Drama about life at Rugby School in Victorian England. The headmaster is fair but not effective and life is brutal for the young boys because of bullying and its consequences. The acting and... Read allDrama about life at Rugby School in Victorian England. The headmaster is fair but not effective and life is brutal for the young boys because of bullying and its consequences. The acting and character development are good and the roles well cast. It's a good adaptation of the nov... Read allDrama about life at Rugby School in Victorian England. The headmaster is fair but not effective and life is brutal for the young boys because of bullying and its consequences. The acting and character development are good and the roles well cast. It's a good adaptation of the novel and was filmed at The Rugby School.
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While I presume any 90 minute version (2 hours on BBC America with commercials), has to cut a lot more from the book than the 1971 mini-series that I haven't seen (nor have I read the book), the characters and the situations came through strongly.
Not the Dickensian deprivations of the poor house in "Oliver Twist", Ashley Pharoah's adaptation is much more about typical behavior in an all male environment that is a precursor to "Lord of the Flies," the dark side of "Peter Pan" where boys do adult actions without growing up, or at least various military movies (I only knew the naval song "Heart of Oak," used in a humiliating scene, because of "Master and Commander: The Far Side of the World").
Key to enlivening this from just another costume drama with stock characters (the bully, the victim, the ineffectual leader, etc.) is the wonderful titular performance of Alex Pettyfer, billed as "introducing." I can't recall seeing a boy actor transform so much in front of our eyes other than Christian Bale in "Empire of the Sun," as he develops from timid to athlete to swaggerer to mature leader.
Stephen Fry is particularly good at conveying his guilt at the hypocrisy he gets trapped into as a well-meaning new headmaster trying to change a traditional den of testosterone gone wild. Jemma Redgrave doesn't get do very much as his oblivious wife.
Joe Beattie, in the thankless role of the arrogant, wealthy villain a la Malfoy in the Potter oeuvre, plays him foppishly, like Guy Pearce in the most recent version of "The Count of Monte Cristo." I was actually surprised when he cruelly seduced a maid, as I thought the homo-erotic potential in this hot house environment was implied, particularly when it is emphasized how "different" the weakest victim is as he shines at poetry readings.
A story of the perniciousness of bullying left unchecked never goes out of date, and this portrayal is universal and timeless, regardless of its period setting.
the acting was first rate...Steven Fry was Super as Dr Arnold and really nice to see this actor leading a drama rather than playing the comic relief of a piece...maybe an award in the wings for this performance!! young Alex Petyfer was a good Tom Brown..holding his own in some tough scenes with fry.Joe Beattie was a satisfactory Flashman running the school house with his bunch of cronies! Clive Standen playing Brooke was a Magnicent Hero and really electrifyed the screen when he was on!the perfect juxtaposition to Beatties Flashman. And the two young Boys playing East and Tadpole were really quite brilliant...especially Dane carter playing Tadpole in the most memorable scene in the film where he is accused of lieing to Steven fry!! a jolly good film which i would advise all to watch AND HOPE TO SEE SOME OF THE ACTORS TO GO ON TO GREAT THINGS
Well done ITV
I think the problem may be that it tried to squeeze three hours of story into two hours, (less ad breaks) and there is a sense of non-resolution at the end. Ending on the funeral of the unfortunate Arthur leaves things weirdly up in the air. There is no sense of catharsis that there is with the well received 1971 version. It all seems to be made up of bits and pieces of story stuck together without any real narrative thrust.
I remember the BBC series ending with the sweeping reforms of pay and conditions for masters and boys introduced by Arnold, this being the culmination of his experience and his journey to restore Rugby to its former status as a place fit for "gentlemen and Christians". In this version this is dealt with over a brief conversation while walking with an elderly master, asking him to spend the nights on the premises.
Flashman's comeuppance is disappointingly glossed over, and the consequences of incurring the wrath of one of the school's major benefactors are not addressed.
The film looks good and the acting is competent (although I too, found the "reality" camera work intrusive), but I feel that, as I have already said, the problem may well may on the cutting room floor and the amount of footage that had to be excluded to fit into 1 3/4 hours.
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Did you know
- TriviaThere were at least two real historical events portrayed in the film, even though they were not in the book: 1) The headmaster closing down the school hunt; 2) The headmaster complaining that before he arrived at the school, there were no masters (teachers) on school grounds at night to keep the boys from bullying, otherwise causing trouble, or getting into mischief.
- GoofsAfter Tom is beaten by Flashman wearing the knuckle-duster, he is shown with two deep gashes on his face. In the next scene, his face is clear of damage, but in the next appearance, there is evidence of healing wounds.
- ConnectionsReferenced in Best Life by Brooke ASMR: My HUGE Movie Collection!!!! (2015)
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