Step Into Liquid

STEP INTO LIQUID (2003) ***1/2 (Featuring as themselves: Rochelle Ballard, Shawn Barron, Layne Beachley, Jesse Brad Billauer, Taj Burrow, Ken Collins, Darrick Doerner, Brad Gerlach, Laird Hamilton, Dave Kalama, Keala Kennelly, Alex Knost, Jim Knost, Rob Machado, Chris Malloy, Dan Malloy, Keith Malloy, Peter Mel, Mike Parsons, Kelly Slater, Mike Waltze. Surf's up dude! Surfing enthusiast cum documentarian Dana Brown, son of filmmaker Bruce Brown who helmed the sport's quintessential flicks 'The Endless Summer' and 'The Endless Summer 2', picks up from his dad about the way of life for the thrill-seeking, daredevil and nature worshipping oceanographers of waycool as they embark on a globetrotting look at the awesome spectacle of catching a wave without it catching you! Jaw-dropping cinematography of 60 foot avalanches of ocean's crests glistening in glass clear blue water off Oahu, Ireland (!) and such exotic locales as Rapu Nui , Vietnam and Sheboygan, Wisconsin (!!!) Truly amazing for those uninitiated and for purists there is no substitute in realizing that it's a style of life and not a lifestyle. The real-life surfers show unbridled passion at what makes it all worth while – enjoying something you love; what's not to admire about that 'philosophy'.

I like surfing films, in part because moving water is one of the most cinematic things in existence.

And surfing photography has advanced tremendously in the last decade, both in the way the camera can be placed and the lenses that can be used. It matters I suppose that surfers had gotten more exhibitionist.

But given all this raw stuff, you still have to weave something worth watching. Despite the mundane story, I really liked "Blue Crush." It had energy and charm, thanks mostly to the editor.

This mostly misses. And that's because it focuses not on the surfing but the surfers. These guys and gals just aren't very interesting, and their ordinariness takes away from the extraordinary potential of the motion adventure.

Once we're locked into hearing about these guys we are forced into having to like them and that's a bad strategy for a movie. Only in one episode do we really go with the appeal, when some Irish American boys go back to Ireland and teach surfing to kids of mixed backgrounds (who naturally enough us all seem the same).

I think with iMovie and better music, someone could make a better, shorter movie of this material. It should be all about the water. In spite of this starting out with the clear announcement: "no stereotypes," it is precisely about stereotypes and the realization that the filmmaker can't see it is a profound weight.

Precisely.

Ted's Evaluation -- 1 of 3: You can find something better to do with this part of your life.

Bruce Brown made (in my book) some of the most entertaining movies ever, most of which happened to be about surfing. Son Dana gives it a college try with mixed results. The quality, subjects, waves and angles of the surfing photography are fantastic. But this is definitely a different experience from Pop's work, which was largely visual (he started out doing them in a hall with live commentary over his video). Dad had cool shots with good instrumental music and frequent light humor. A pleasant 1 1/2 hour interlude with no place it had to be that sort of wrapped up whenever. Step Into is a much more polished, "busier" film -- louder music with vocals, tons of interviews, much more a serious documentary about the surfing life. Problem is, Dana brings some of dad's elements with him (like the constant narration) and I don't think it works as a whole. It doesn't take that much to make me happy with a surfing film, I adore the recent, pure and simple Thicker Than Water (2000). This one just has too much stuff I don't want. I tried watching it again and after a few minutes popped one of dad's old films in the VCR (sorry). Because I can't completely knock a movie that lets Gerry Lopez talk and has Laird Hamilton doing 50 foot waves I give it an 8 out of 10.

'Step Into Liquid' director and writer carries on the torch of his father, Bruce Brown's legacy with an even more intense, but momentary glimpse into a rather incredible sport in a sort of follow up made more than thirty-five years later after The Endless Summer. Though difficult for the loyal surfer to explain his love for surfing, which the surfers and filmmakers assure audiences that the "way of life" is as inexplicable as trying to explain what describe what colors look like, Dana Brown and others make an excellent effort in trying to reveal through words and visuals why this sport is indeed "their way of life." As the filmmakers traverse the globe, following more than just an endless summer, they feature thousands of surfers in even some of the most unusual locations (Wisconsin, Rapa Nui, Ireland, etc.) where the participants in the sport each have their own definition of the perfect wave, that extreme point where nature meets a fiberglass board and makes the rider feel so stoked and so addicted. It may be difficult to explain to the non-surfer, or probably even to the surfer, but Dana Brown and others make a wonderful attempt at capturing one of the oldest sports. While the actual ride itself is an intense experience, it is an adrenaline rush to watch it. And, even for the non-surfer, it can be appreciated on the level that you may feel this way about something you participate in, whether it be another sport or activity altogether. That, I highly admire.

This film offers amazing footage and it's accompanying glorious scenery (and sometimes, not so glorious) and interviews from more than just the most well-known surfers. The DVD package also includes a hefty supply of special features, including the full-game version of Kelly Slater's pro-surfer, additional interviews, and so forth. It is a stacked supply for surfing appreciation destined to make even the most indifferent of audiences stoked.

I'm not a surfer, but, man, I sure wish I was. Before seeing this film, I was wary of a surfing movie made by the son of Bruce Brown, who made the famous surfing movie "The Endless Summer" something like 30 years ago. I expected that the son, Dana, would just be cashing in on his semi-famous name. But, those worries were unfounded. This documentary exudes a powerful love of and respect for the ocean. The surfing footage is unbelievable, it puts most special effects to shame, yet this is the real thing. The stunning cinematography complements the fabulous editing. I was spellbound. It's not often that I come away from watching a movie feeling exhilaration, awe, amazement. One word of advice -- watch it on the biggest, best screen you can find.