Poseidon

www.kajatm.com It has been said that the imitation is the sincerest form of flattery. However when it comes to remakes in Hollywood imitation often result in movies that are far worst than the original. The remakes that have actually turned out to be good, while limited, have had some success in recent years. Such movies as the Thomas Crown Affair, Ocean's 11, Texas Chainsaw Massacre, The Grudge and The Italian Job we very well done and have become some of my favorites. Poseidon, my friends, is not one of these movies.

Just like the original, Poseidon is the story about a new cruise ship that has been struck by a rogue wave which results in the ship flipping over and trapping the guest within the sinking ship. The main characters of the original have been replaced by Josh Lucas, Kurt Russell, Richard Dreyfuss* and Jimmy Bennett. Again just like the original, a group of passengers realize that if they stay where the captain wants them to stay they are in certain doom and will end up drowning. And this is where Poseidon lost me. Where is the compelling speech from Josh Lucas, just like Gene Hackman before him, to try and convince the passengers to follow him out of the ship? The whole scene is lost without this speech. Why is it that from that point forward it seems like the whole new version of Poseidon is on fast forward? There is no plot development, no character development and basically it just seems like Wolfgang Peterson had something better to do while making this movie. I understand that the ship is sinking and they have to get off as soon as possible but I distinctly remember the original having the same story line and I didn't feel like the characters were running some obstacle course that they needed to get through in 2 minutes. I think that if he would have taken the time to watch the original he would have come to the realization that he could have put 30 more minutes in the movie and it probably would have turned out better.

The only positive thing that I saw about this movie was the scenes that showed the ship getting hit by the rogue wave. I would like to take the time to thank whoever created CGI. People flying everywhere, people dying, water taking over the boat and just the realistic destruction that they can create using a computer is really amazing. This is the only category that tops the original. But outside of that this movie left me very unsatisfied.

Some classic movies such as The Great Escape, The Dirty Dozen, Empire Strikes Back, The Magnificent Seven, The Wizard of OZ, Caddy Shack, Airplane, Jaws, Raging Bull, Cool Hand Luke, The Sting and Rear Window should automatically go on the "These Movies Reached Perfection the First Time so we are Never Ever Remaking Them!" list. Poseidon Adventure should have been one of these movies. I hate the fact that nothing is sacred in Hollywood.

Give me Gene Hackman, give me Ernest Borgnine, give me Red Buttons, give me Roddy McDowell and give me the original Poseidon Adventure. Don't give me Josh Lucas, don't give me Kurt Russell, don't give me Kevin Dillion and don't give me the new Poseidon. If you have never seen the original Poseidon Adventure I fully expect you to enjoy this movie but unfortunately I have and that ruined my movie experience. But then again, what do I know? *Why didn't someone tell me that Richard Dreyfuss now looks like he is 101 years old. What happened? Did he enter some sort of aging machine that took him from his 50's to senior citizenship?

This version isn't that bad but it's nothing if you compare it to The Poseidon Adventure (1972) - which is a far superior film. But this 2006 is still worth a watch if you want a pretty decent remake.

The stars Kurt Russell, Richard Dreyfuss, Andre Braugher, and Kevin Dillon are in this - and as always they shine on screen. The rest of the actors aren't bad either.

Lots of visual eye-candy, good cinematography, good acting helps this mediocre script.

If you want a super good version of the book then watch the 1972 film, but you won't go to wrong watching this 2006 remake - just don't expect it to be great.

6/10.

Whilst not holding a candle to the far superior original in terms of script, plot and acting, this remake of the classic 1972 'The Poseidon Adventure' is at least watchable which is more than can be said for a lot of the seemingly endless tide of remakes hitting cinemas these days.

The characters (for want of a better word) are a bit thin and cardboard and the plot really is just a long string of reasonably predictable set pieces but at least it entertains. The best bit is the special effects which are absolutely top drawer. For some reason Hollywood can do some really good FX and CGI when it comes to boats and the CGI rendition of the Poseidon itself in the opening scene is incredibly well done.

Top marks also to the Producers for making sure the Poseidon is a proper British flagged Southampton registered ship and not some Americanised tub.

Much like its predecessor though I fully expect this version to become stable Bank Holiday afternoon television filler material for the next twenty years. Just a pity a remake of 'Beyond the Poseidon Adventure' can't be done from this.

It all starts off so well too. The opening shot of Wolfgang Petersen's Poseidon is beautiful. A single take that begins beneath the surface of the ocean that swings up and out of it as the underside of the ship slices through the waves, before pivoting round the colossal cruise liner and zeroing in on Josh Lucas running on the deck. With the sun setting in the distance and the immense size of the vessel itself contrasted with the deep blue of the water, this is a visually astounding entrance to a movie that is unfortunately very shallow indeed.

A remake of the classic disaster movie The Poseidon Adventure, this tells much the same story with a small group of passengers trying to escape a doomed ocean liner after it capsizes due to a freak wave. Given the beloved status of the original, besting it was going to be tricky from the start so how to do it? Bestow the characters with as much depth and humanity as possible, arrange it so that you don't want any of them to die just as the original film did? No. That isn't the 21st Century Studio Approach to blockbusters at all, the trick is explosions! Lots of explosions! And dangerous stunts that happen in very quick succession with no set up whatsoever.

As a result, things happen very quickly. We've hardly got to know anyone on the ship before the wave strikes and sends their world tumbling upside down in a hail of glass and debris. Trapped beneath the waves, there is no debate on the best means of survival but instead a bull headed rush to escape as soon as possible and before you know it, barely any time has elapsed before we have our luckless nobodies dangling from lift shafts, diving through burning oil slicks or scrambling up air vents rapidly filling with water. This could all be very entertaining if it wasn't so empty and if only they'd eased back on the throttle a little bit, we could have had a much more successful film.

Kurt Russell for instance is wasted. As an ex firefighter and former Mayor of New York with a failed marriage behind him, they could have crafted the image of a troubled man going through a midlife crisis who finds himself tested beyond his limits. Instead, the only hints at any characterisation are him protesting his daughter's cleavage bearing dress to leave no doubt that theirs is a strained relationship. Then there is Richard Dreyfuss (who has finally found a bigger boat), whose character might as well be listed in the credits as "depressed, elderly gay man." Everyone else is just as vacuous and while Josh Lucas is certainly a charismatic focal point, it cannot make up for the two dimensional stereotypes of Kevin Dillon's gambler Lucky Larry or Mike Vogel's performance as Christian, the fiancée of Russell's daughter who manages to put in perhaps the worst attempt at acting you will see in a blockbuster this year.

It does have a few commendable points though. One death scene involving a lift shaft, jagged metal spikes and an explosion is an adrenaline pumping crowd pleaser and the aforementioned scramble through the flooding ventilation shaft is really quite tense, the ensemble cast squeezed together in a claustrophobic nightmare as the water bubbles up around them. Ultimately though, it is not enough to save it. Poseidon may make for a diverting hour and a half but Hollywood needs to learn a valuable lesson about plotting: bigger explosions and insane stunts are nowhere near as impressive if we don't care about the people involved. The original version made an entire generation terrified of getting on a boat with Ernest Borgnine, this is just laughable.

This formula disaster movie from Wolfgang Petersen deals about the famous luxury cruise ship turned over by giant tidal wave leaving group of survivors and hopefully scape, attempting save themselves. One time of wreckage of Poseidon during New year's eve the survivors from liner passenger looking for dangerous ways to survive. Meanwhile is developed romance and emotional byplay between various couples, Emily Russum-Mike Vogel, Josh Lucas-Jacinda Barrett, Richard Dreyfuss-Mia Maestro and relationship among parents and sons : Kurt Russell-Emily Russum and Jacinda Barrett-Jimmy Bennett.

This high budget remake mingles action, intrigue, disaster spectacle , suspense and quite entertaining though plenty of clichés. Our heroes get stuck in the ship before it sinks and suffering risks, dangers and death. The protagonists spend most of their time devising grisly ways for avoid to die like in the original picture based on a novel by Paul Gallico.The movie isn't bad but the events were also spectacularly filmed in classic version, previously winner several Oscar Academy Award.Introductory sequences are a little boring but one soon gets caught in the tale when the vessel is capsized by tidal wave.The explosions, pyrotechnics and floods are sensational but the movie is just another habitual blockbuster product and resulted to be a box office flop, in spite of a million dollars production. Furthermore, displays a sensational soundtrack by Klaus Badelt and enjoyable cinematography by John Seale.The picture is professionally directed by Wolfgang Petersen. It's a rehash of the previous disaster movies and fairly watchable story.