Professor Bernard Quatermass' manned rocket ship returns to Earth but two of the astronauts are missing and the survivor seems ill and unable to communicate.Professor Bernard Quatermass' manned rocket ship returns to Earth but two of the astronauts are missing and the survivor seems ill and unable to communicate.Professor Bernard Quatermass' manned rocket ship returns to Earth but two of the astronauts are missing and the survivor seems ill and unable to communicate.
Andrew Tiernan
- Victor Carroon
- (as Andy Tiernan)
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The original BBC version of THE QUATERMASS EXPERIMENT shocked a nation way back in 1953 but this remake barely caused a ripple when broadcast three years ago and it's not too difficult to see why . Nowadays television audiences are much more sophisticated and television in the 21st century is more of a bastard child of cinema than theater , but it would be both churlish and incorrect to state that the failings and the lukewarm reception of this remake are down to the audience because the fault lies entirely with the production team
A lot of people have complained about the anachronistic feel of the production . Indeed it doesn't really feel like it's set in the present day despite the scenes set at the Tate Modern and having BBC News 24 giving away exposition . Perhaps the most startling thing are the large number of characters who smoke , something both television production teams and government have cracked down on and I'm possibly correct in saying if this had been made in the Autumn of 2008 none of the actors would be allowed to smoke on screen by law
Director Sam Miller usesa countless number of medium shots . In order to generate tension and atmosphere wouldn't close ups have been more effective ? Of course Miller is directing a live broadcast where anything or everything can go wrong so perhaps we should be more forgiving because of the amount of pressure he was under . Unfortunately any tension and atmosphere is diluted with the amount of clichéd POV shots and over head filming of London which outstay their welcome very quickly . There's also a lack of internal logic to these shots . If you're a mutating monster walking around London dressed in a cloak wouldn't someone call the police , and wouldn't the police be going out of their way to hunt down the mutating monster ? Are we to believe the monster hasn't been picked up on CCTV cameras ? Apparently the story is set in a world where we can send astronauts into deep space but no one has invented the close circuit TV camera . Do you understand the anachronistic criticisms now ?
Some of the problems with the script actually lie at the door of Nigel Kneale . The original version of THE QUATERMASS EXPERIMENT was written as a suspenseful mystery . Alas however it was constructed very much as a whodunnit . Once you know what is happening to Victor Carroon etc there's little mystery involved . It's similar to watching a whodunnit unfold when you already know who did it so there's no surprises . Kneale did construct his story in an episodic form to be broadcast over a period of six weeks which leaves Richard Fell's adaptation very disjointed . In some places it's very slow and in other places so rushed you find yourself thinking if there's been a hitch in the production that stopped a scene being transmitted . We also have to endure a ridiculous scene where an art lover bleats " If you destroy beauty then we don't deserve to go on living " Oh please !
All in all this version of a Nigel Kneale classic is more of a nostalgic gimmick than anything else . If the BBC are thinking of doing a live version of QUATERMASS AND THE PIT then my advice is don't . It'd be terrible to see the greatest SF drama in the history of television turned in to something like this
A lot of people have complained about the anachronistic feel of the production . Indeed it doesn't really feel like it's set in the present day despite the scenes set at the Tate Modern and having BBC News 24 giving away exposition . Perhaps the most startling thing are the large number of characters who smoke , something both television production teams and government have cracked down on and I'm possibly correct in saying if this had been made in the Autumn of 2008 none of the actors would be allowed to smoke on screen by law
Director Sam Miller usesa countless number of medium shots . In order to generate tension and atmosphere wouldn't close ups have been more effective ? Of course Miller is directing a live broadcast where anything or everything can go wrong so perhaps we should be more forgiving because of the amount of pressure he was under . Unfortunately any tension and atmosphere is diluted with the amount of clichéd POV shots and over head filming of London which outstay their welcome very quickly . There's also a lack of internal logic to these shots . If you're a mutating monster walking around London dressed in a cloak wouldn't someone call the police , and wouldn't the police be going out of their way to hunt down the mutating monster ? Are we to believe the monster hasn't been picked up on CCTV cameras ? Apparently the story is set in a world where we can send astronauts into deep space but no one has invented the close circuit TV camera . Do you understand the anachronistic criticisms now ?
Some of the problems with the script actually lie at the door of Nigel Kneale . The original version of THE QUATERMASS EXPERIMENT was written as a suspenseful mystery . Alas however it was constructed very much as a whodunnit . Once you know what is happening to Victor Carroon etc there's little mystery involved . It's similar to watching a whodunnit unfold when you already know who did it so there's no surprises . Kneale did construct his story in an episodic form to be broadcast over a period of six weeks which leaves Richard Fell's adaptation very disjointed . In some places it's very slow and in other places so rushed you find yourself thinking if there's been a hitch in the production that stopped a scene being transmitted . We also have to endure a ridiculous scene where an art lover bleats " If you destroy beauty then we don't deserve to go on living " Oh please !
All in all this version of a Nigel Kneale classic is more of a nostalgic gimmick than anything else . If the BBC are thinking of doing a live version of QUATERMASS AND THE PIT then my advice is don't . It'd be terrible to see the greatest SF drama in the history of television turned in to something like this
n 2005 the BBC did a live version of Nigel Kneale's Quatermass Experiment. Originally a 6 part three hour TV series about a rocket that returns to earth with only one of its crew still alive, and he's horribly changed. It was the first appearance of Professor Quatermass a flawed genius who is in a way the precursor to Dr Who.(This version co starred David Tennant, the current Dr Who).
The production is very good and the cast is excellent with Jason Flemyng making an excellent Quatermass.The show is for the most part very creepy and had it held together until the end it might have actually crossed into scary. The problems with the show come from two places. First the 96 minute program effectively removes half of the originals 180 minutes. There is a great deal of story compression especially in the second half as the plot does not zip along as much as it jumps. I have not seen the original series (only two episodes survive the last I heard) but I've read on the show and seen the film that was made from it so I know there was a bit more towards the end than we see. The other problem with the show is that in adapting the 195-something scripts for modern day broadcast they didn't update enough. the space shot is secret, the technology is often out of date (audio cassettes in a black box?), the media is much too trusting and not enough in your face. It creates a nice sense of its own world, but at the same time its not wholly believable. That said its still a very good retro-sci-fi drama 7 put of 10
The production is very good and the cast is excellent with Jason Flemyng making an excellent Quatermass.The show is for the most part very creepy and had it held together until the end it might have actually crossed into scary. The problems with the show come from two places. First the 96 minute program effectively removes half of the originals 180 minutes. There is a great deal of story compression especially in the second half as the plot does not zip along as much as it jumps. I have not seen the original series (only two episodes survive the last I heard) but I've read on the show and seen the film that was made from it so I know there was a bit more towards the end than we see. The other problem with the show is that in adapting the 195-something scripts for modern day broadcast they didn't update enough. the space shot is secret, the technology is often out of date (audio cassettes in a black box?), the media is much too trusting and not enough in your face. It creates a nice sense of its own world, but at the same time its not wholly believable. That said its still a very good retro-sci-fi drama 7 put of 10
But I just couldn't believe that this was really happening. Where were the isolation chambers? Where were all the medics? Where were the police and the politicians?
If it had been set in the 50s I might have been able to tolerate it, but it had been updated to 2005 and as a result it just looked lame. My suspension of disbelief lasted about five minutes before I started to get annoyed with it. The presence of Indira Varma kept me watching a little longer until I was forced to hit the fast-forward button after about half an hour.
If this had happened today, the crashed rocket would have been surrounded by troops, police, scientists, stripey red and yellow tape, covered with a tarpaulin with filtered air, and no-one would have been allowed near it for at least a week until all possible biohazard and radiation tests had been made.
Just too frustratingly unrealistic for me. Oh - and the soft focus effect all the way through - puhlleeze!!
If it had been set in the 50s I might have been able to tolerate it, but it had been updated to 2005 and as a result it just looked lame. My suspension of disbelief lasted about five minutes before I started to get annoyed with it. The presence of Indira Varma kept me watching a little longer until I was forced to hit the fast-forward button after about half an hour.
If this had happened today, the crashed rocket would have been surrounded by troops, police, scientists, stripey red and yellow tape, covered with a tarpaulin with filtered air, and no-one would have been allowed near it for at least a week until all possible biohazard and radiation tests had been made.
Just too frustratingly unrealistic for me. Oh - and the soft focus effect all the way through - puhlleeze!!
I started to fast forward to see if it got better but unfortunately it didn't. Cheap sets and production (looks like handy cams with poor acting) let this movie down. At one stage you could see the camera and sound men the next shot pans too. Also you can tell the transitions between shots as there is a awkward pause before the actors start acting! It was also hard to believe as there were no hospitals for the sick astronaut or isolation chambers, etc as if the script had not been updated. The whole movie looked cheap, very c-grade and was extremely implausible to watch, so much so it had me cringing and wanting to turn it off. I Give it a miss.
Just found out this was originally broadcast live, I watched a broadcast much later.
Just found out this was originally broadcast live, I watched a broadcast much later.
The idea of a modern version of Quatermass is an intriguing one, but unfortunately this poor effort is a wasted opportunity.
The decision to transmit the programme live is ultimately a gimmick that damages the project. It would appear that the budget was quite low, which, when combined with the live aspects make this look like a you tube video.
Jason Flemyng is arguably miscast as Quatermass, although it might be argued that this incompetent production doesn't give him a fair chance.
David Tennant fares a little better , but of the rest of the cast the females are the only ones who seem to be even trying. Isla Blair and Indira varma bring a bit of much needed credibility to the proceedings.
The really big problem is Richard Fell's awful script which is amateurish in every imaginable way. When listening to the dialogue one imagines of the writer or director have ever heard real people speak. Fail.
The decision to transmit the programme live is ultimately a gimmick that damages the project. It would appear that the budget was quite low, which, when combined with the live aspects make this look like a you tube video.
Jason Flemyng is arguably miscast as Quatermass, although it might be argued that this incompetent production doesn't give him a fair chance.
David Tennant fares a little better , but of the rest of the cast the females are the only ones who seem to be even trying. Isla Blair and Indira varma bring a bit of much needed credibility to the proceedings.
The really big problem is Richard Fell's awful script which is amateurish in every imaginable way. When listening to the dialogue one imagines of the writer or director have ever heard real people speak. Fail.
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Did you know
- TriviaDuring the rehearsals for the film, David Tennant was offered the role of the Tenth Doctor in Doctor Who (2005). This casting was not announced to the public until April 16, 2005, two weeks after the broadcast, but his fellow castmembers, and crew, became aware of the speculation surrounding Tennant. In the live broadcast, Jason Flemyng changed Quatermass' first line to Tennant's character Dr. Gordon Briscoe from "Good to have you back, Gordon" to "Good to have you back, Doctor" as a deliberate reference.
- GoofsWhen they show Victor the film in the hospital, we are looking through the transparent screen towards Victor. But the countdown numbers at the start of the film appear the right way round to us so they'd be the wrong way round for those watching from the other side of the screen.
- Alternate versionsThe 2005 Simply Home Entertainment DVD release contains over 50 small or major differences, notably Adrian Bower's line-drying being replaced with the tech rehearsal sequence prerecorded from the previous night (52:02), and the removal of a loud offscreen crash following an exit from Adrian Dunbar (1:07:49). The strapline "Major news announcement on BBC NEWS 24 now" (alerting viewers to the death of Pope John Paul II) is another noticeable if understandable omission.
- ConnectionsFeatured in Doctor Who Confidential: The Writer's Tale (2006)
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- Експеримент Квотермаса
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By what name was The Quatermass Experiment (2005) officially released in Canada in English?
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