Nomad: The Warrior

Nomad is no different from American epics. Had the spoken language been English instead of Kazakh, it would have been impossible to distinguish this film from movies like Gladiator, Braveheart or Troy. It's just the latest entry in an overused genre. Still, I enjoyed watching Nomad. It entertained me for two hours even if I knew where the story was headed to, and that's all I demanded from it.

Like so many other similar flicks, Nomad deals with a tyrant, the people he's been tormenting for years, and a "chosen one" who will eventually dethrone him. When he first hears of this, the cruel dictator orders that this child be found and immediately killed. Naturally, the attempt fails, and the boy is raised in a remote village by an old, wise father figure, a character clearly based on the Merlin/Gandalf/Obi-Wan Kenobi blueprint. As the years pass, our hero, named Mansur (Kuno Becker), becomes a skilled warrior, perfectly capable of leading his rebellious countrymen in battle against the evil monarch. While preparing for the conflict, Mansur also has to deal with his feelings for a girl and the effects said romance is having on his lifelong friendship with Erali (Jay Hernandez), a man willing to do anything for his country and, most importantly, his leader and best friend.

The themes explored in epics are generally love, loyalty and freedom, and Nomad covers all of them them in a competent but predictable way: anyone who's ever seen this kind of movie will have no trouble figuring out how the various subplots, not to mention the big picture in itself, are going to end. But while it isn't exactly fresh, Nomad is a respectable film, its main quality lying in the visuals: the battle scenes are as great and gorgeous as in a Ridley Scott film, and the same should be said of the numerous shots concerning the eye-popping landscapes. In fact, with so much beautiful imagery (although a bit more violent than the average Hollywood blockbuster), it's a bit weird not to find the Blade Runner director's name among the executive producers, which do however include Milos Forman (the man behind the fabulous Amadeus).

So, as usual, style prevails over content, but when it looks so good, why complain? Nomad is a piece of pure, simple, unadulterated fun; that's why I liked it, and the reason genre fans should embrace it as well.

7,5/10

Each ingredient and spice of great impact film is used. Impressive fight scenes, decent acting, nice story, a fresco and a manifesto , mythical motives and self definition, friendship, love and duty. Impressive and well crafted, not always convincing but example of rich beauty and fair use of very famiiar themes in proper way.

I visited Kazakhstan briefly in September 2003. On a Sunday afternoon I was taken up to a reservoir high, high above the city of Almaty which is about the only place available for local residents to go for relaxation. It was an unbelievably beautiful location, even though it was an artificial lake. I was shocked to meet another American at the end of this rocky bumpy road in the middle of nowhere; he turned out to be one of the top guys on the production staff and they were filming "Nomad". He told me about the movie and I then realized that the Japanese wrestlers that were on the plane on the way over were brought in to be extras! I was expecting some huge blockbuster production and kept looking for it in local movie guides. I was looking up Jason Scott Lee and coincidentally found this page and realized the movie was long out and apparently a vanity project for the Kazakhstani president... it probably never made the screens here in Japan. Too bad as I am a great JSL fan. I cannot comment on the film, but I do know from what I saw in KZ that the backdrop must be spectacular.

I would argue that there weren't many genuinely original concepts, other than simply shedding some light on Kazakh history. Basically a live action, feel-good version of the Prince of Egypt cartoon, trading Egyptians and Hebrews for nomadic Muslims. But that being said, it was decent and crisp.

Filming locations seemed really great, like LOTR - The Two Towers without any need for CGI! As for rating/violence, it could have almost been PG13 in the US, but I liked this fact. It was a clean-ish film that likens back to the spaghetti western. No over-the-top violence, sex, swearing, or embellishing for the sake of a Hollywood audience. While this generally comes off slightly cartoonish, it was refreshing.

As for the language, I would swear that it seemed to be filmed in English and dubbed in Kazakh. In fact, I don't usually mind a dubbed movie (especially Spanish or Japanese for some reason), but half-way through this film, I realized there was an English audio track and switched it over, and I was more engaged.

The horse work was pretty amazing, I thought.

Again, overall, this film seemed to have all the filming quality of an expensive Hollywood movie, but brought a niceness that's less common in contemporary film (Note: guaranteed NOT to hold the attention of most American youth).

The reason I decided to rent this movie was because Mark Dacascos was in this feature. It was not his worse role by any means but he was only a Minor character, a slight disappointment for me on a personal level but really it only added to the movie as he was key in character development for the main cast.

So on to the movie.

The action was hit and miss. Some was absolutely wonderful, hold your breath type stuff,that generally was the one on one battles, some looked a bit weak. That said, this movie is no 300, relying strictly on action sequences to carry it. It had a great story to carry it along, some fantastic acting and beautiful sets. All in all a very watchable movie if you put aside the fact most of the characters where not of the ethnic background they represented. I had no problem putting that aside and just enjoying a great action/history flick for what it is: entertainment.