Hope Springs

This movie was far from exceeding expectations, but then I might have expected a bit too much of it, purely due to Colin Firth. His character was as almost all his characters are, just a lot more lost than usual. None of the main characters, except maybe for Mary Steenburgen's, really knew what or who they were. The plot was rather idiotic, really (no one takes their clothes off in front of a stranger just because they feel so happy), but when a bunch of British/American stereotype jokes and a bucket full of clichés were added, enough to make a somehow cute story. Not gripping or remarkable, but cute. I think it was the childishness that appealed to me. And somehow in this era of epic movies its comforting to know that they still make these small simple movies.

Colin Ware (Colin Firth) finds that his fiancé, Vera (Minnie Driver) is going to marry someone else. Distraught by the news he goes to the tiny town of hope in New England, where he meets a beautiful young nurse called Mandy (Heather Graham) and both their lives begin to get better. That is until Vera re-emerges with a little surprise for Colin.

There are better romantic comedies than this one, it's a little bit generic and struggles to do anything fresh or truly hilarious, but it was enjoyable and it certainly wasn't without its charm.

Firth, Graham and Driver all deliver fairly typical performances, playing character types that they have portrayed before; and the direction is perfectly OK for a film of this type, all in all its a decent film that is mildly amusing, entertaining and heartwarming enough.

6/10

I can't believe that some of the comments in here say it's the worst film ever. It's a cute, amusing little number which has some very funny lines in it (none of which appear in IMDb "memorable quotes" - which they *should*).

My only complaint is that Colin Firth appears to have forgotten to act. Minnie Driver is her usual sparkling evil self, and Heather Graham is her usual naked chicklet self. What more could you people want?

Incidentally, I saw "Love Actually" earlier in the same day, and preferred "Hope Springs".

Well - *I* liked it. 7/10 for pure entertainment value.

For a romantic comedy, this movie isn't very romantic. And it also isn't terribly funny...

However, there's a certain endearing charm about it. This movie is more 'small town' romantic than 'hollywood' romantic. While there are elements that could have used a bit of work (A LOT of work if you ask many posters here), you're not left unfulfilled at the end of this film.

All I'm saying is: If you happen to be renting movies for a quiet night in with your significant other, make this a THIRD movie pick if you got the time.

It's kinda like a toddler drawing a mural on your wall in crayon... a bit of a mess, but in the end, it's still pretty cute. 7 out of 10

The story so far: Broken-hearted English artist flies to a small New England town he just picked off the map to run away from a fiancée that hurt him. He meets up an an American girl and then ex-fiancée arrives and lots of fun etc etc etc

This *should* have been a good film. Three lead actors who, on their day, are more than excellent, and a script that, although formulaic in the rom-com mould, has enough changes to at least make it interesting.

So why does it fail?

None of Colin Firth, Heather Graham or Minnie Driver actually make us believe their character. I'm guessing that the film was pitched on the strengths of Firth in 'Pride and Prejudice' and 'Bridget Jones' Diary' without realising that Colin Firth actually isn't Hugh Grant - mind you Grant would have failed at this film too. It needed somebody who wasn't a 'name' but then, of course, it wouldn't have got made.

In the role of the evil ex-fiancée I wonder who else they considered; Minnie Driver was an interesting choice that seemed not to work - whilst not exactly pure evil, you know the script-writers called for Cruella de Ville with a hint of niceness. Heather Graham was slightly more believable as the kooky girl-next-door type, but the stars of the show were Mary Steenburgen and Frank Collison as Joanie and Fisher.

The entire film strikes me as a money-making exercise for the studio. Throw an Englishman that the American rom-com demographics have heard of and sit back and hope the dollars come in.