; just as often was a nervous breakdown. ROMULUS charts all this with skill and motion like no other major new film in the last ten years has been able to do. David Elfick's 1993 film NO WORRIES maybe, or CAREFUL HE MIGHT HEAR YOU from 1983 are very close past emotional and critical successes; this film certainly surpasses them in the child's eye view of a marriage and a family collapse. The casting is just so perfect and I defy anyone to not to be absolutely transfixed at the young boy actor Kodi Smitt who is front and center at all times here. His performance is one of the great child acting performances in any film; period, ever. Richard Roxburgh as an actor is very good, but who knew (apart from savvy Connolly and Maynard) that he could create a visually breathtaking emotionally solid and superbly told story; so often in a dozen scenes he shows one more shot of Raimond just being, as a tail end of the scene and it caps every part of this film perfectly each time. ROMULUS sets a new standard for excellent emotional drama produced here are hopefully erases the bad credit and ill feelings of so many useless and lousy films produced here so far this century:. So many cinemas and their owners have been wringing their hands in despair at the poor results of so many terrible Oz films of late.

The good ones? try these: KENNY, THE BANK, RABBIT PROOF FENCE and THE OYSTER FARMER being the only real shining lights in a very dim recent release schedule. ROMULUS MY FATHER will go into history as one of Australia's best produced films and I personally hope it is loved and applauded Internationally as I expect it to be here.

On the down side: Arena have taken a serious risk in involving Arclight films in an executive production and sales partner role here; Arclight exec producers have been seen for over 10 years as being responsible for some of Australia's worst and most reviled and truly embarrassing films: often critically spewed upon and a complete waste of resources and reputation: for example: the vile cruel CUT or the disgusting WOLF CREEK or CUBBYHOUSE, or lame DECK DOGZ, or idiotic SHOTGUN WEDDING or nonevent BACK OF BEYOND or woeful EXCHANGE LIFEGUARDS are simply hated by the few viewers who wasted time on them or by cinemas who took a chance on them. The appalling WOLF CREEK is now credited with being the start of thew 'torture porn' cycle currently debasing cinemas and communities encouraged to see them (HOSTEL and HOSTEL PART 2 is a direct result of this awful movie)... so I hope Arena survive their relationship with Arclight.