IMDb RATING
7.2/10
9.7K
YOUR RATING
A mix of Dave Chappelle's sketch comedy and musical interludes, inspired in part by the 1973 documentary Wattstax.A mix of Dave Chappelle's sketch comedy and musical interludes, inspired in part by the 1973 documentary Wattstax.A mix of Dave Chappelle's sketch comedy and musical interludes, inspired in part by the 1973 documentary Wattstax.
- Awards
- 3 wins & 4 nominations total
Yasiin Bey
- Self
- (as Mos Def)
Jerry 'Wonder' Duplessis
- Self - The Fugees
- (as Jerry 'Wonda' Duplessis)
Fred Hampton Jr.
- Self
- (as Chairman Fred Hampton Jr.)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
For someone like me who didn't watch much of Dave Chappelle or who isn't big into the hip-hop music, I was actually pleased with this. Maybe it's with the help of Michel Gondry, who I read/seen on TV say that he wanted to humanize the whole experience, both of the artists and the audience. That he did as I was completely moved and knew if I had been there, I would've felt the spiritual connection with the audience that I'm sure those there felt.
I think it was definitely worth the near 10 bucks. A fair amount of good rap/hip-hop music (dude, I was even bobbing my head), a fair amount of interviews, a fair amount of comedy, and a fair amount of social commentary. This movie provides a face for the reason why hip-hop is relevant to our culture. And, I seriously give mad props to Dave for getting GOOD rap acts for his party.
Ultimately, I think it's actually better going in not knowing what to expect from it as well.
I think it was definitely worth the near 10 bucks. A fair amount of good rap/hip-hop music (dude, I was even bobbing my head), a fair amount of interviews, a fair amount of comedy, and a fair amount of social commentary. This movie provides a face for the reason why hip-hop is relevant to our culture. And, I seriously give mad props to Dave for getting GOOD rap acts for his party.
Ultimately, I think it's actually better going in not knowing what to expect from it as well.
10JABKool
this movie was outrageously funny due to the brilliant comic Dave Chappelle. This movie also features great music and entertainment. But if you think this movie is full of Dave Chappelles wild skits like on the Chappelle Show, ill let you know right now its not. Its a documentary about him putting this Block Party together. While it does have his amazing comic brilliance in it, it is MOSTLY filled with great music. Still I loved this movie for all its aspects, the Music, the jokes, the stories, and the entertainment. With Musical talent including Mos Deff, Kanye West, The Roots, Dead Prez, the Commons, a reunion of The Fugees, and much much more, this is a must see. So many of the movies that are put into theaters are not worth your 8-10 dollars, this one is. BUT go see it knowing that its not the Chappelle Show.
...However as a rap-concert movie, it's one of the better ones I've seen in quite a while. It works for a few reasons, though for some it may not work as well as for others. Basically, if you're coming into this expecting Chappelle doing more of his stand-up &/or sketches, you'll wonder how you could've been misled (not that his moments on screen don't elicit enough laughs for satisfaction, at least for a Chappelle admirer like myself)- in fact many white audience members going into the film walked out of screenings. If this is due to the film-making style or something wrong on the end of director Michel Gondry, or just not caring for the rap and hip-hop, is up for debate. But considering the kind of mix of better-than-usual rap music, solid cinema verier style camera-work by Gondry and his small crew, and the fine bits of interview footage, it's actually not a bad film if you go into it knowing what you'll get. For some it may be one of the film events of the season &/or year.
One reason it worked is that- and this is of course a subjective part of seeing Block Party- the musical acts are better than most of the rap and hip-hop currently heard on radio and seen on the music channels. Led by an actual band playing music as opposed to all beat machines, the groups (of which are Chappelle's own favorites, and some of which already appeared on the hit or miss musical segments of his show) bring out solid beats, and the rappers or singers are not off-putting or ridiculous. The highlights for me were with Kanye West (with a cool, powerful mix of himself and a school band for 'Jesus Walks'), The Roots, and the Fugee's 'Killing Me Softly'. There are also some cool, loose moments with Chappelle and some people backstage where he jams and riffs and jokes (funny jokes too, albeit for the musician's expense more than for the audience). For someone like myself losing interest in more of the ultra-violent, idiotic and over-indulgent rap music of the day, it was not unpleasant at all to get dropped back into it with acts that were fresh and interesting (not that there aren't some mis-steps, Dead Prez and Common not being some of the highlights for me).
The other thing that made the film work though is Gondry's natural eye with his lens, as he just stands by getting down the attitudes, the emotions and little bits of life in the midst of this huge spectacle. There isn't anything outstanding in his style like with the Maysles brothers or DA Pennebaker in terms of capturing the music in action, and sometimes his focus strays to people on camera who take up a little too much time. But for the most part (with some exceptions of little moments that just don't work) his attention to the rhythm of a film, and the rhythm of film led by music- he is one of the most artistically dominant forces in music videos of the past ten or so years- is focused just right. This style also compliments Chappelle, who has a laid back kind of way of talking to people, but with a sense of humor that cuts the chase. Some of the best parts though of his moments on screen aren't expected, improvised, like the James Brown bit on stage, or his obscure ability to play two specific jazz songs on piano, or even his more juvenile jokes in jamming.
In short, it's a side of Chappelle you might not usually see at times, or with Gondry, and it all gels together for the sake of the audience that showed up for the show. Nothing too pretentious, and entertaining enough to keep those interested in their seats.
One reason it worked is that- and this is of course a subjective part of seeing Block Party- the musical acts are better than most of the rap and hip-hop currently heard on radio and seen on the music channels. Led by an actual band playing music as opposed to all beat machines, the groups (of which are Chappelle's own favorites, and some of which already appeared on the hit or miss musical segments of his show) bring out solid beats, and the rappers or singers are not off-putting or ridiculous. The highlights for me were with Kanye West (with a cool, powerful mix of himself and a school band for 'Jesus Walks'), The Roots, and the Fugee's 'Killing Me Softly'. There are also some cool, loose moments with Chappelle and some people backstage where he jams and riffs and jokes (funny jokes too, albeit for the musician's expense more than for the audience). For someone like myself losing interest in more of the ultra-violent, idiotic and over-indulgent rap music of the day, it was not unpleasant at all to get dropped back into it with acts that were fresh and interesting (not that there aren't some mis-steps, Dead Prez and Common not being some of the highlights for me).
The other thing that made the film work though is Gondry's natural eye with his lens, as he just stands by getting down the attitudes, the emotions and little bits of life in the midst of this huge spectacle. There isn't anything outstanding in his style like with the Maysles brothers or DA Pennebaker in terms of capturing the music in action, and sometimes his focus strays to people on camera who take up a little too much time. But for the most part (with some exceptions of little moments that just don't work) his attention to the rhythm of a film, and the rhythm of film led by music- he is one of the most artistically dominant forces in music videos of the past ten or so years- is focused just right. This style also compliments Chappelle, who has a laid back kind of way of talking to people, but with a sense of humor that cuts the chase. Some of the best parts though of his moments on screen aren't expected, improvised, like the James Brown bit on stage, or his obscure ability to play two specific jazz songs on piano, or even his more juvenile jokes in jamming.
In short, it's a side of Chappelle you might not usually see at times, or with Gondry, and it all gels together for the sake of the audience that showed up for the show. Nothing too pretentious, and entertaining enough to keep those interested in their seats.
I take very seriously the whole process of consuming or taking part in artistic expression. Consequently, I also take very seriously the act of reviewing a movie feature, either with a rating on a website or with a written essay about it.
If one cares to check my rating history, it's easy to realize I'm not one to give away 10 stars ratings that easily. Great movies which are universally praised haven't got it. To get a 10, a movie has to hit all the right notes with me.
"David Chappelle's Block Party" did it - but I'm not surprised. Only one director managed to get 4 of his movies rated 10 on my list. This means I'm putting Michel Gondry as the best director of all times, over the greats such as Tarantino, Gilliam, Kubrick, Hitchcock, Robert Wise, the Coen brothers and so many more, including Godard, Renoir or Scola.
Those who know me are aware that I hate what I call "fanboyism" (i.e. the culture of idolatry) more than anything in life. I truly believe it's one of the most serious maladies of our times. But this guy knows how to shoot movies better than any other human being, so what can I say? The fact that he seems to avoid the temptation of becoming arrogant about his own success, and that this humility clearly shows on the way he writes his film-making history, it's evidence enough for me that what he has done should be an example for all others venturing in the crazy world of cinema.
I also believe cinema and art as a whole should always be a tool to raise social awareness, so those who think "cinema is entertainment" should not even have started reading my review. For this very same reason I tend to give higher ratings to documentaries in general, as opposed to fictional feature movies - although biopics and history movies also take advantage of my bias, to the extent that they provide an accurate portrait of reality.
The other three Gondry movies I've given a 10-star rating: "Eternal Sunshine...", "La science des rêves" and "Be Kind Rewind" - they all share this same verisimilitude quality, even though they are all science-fiction. I suppose it doesn't have to be real, to feel real.
Besides these qualities aforementioned, a 10-star movie should also be beautifully shot, carry a compelling story, have beautiful music and likable characters. More than anything, they have to make me cry. And they have to make me laugh, and laugh hard. They need to be able to make me realize how beautiful the world we live in is. But they also cannot ever try to make me forget all the terrible things that we do to each other.
They need to remind me how fragile is peace and harmony in the world, they should bring about a sober recognition of the challenges we face, and the defeats we've suffered in the past. But they should not be apocalyptic or defeatist (looking at you, Ridley Scott). We're still alive, and that's the good news, always. Aliens don't always have to invade Earth, conflict for conflict's sake does not a good movie make.
It might sound crazy that a movie about a block party in Brooklyn could elicit so many feelings in one person sitting on the other side of the planet... I've watched it twice, separated by a good number of years, to make sure that it does. And it does, and I still love every minute of it, down to the very last second of soundtrack on the credits. Bare in mind that I'm not even a huge hip-hop fan, but this isn't about a music genre - it's about people like me, like all of us.
Nobody in the world could have done it so beautifully, so gently, so unpretentiously. Nobody but Dave Chappelle could make me lose my breath laughing, and keep a smile on my face for almost two hours. Nobody in the world would have been able to capture the beauty of this reality, without putting his own ego on the way, but Michel Gondry - not unlike what he did on the very good "The We and the I", though here on "Block Party" once again he has achieved perfection. And he did so once again by not getting in the way of a beautiful story waiting to be told. His eyes are our eyes, the eyes of curious people not looking for a lecture, but eager to be allowed in different worlds, and to be accepted therein.
Watch this, then join me on waiting for whatever the folks involved on this movie come up with next. They're talented and they appreciate the beauty that exists in this world, and we badly need it now that the dark times are back.
If one cares to check my rating history, it's easy to realize I'm not one to give away 10 stars ratings that easily. Great movies which are universally praised haven't got it. To get a 10, a movie has to hit all the right notes with me.
"David Chappelle's Block Party" did it - but I'm not surprised. Only one director managed to get 4 of his movies rated 10 on my list. This means I'm putting Michel Gondry as the best director of all times, over the greats such as Tarantino, Gilliam, Kubrick, Hitchcock, Robert Wise, the Coen brothers and so many more, including Godard, Renoir or Scola.
Those who know me are aware that I hate what I call "fanboyism" (i.e. the culture of idolatry) more than anything in life. I truly believe it's one of the most serious maladies of our times. But this guy knows how to shoot movies better than any other human being, so what can I say? The fact that he seems to avoid the temptation of becoming arrogant about his own success, and that this humility clearly shows on the way he writes his film-making history, it's evidence enough for me that what he has done should be an example for all others venturing in the crazy world of cinema.
I also believe cinema and art as a whole should always be a tool to raise social awareness, so those who think "cinema is entertainment" should not even have started reading my review. For this very same reason I tend to give higher ratings to documentaries in general, as opposed to fictional feature movies - although biopics and history movies also take advantage of my bias, to the extent that they provide an accurate portrait of reality.
The other three Gondry movies I've given a 10-star rating: "Eternal Sunshine...", "La science des rêves" and "Be Kind Rewind" - they all share this same verisimilitude quality, even though they are all science-fiction. I suppose it doesn't have to be real, to feel real.
Besides these qualities aforementioned, a 10-star movie should also be beautifully shot, carry a compelling story, have beautiful music and likable characters. More than anything, they have to make me cry. And they have to make me laugh, and laugh hard. They need to be able to make me realize how beautiful the world we live in is. But they also cannot ever try to make me forget all the terrible things that we do to each other.
They need to remind me how fragile is peace and harmony in the world, they should bring about a sober recognition of the challenges we face, and the defeats we've suffered in the past. But they should not be apocalyptic or defeatist (looking at you, Ridley Scott). We're still alive, and that's the good news, always. Aliens don't always have to invade Earth, conflict for conflict's sake does not a good movie make.
It might sound crazy that a movie about a block party in Brooklyn could elicit so many feelings in one person sitting on the other side of the planet... I've watched it twice, separated by a good number of years, to make sure that it does. And it does, and I still love every minute of it, down to the very last second of soundtrack on the credits. Bare in mind that I'm not even a huge hip-hop fan, but this isn't about a music genre - it's about people like me, like all of us.
Nobody in the world could have done it so beautifully, so gently, so unpretentiously. Nobody but Dave Chappelle could make me lose my breath laughing, and keep a smile on my face for almost two hours. Nobody in the world would have been able to capture the beauty of this reality, without putting his own ego on the way, but Michel Gondry - not unlike what he did on the very good "The We and the I", though here on "Block Party" once again he has achieved perfection. And he did so once again by not getting in the way of a beautiful story waiting to be told. His eyes are our eyes, the eyes of curious people not looking for a lecture, but eager to be allowed in different worlds, and to be accepted therein.
Watch this, then join me on waiting for whatever the folks involved on this movie come up with next. They're talented and they appreciate the beauty that exists in this world, and we badly need it now that the dark times are back.
10Anyanwu
because this was the sh*t! This is not a stand up routine, it is a CONCERT FILM sprinkled with Dave's personal moments interacting with folks, his love of the music and the artists. If people were expecting "The Chapelle Show--The Movie!", either they are stupid, or did not watch the trailer carefully. It's bigger than HIP HOP! This was also my dream concert! It would've been perfect if D'Angelo and Me'shell Ndegeocello were playing too. Then I'd be in heaven. It made me fall in love with Hip Hop and good soul music all over again. Can't wait to buy it on DVD. I just hope the DVD plays the full concert performances.
Just hearing Erykah Badu and Jill Scott rocking the chorus of "You got me" TOGETHER is worth the admission price. An instant classic. Thank God for Dave Chappelle!
Just hearing Erykah Badu and Jill Scott rocking the chorus of "You got me" TOGETHER is worth the admission price. An instant classic. Thank God for Dave Chappelle!
Storyline
Did you know
- TriviaDave Chappelle funded this project with his own money.
- GoofsDave Chappelle's main reason for holding the block party in the Bedford-Stuyvesant section of Brooklyn was because, he says, that hip-hop originated there. However, hip-hop really originated in the South Bronx and spread to the other sections of New York soon afterward.
- Quotes
Dave Chappelle: [playing bongos in front of a crowd] 5,000 black people chillin' in the rain. 19 white people peppered in the crowd. Trying to find a Mexican.
- ConnectionsFeatured in Inside the Actors Studio: Dave Chappelle (2006)
- SoundtracksOvernight Celebrity
Written by Miri Ben-Ari, Michael Bennett, Twista (as Carl Terrell Mitchell),
Ye (as Kanye Omari West), Leonard C. Williams
Performed by The Brooklyn Steppers
- How long is Dave Chappelle's Block Party?Powered by Alexa
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Block Party
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $3,000,000 (estimated)
- Gross US & Canada
- $11,718,595
- Opening weekend US & Canada
- $6,516,000
- Mar 5, 2006
- Gross worldwide
- $12,051,924
- Runtime1 hour 43 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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Top Gap
By what name was Dave Chappelle's Block Party (2005) officially released in Canada in English?
Answer