Sixteen-year-old Lilja and her only friend, the young boy Volodja, live in Russia, fantasizing about a better life. One day, Lilja falls in love with Andrej, who is going to Sweden, and invi... Read allSixteen-year-old Lilja and her only friend, the young boy Volodja, live in Russia, fantasizing about a better life. One day, Lilja falls in love with Andrej, who is going to Sweden, and invites Lilja to come along and start a new life.Sixteen-year-old Lilja and her only friend, the young boy Volodja, live in Russia, fantasizing about a better life. One day, Lilja falls in love with Andrej, who is going to Sweden, and invites Lilja to come along and start a new life.
- Director
- Writer
- Stars
- Awards
- 12 wins & 12 nominations total
Oksana Akinshina
- Lilja
- (as Oksana Akinsjina)
Artyom Bogucharskiy
- Volodya
- (as Artiom Bogutjarskij)
Pavel Ponomaryov
- Andrei
- (as Pavel Ponomarjov)
Lyubov Agapova
- Lilja's Mother
- (as Ljubov Agapova)
Liliya Shinkaryova
- Aunt Anna
- (as Lilija Sjinkarjova)
Tomasz Neuman
- Witek
- (as Tomas Neumann)
Anastasiya Bedredinova
- Neighbor
- (as Anastasia Bedredinova)
Nikolai Bentsler
- Natasha's Boyfriend
- (as Nikolaj Bentsler)
Aleksander Dorosjkevitch
- Friend #1
- (as Aleksander Dorosjkevitj)
Yevgeni Gurov
- Friend #2
- (as Jevgenij Gurov)
Jelena Jakovlena
- Teacher
- (as Jelena Jakovleva)
Nikolai Kutt
- Man on the bridge
- (as Nikolai Kütt)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Lilja 4-ever is an excellently-crafted film created by and for Swedes to help stimulate public debate and redress the issue of the vulnerability of immigrant children. It's a cruel, enlightening, compelling watch for anyone in the West, but it's most definitely not a movie for escapism, it's not an After School Special, and it's a world away from the endless contemporary assault/insult of bald neocon propaganda on Anglo-American screens.
Unless you're very, very dead inside, Lilja 4-ever will horrify you, move you to tears, and leave you speechless...at least in its immediate aftermath. And if you are dead inside, the implicit subject is inexorable capitalist alienation and trauma, so why not catch a representation of your own inner life on film? Maybe you can work it into a drinking game.
Based on actual, turn-of-the-21st-century suicides of escaped post-Soviet child prostitutes in the suburbs of Sweden, Lilja 4-ever is a well-done drama, featuring terrific acting--especially by Oksana Akinshina and Artyom Bogucharsky. It presents moody and stark cinematography, fine script-writing, and solid direction. Lilja 4-ever is not a documentary, but its subject is relentlessly grim and real: the tragic personal results of the continued, desperate corrosion of Eastern European society and its tacit, rapaciously opportunistic exploitation in the isolated, commuter highway-bound suburbs of the West. For its success in making these links visible and cinematic, Lilja 4-ever is outstanding.
I saw Lilja 4-ever when it was released in Stockholm in 2002. You can't watch this particular movie waiting for some good one-liners to repeat to the guys around the water cooler. You may not be able to identify with Lilja. You don't need to feel like she could be your girlfriend. For this movie to work, and to grasp who Lilja is, you need to be able to feel human compassion, sympathy and empathy, and to recognize and appreciate the drama in our socio-economic connections.
Unless you're very, very dead inside, Lilja 4-ever will horrify you, move you to tears, and leave you speechless...at least in its immediate aftermath. And if you are dead inside, the implicit subject is inexorable capitalist alienation and trauma, so why not catch a representation of your own inner life on film? Maybe you can work it into a drinking game.
Based on actual, turn-of-the-21st-century suicides of escaped post-Soviet child prostitutes in the suburbs of Sweden, Lilja 4-ever is a well-done drama, featuring terrific acting--especially by Oksana Akinshina and Artyom Bogucharsky. It presents moody and stark cinematography, fine script-writing, and solid direction. Lilja 4-ever is not a documentary, but its subject is relentlessly grim and real: the tragic personal results of the continued, desperate corrosion of Eastern European society and its tacit, rapaciously opportunistic exploitation in the isolated, commuter highway-bound suburbs of the West. For its success in making these links visible and cinematic, Lilja 4-ever is outstanding.
I saw Lilja 4-ever when it was released in Stockholm in 2002. You can't watch this particular movie waiting for some good one-liners to repeat to the guys around the water cooler. You may not be able to identify with Lilja. You don't need to feel like she could be your girlfriend. For this movie to work, and to grasp who Lilja is, you need to be able to feel human compassion, sympathy and empathy, and to recognize and appreciate the drama in our socio-economic connections.
10jotix100
Director Lukas Moodysson has achieved a film that is so moving that it is hard to forget it after leaving the theater. Images come back into one's mind about this story about this girl. The tragedy of her life is something to be shocked and alarmed.
To think there are out there, in the so-called civilized world, people that take advantage of girls like Lilja is mind boggling. Lilja's mother has to be one of the worst monsters ever presented in a film. This woman abandons her 16 year old daughter because she has found a meal ticket with a man that will probably end up leaving her as well.
Lilja is beautifully portrayed by Oksana Akinshina. The actress and her character disappear in front of your eyes. The story is very true as thousands of naive girls are exported from what it was the old Soviet Union to other countries in order to force them into prostitution. This story is constantly in the news, yet more and more young girls are duped into going abroad with the promise of highly paid jobs that exist only for the people who exploit them.
Her only friend is Volodya, also a very sad boy who is thrown out of his own house by an abusive father. Volodya and Lilja form a bond as they cling to one another. The little boy is street wise; he knows the fate that awaits Lilja in Sweden. Their friendship is the only thing they both have.
The sad part of the film is the realization that so called "normal" and perfectly "respectful" people are the same ones that brutalize these children. They use Lilja to satisfy their sexual appetites, then discard her like yesterday's trash. To know that there are people like that in our society is a very sad commentary about our world.
Contrary to what many people have commented about the film, I thought that in spite of the tragedy of Lilja's and Volodya's lives, it had a very positive ending because both are free to run around in a better place together, which is not a luxury most of us have on our time in this planet.
Mr. Moodysson gives us a film that will shock; he dares to go where others wouldn't. A job well done..
To think there are out there, in the so-called civilized world, people that take advantage of girls like Lilja is mind boggling. Lilja's mother has to be one of the worst monsters ever presented in a film. This woman abandons her 16 year old daughter because she has found a meal ticket with a man that will probably end up leaving her as well.
Lilja is beautifully portrayed by Oksana Akinshina. The actress and her character disappear in front of your eyes. The story is very true as thousands of naive girls are exported from what it was the old Soviet Union to other countries in order to force them into prostitution. This story is constantly in the news, yet more and more young girls are duped into going abroad with the promise of highly paid jobs that exist only for the people who exploit them.
Her only friend is Volodya, also a very sad boy who is thrown out of his own house by an abusive father. Volodya and Lilja form a bond as they cling to one another. The little boy is street wise; he knows the fate that awaits Lilja in Sweden. Their friendship is the only thing they both have.
The sad part of the film is the realization that so called "normal" and perfectly "respectful" people are the same ones that brutalize these children. They use Lilja to satisfy their sexual appetites, then discard her like yesterday's trash. To know that there are people like that in our society is a very sad commentary about our world.
Contrary to what many people have commented about the film, I thought that in spite of the tragedy of Lilja's and Volodya's lives, it had a very positive ending because both are free to run around in a better place together, which is not a luxury most of us have on our time in this planet.
Mr. Moodysson gives us a film that will shock; he dares to go where others wouldn't. A job well done..
The movie is extremely sad & hard to watch, cause of its unbelievably realistic picture of poverty, humiliation & depression in which the vast majority of people in the former USSR republics live, including here in Russia. The minority of those who have still managed to keep being human beings in this mess is surrounded & slowly devastated by demoralised animals, created by the decades of communist reign. The realism of the picture is overwhelming & scary. It is so unexpected that a Swedish director have managed to see all the sadness, corruption, violence & immorality of post-USSR space much more clearly than any Russian director ever will. Probably, it is because most people here in Russia see the hell which is going on around them as a normal thing. That's why we need movies such as this - to face the truth, we are so trying to escape in everyday life. Plus, the film exposes the problem of human traffic in such true-to-life manner, it is painful. Worth watching for former USSR citizens, in order to wake-up & realize how degenerate they're becoming. Worth watching for foreigners in order to understand how the 99% of people in Russia & other post-soviet countries live, outside the glamorous & fake facades of Moscow city.
I wasn't surprised by how perfect this film is from the first second to the last, since it's directed by Lukas Moodysson. Different than Tillsammans and Fuckin Åmål in style, but still absolutely fascinating. I could find only one minor flaw, which is Lilya's make-up after the fall. But everything else was wonderful. I hadn't heard of Oksana Akinshina before, but I have a strong feeling I will in the near future. She's really good. I was also amazed by the acting of the little boy.
The frames come so strong that you start to empathize with Lilya after some point. By the end of the film, I was feeling like she was my sister and I wanted to knock those procurers' heads off. I've heard the plot is based on a true story of a Lithuanian girl. I think it's not based on one single true story, it's rather a blend of several true stories. There are many Lilyas, Natalias, Annas out there who are suffering a similar fate. It's so very sad to see how those innocent girls grow into prostitutes just because they're born in some particular country.
Anyone with a heart will be touched and anyone with a taste on movies will be stunned by this movie. I'll buy the DVD as soon as it's available. It's a must have for any collection. One of the rare films I would watch more than once. Total 10.
The frames come so strong that you start to empathize with Lilya after some point. By the end of the film, I was feeling like she was my sister and I wanted to knock those procurers' heads off. I've heard the plot is based on a true story of a Lithuanian girl. I think it's not based on one single true story, it's rather a blend of several true stories. There are many Lilyas, Natalias, Annas out there who are suffering a similar fate. It's so very sad to see how those innocent girls grow into prostitutes just because they're born in some particular country.
Anyone with a heart will be touched and anyone with a taste on movies will be stunned by this movie. I'll buy the DVD as soon as it's available. It's a must have for any collection. One of the rare films I would watch more than once. Total 10.
When "Lilya 4-ever" premiered in Sweden 15 years ago, it shattered many hearts and gave fire to a debate on human trafficking that would last for years. I finally watched Moodysson's amazing film and it broke my heart too.
Twitter: @7thArtShortRevs (Mårten Larsson).
Twitter: @7thArtShortRevs (Mårten Larsson).
Storyline
Did you know
- TriviaBased primarily on the real life of a Lithuanian girl, Danguole Rasalaite, who ended up in Sweden after her mother took off and went to America. The film follows the events of Danguole's life pretty closely, with the main exception of the boy Volodja, who is entirely fictional.
- GoofsRoughly 49 minutes into the film there is a brief moment where the screen cuts to an error message reading "Media Missing". This is an error message in the editing software Avid when a video file is not located by the software. This means a short clip was not linked properly and the error message made it's way into the film.
- ConnectionsFeatured in The 2004 IFP/West Independent Spirit Awards (2004)
- SoundtracksMein Herz Brennt
Written by Richard Kruspe (as R. Kruspe) / Till Lindemann (as T. Lindemann) / Oliver Riedel (as O. Riedel) / Paul Landers (as P. Landers) / Flake Lorenz (as D.C. Lorenz) / Christoph Schneider (as C.D. Schneider)
Performed by Rammstein:
Edited by Jacob Hellner
With permission from Edition Rammstein / BMG Music Publishing Scandinavia AB / Motor Music,
Hamburg - A Universal Music Company
- How long is Lilya 4-Ever?Powered by Alexa
Details
- Release date
- Countries of origin
- Languages
- Also known as
- Las alas de la vida
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $184,023
- Opening weekend US & Canada
- $33,731
- Apr 20, 2003
- Gross worldwide
- $1,007,747
- Runtime1 hour 49 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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