IMDb RATING
5.9/10
2.4K
YOUR RATING
Centers on four college friends who become small-time bookies, only to find their world spinning dangerously out of control when their greed attracts the attention of organized crime.Centers on four college friends who become small-time bookies, only to find their world spinning dangerously out of control when their greed attracts the attention of organized crime.Centers on four college friends who become small-time bookies, only to find their world spinning dangerously out of control when their greed attracts the attention of organized crime.
Dominic Boeer
- Buzz Cut
- (as Dominic Böer)
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- Writer
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I really tried to like this film; I wanted it to be a success. But some weak characters kept the film from rising above a kid fantasy movie. It had little relation to real-life college gambling or real-life bookies (both of which I unfortunately became far too familiar with while living in Union CIty in the early 1970s. Galecki was a bit over the top, and one rooted for him to get shot. Stahl, on the other, was a sympathetic character, who was the voice of reason, while Luke Haas was pretty much just a third wheel in the film. The character of Hunter was also underdeveloped and suffered from poor dialog as the romantic interest. David Proval was pretty good as the older bookie, but his partner and strong-arm, Vincent, played by the competent John Diehl, was highly unrealistic as a bookie's arm. Most bookies I knew were loners, who operated on their own without strong-arms. So that device did not work well.
The story line was interesting, but once again, depending on the school (I went to Columbia U, which had no shortage of rich and powerful students with money), the volume of sports betting was just not that heavy. Most bets were between $10-$50, and the idea of a player throwing a game has been done a few times before; most notably in The Gambler, with James Caan. Occasionally, a good business student would go off the deep end and start betting $100s of dollars, but not thousands, and certainly not the amounts mentioned in this film. I would say the film was a good try, but no cigar. Because of the realism factor.
The story line was interesting, but once again, depending on the school (I went to Columbia U, which had no shortage of rich and powerful students with money), the volume of sports betting was just not that heavy. Most bets were between $10-$50, and the idea of a player throwing a game has been done a few times before; most notably in The Gambler, with James Caan. Occasionally, a good business student would go off the deep end and start betting $100s of dollars, but not thousands, and certainly not the amounts mentioned in this film. I would say the film was a good try, but no cigar. Because of the realism factor.
10paul-415
saw this flick in Blockbuster and was intrigued. I like sports gambling and thought this was a unique and smart movie that addresses the subject in a very clever way. Great actors with some good music and fun plot twists. Not sure why this never went to the movie theaters. It had gone to The Sundance Film Festival and it has NICK STAHL from Terminator III and HBO's CARNIVALE, not to mention Lukas Haas and Rachael Leigh Cook. AND the greatest actor from THE SOPRANOS--David Proval, the guy that played RICHIE APRILE. Saw that writer of this co wrote MANIC, which is an AWESOME movie that I actually saw at THE SUNDANCE FILM FEST a few years ago. That movie had DON CHEADLE in it and he is an acting god. If you like smart movies with some good dialogue that handles the topic of sports gambling on college campuses, go rent BOOKIES! I bet you'll like it (hey, I couldn't resist that last line).
Johnny Galecki is great in Bookies. His performance is nothing less then stellar. I've seen him before in other things, but always dismissed him as character actor. He shines in Bookies. If this movie had a higher budget, his performance would have garnered him an award. Galecki plays Jude, which is the most developed character in the movie. Also the character I hated. That's probably why I noticed Galecki's excellent performance.
Rachel Lee Cook sadly has the weakest character. Her acting wasn't weak, her character was. Without giving anything away, there is a scene where Stahl tells her he has given up, then she lectures him that he should give up, I'm sorry, didn't he just say he did give up??
The plot gets weak toward the end. You'll need to lend some creative license, but not so much that it enters the "Oh Come ON!" stage.
Good movie, worth the rental, or even purchase it in the bargain bin.
Rachel Lee Cook sadly has the weakest character. Her acting wasn't weak, her character was. Without giving anything away, there is a scene where Stahl tells her he has given up, then she lectures him that he should give up, I'm sorry, didn't he just say he did give up??
The plot gets weak toward the end. You'll need to lend some creative license, but not so much that it enters the "Oh Come ON!" stage.
Good movie, worth the rental, or even purchase it in the bargain bin.
This past Tuesday, While taking in the whole "Sundance experience," I got up early to see Mark Illsley's "Bookies." I was very disappointed, and would have been well served to sleep in. I recall the buzz that surrounded Illsley a few years ago (Happy Texas), and was very curious as to how he would follow up that... project. I should have left it at curiosity.
I'm not sure where exactly to begin, and I'm not going to do a point by point analysis here. My overarching feeling is that I dont' understand why this film was made. It just seems so pointless. I won't blast the acting, because a few performances were ok, and frankly, an actor can only work with what a script writer provides. The script was extremely weak and the film uncreative and obvious. Oooh - another mob related plotline! How original! I don't see how this film will find an audience, let alone be profitable. I don't even see this as a straight to video release.
My chief disappointment lies in the fact that the subject matter is very compelling. A fantastic film could be made on this subject matter. With the Superbowl right around the corner, I am reminded of how many Americans gamble - of how much money is at stake throughout an NFL season. Sure, some of that money is wagered legally in Vegas, but the lion's share of dollars at stake in "middle America" is certainly not bet through Vegas or even an offshore casino. There are people out there somewhere taking action and living a lifestyle I am curious about. Illsley's characters are not these people. And don't tell me about how the mob is out there to take back its turf. My twelve year old son could have done better(that's actually not as bad as it sounds - he is a very talented writer for a twelve year old).
Although I think this film is weak on its own merits, my chief criticism of the film is relative to the huge potential that is left on the table. I would be surprised to see this film obtain a distribution deal, particularly with the other quality films out there currently seeking such arrangements. Sorry - I hate to post negative thoughts, but this had to be said. Nothing is sadder to me than unrealized greatness.
I'm not sure where exactly to begin, and I'm not going to do a point by point analysis here. My overarching feeling is that I dont' understand why this film was made. It just seems so pointless. I won't blast the acting, because a few performances were ok, and frankly, an actor can only work with what a script writer provides. The script was extremely weak and the film uncreative and obvious. Oooh - another mob related plotline! How original! I don't see how this film will find an audience, let alone be profitable. I don't even see this as a straight to video release.
My chief disappointment lies in the fact that the subject matter is very compelling. A fantastic film could be made on this subject matter. With the Superbowl right around the corner, I am reminded of how many Americans gamble - of how much money is at stake throughout an NFL season. Sure, some of that money is wagered legally in Vegas, but the lion's share of dollars at stake in "middle America" is certainly not bet through Vegas or even an offshore casino. There are people out there somewhere taking action and living a lifestyle I am curious about. Illsley's characters are not these people. And don't tell me about how the mob is out there to take back its turf. My twelve year old son could have done better(that's actually not as bad as it sounds - he is a very talented writer for a twelve year old).
Although I think this film is weak on its own merits, my chief criticism of the film is relative to the huge potential that is left on the table. I would be surprised to see this film obtain a distribution deal, particularly with the other quality films out there currently seeking such arrangements. Sorry - I hate to post negative thoughts, but this had to be said. Nothing is sadder to me than unrealized greatness.
A trio of college students - business major Nick Stahl (as Toby Winter), addictive roommate Johnny Galecki (as Jude Petra) and computer geeky Lukas Haas (as Casey Young) - decide to become "Bookies" and make money taking bets on the ballgames they watch. They become very successful, then attract the criminal element. A few years ago, writer Michael Bacall might well have played the role characterized by Mr. Galecki, which may be why it had the most potential...
The likable leading role is given to Mr. Stahl, who gets to narrate and pursue cute Rachel Leigh Cook (as Hunter McGuire); an athletic babe, her soccer t-shirt reads, "I love kicking balls." Director Mark Illsley scores with a stylish chase combined with a frantic foosball game. His quarter toss and jump ball shots are neat, too. But, the movie's simply way too clean, which may explain a messy post-credits scene.
**** Bookies (1/20/03) Mark Illsley ~ Nick Stahl, Johnny Galecki, Rachel Leigh Cook, Lukas Haas
The likable leading role is given to Mr. Stahl, who gets to narrate and pursue cute Rachel Leigh Cook (as Hunter McGuire); an athletic babe, her soccer t-shirt reads, "I love kicking balls." Director Mark Illsley scores with a stylish chase combined with a frantic foosball game. His quarter toss and jump ball shots are neat, too. But, the movie's simply way too clean, which may explain a messy post-credits scene.
**** Bookies (1/20/03) Mark Illsley ~ Nick Stahl, Johnny Galecki, Rachel Leigh Cook, Lukas Haas
Storyline
Did you know
- SoundtracksBaby's Come Back
Written by Fridtjof Riege Nilson, Jarle Norman Bernhoft and Frederick Wallum Rod
Performed by Span
Courtesy of Universal Music Publishing
Details
Box office
- Budget
- CA$8,500,000 (estimated)
- Runtime1 hour 28 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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