13 reviews
With the exception of DOCTOR WHO any television show that has its format changed is bound to fail . The original series of CROSSROADS worked because it was total garbage . On its return it's obvious the producers wanted it to be a big success by making it appeal to a teenage audience by sexing it up - Big mistake . Take for example the idea of a Scottish chef in the motel kitchen . In the original it was a Scottish chef who was - Depending on how the writers felt that day - either a wimp or a bitter sociopath . In the new version we're treated to a hunk from Scotland who's a real smoothie and in one episode saves a damsel in distress from a burning derelict church
Despite this spicing up the show I think the only attractive cast member was ( Non ) actress Cindy Marshall-Day who played drunken slapper Tracey Booth and naturally playing that sort of role she got all the best lines like this line she says to one of her Asian staff :
" Beena - Been a round more like "
Being a complete slut Mrs Booth was the catalyst for a domestic subplot where her husband has to explain to her son in a sensitive manner that Mummy and Daddy don't love one another any more :
"I'm thirteen y'know not three " moans the son who's played by a child actor so bad it's impossible to believe he's even had a walk on part in a school pantomime and gives the only performance that comes close to being so bad it's good
This new version of CROSSROADS was met by small viewing figures that just got worse and worse so in order to save it the producers went back to basics and included more and more outlandish plots in order to make it appeal to fans of schlock television . We saw Adam Chance return as a homicidal maniac but the writing was on the wall and the show was cancelled with the ending being on a par with someone waking up and discovering it had all been a bad dream . The reality was it was more of a bad idea than a bad dream
Despite this spicing up the show I think the only attractive cast member was ( Non ) actress Cindy Marshall-Day who played drunken slapper Tracey Booth and naturally playing that sort of role she got all the best lines like this line she says to one of her Asian staff :
" Beena - Been a round more like "
Being a complete slut Mrs Booth was the catalyst for a domestic subplot where her husband has to explain to her son in a sensitive manner that Mummy and Daddy don't love one another any more :
"I'm thirteen y'know not three " moans the son who's played by a child actor so bad it's impossible to believe he's even had a walk on part in a school pantomime and gives the only performance that comes close to being so bad it's good
This new version of CROSSROADS was met by small viewing figures that just got worse and worse so in order to save it the producers went back to basics and included more and more outlandish plots in order to make it appeal to fans of schlock television . We saw Adam Chance return as a homicidal maniac but the writing was on the wall and the show was cancelled with the ending being on a par with someone waking up and discovering it had all been a bad dream . The reality was it was more of a bad idea than a bad dream
- Theo Robertson
- Apr 23, 2005
- Permalink
STAR RATING:*****Unmissable****Very Good***Okay**You Could Go Out For A Meal Instead*Avoid At All Costs
Only six months into the new re-vamped Crossroads,and rumor is already starting to spread of a potential axing.Well,to be honest,this is not really surprising.As high hopes as anyone might have had for this new edition , it's really just not up to scratch.The main problem being the acting:it is , whatever way you look at it, wooden.Everyone involved simply reads their lines out as blankly and dully as you can imagine,so that they sound almost like cyborgs.The stories are rather cliched and predictable,with love triangles,high stakes and adversity being mainly on the agenda.And it is so hard to believe that all this could be going on under the roof of a hotel.Worth watching,but certainly only as something to glance at while eating your snack.**
Only six months into the new re-vamped Crossroads,and rumor is already starting to spread of a potential axing.Well,to be honest,this is not really surprising.As high hopes as anyone might have had for this new edition , it's really just not up to scratch.The main problem being the acting:it is , whatever way you look at it, wooden.Everyone involved simply reads their lines out as blankly and dully as you can imagine,so that they sound almost like cyborgs.The stories are rather cliched and predictable,with love triangles,high stakes and adversity being mainly on the agenda.And it is so hard to believe that all this could be going on under the roof of a hotel.Worth watching,but certainly only as something to glance at while eating your snack.**
- wellthatswhatithinkanyway
- Aug 2, 2001
- Permalink
As a soap-a-holic, I was pleased to hear that "Crossroads" was making a comeback, as I was only three years old when the show was cancelled, and therefore never saw it.
Alas, I was rather dissapointed with what I found. Crossroads Motel had been demolished and replaced with a Crossroads four star hotel. Some of the acting from the new actors is terrible, the script is dier at times, and what seems like the beginning of an ongoing storyline is over by the commerical break.
But perhaps the biggest mistake of all was killing of Jane Rossington as Jill Harvey. Jane was the best of the three original cast members that had returned to the show. The writers killed her off because the ratings weren't high enough.
If that were the case, then surely the most sensible thing to do would have been to pull the plug on the whole show, and not the best character.
I'm not too surprised. Even at the age of 15, I have noticed a severe landslide in the quality of British TV. The overall quality of British soaps has plummetted, making most of British TV cheesy, boring and unrealistic.
Take the conversations held by some of the teens in Crossroads - nobody talks like that!!!!
5 out of 10.
Alas, I was rather dissapointed with what I found. Crossroads Motel had been demolished and replaced with a Crossroads four star hotel. Some of the acting from the new actors is terrible, the script is dier at times, and what seems like the beginning of an ongoing storyline is over by the commerical break.
But perhaps the biggest mistake of all was killing of Jane Rossington as Jill Harvey. Jane was the best of the three original cast members that had returned to the show. The writers killed her off because the ratings weren't high enough.
If that were the case, then surely the most sensible thing to do would have been to pull the plug on the whole show, and not the best character.
I'm not too surprised. Even at the age of 15, I have noticed a severe landslide in the quality of British TV. The overall quality of British soaps has plummetted, making most of British TV cheesy, boring and unrealistic.
Take the conversations held by some of the teens in Crossroads - nobody talks like that!!!!
5 out of 10.
That didn't take long did it?? Crossroads returned in something considerably less than a blaze of publicity to ITV1 on 13th January 2003. I was initially quite optimistic about it's chances, hoping that the daily dose of high camp farce, glamour and terrible acting might appeal to the great unwashed that is the British public.
Unfortunately, despite moving at a pace which would blow most other soap scriptwriters out of the water, covering dozens of storylines in a matter of weeks, it seems the show has failed to strike a chord with the considerable UK daytime audience, it's viewing figures sliding to a paltry 1.3 million per day (the 1st revival's lowest point was 2.5 million), barely enough to sustain a show Carlton and ITV spent almost £15 million on bringing back. So, this morning, on March 10th, 2003 it was announced that Crossroads will disappear from the schedules when it's current batch of episodes ends in the summer.... as if that wasn't bad enough, to add insult to injury - the show is being moved out of the 5pm slot in a few weeks to a more 'suitable' early afternoon slot.
To be fair to ITV, the show hasn't been dogged with any rumours of an axing, but also, it barely has had enough time to even register in the public consciousness - so I feel that an axing might well be premature. I know one thing, I'll miss Jane Asher and Jane Gurnett's deliciously awful bitching and catfights (as Angel Samson and Kate Russell respectively). No disrespect to ITV, but they seem to be developing an almost American mentality towards show, if it doesn't perform brilliantly from the start, then they're not interested. If the BBC behaved in a similar fashion, Eastenders would have been cancelled less than 3 months after first airing, instead of running for 18 years....
Unfortunately, despite moving at a pace which would blow most other soap scriptwriters out of the water, covering dozens of storylines in a matter of weeks, it seems the show has failed to strike a chord with the considerable UK daytime audience, it's viewing figures sliding to a paltry 1.3 million per day (the 1st revival's lowest point was 2.5 million), barely enough to sustain a show Carlton and ITV spent almost £15 million on bringing back. So, this morning, on March 10th, 2003 it was announced that Crossroads will disappear from the schedules when it's current batch of episodes ends in the summer.... as if that wasn't bad enough, to add insult to injury - the show is being moved out of the 5pm slot in a few weeks to a more 'suitable' early afternoon slot.
To be fair to ITV, the show hasn't been dogged with any rumours of an axing, but also, it barely has had enough time to even register in the public consciousness - so I feel that an axing might well be premature. I know one thing, I'll miss Jane Asher and Jane Gurnett's deliciously awful bitching and catfights (as Angel Samson and Kate Russell respectively). No disrespect to ITV, but they seem to be developing an almost American mentality towards show, if it doesn't perform brilliantly from the start, then they're not interested. If the BBC behaved in a similar fashion, Eastenders would have been cancelled less than 3 months after first airing, instead of running for 18 years....
Dallas's shower scene showed us that we dream in colour, Crossroads' finale told us that Jane Asher dreams at lightspeed: she got through the whole 5 months of the Hotel saga down in a blink.
Using the tried and tested Dallas dream trick, Crossroads bowed out with Angela (Jane Asher) realising her life as vampish hotel owner Angel Samson was a dream. The reality was that she crimped her hair, spoke with a Brummie accent and worked on a supermarket checkout, with former nemesis and sometimes friend Kate Russell as her co-worker.
As gag endings go, St. Elsewhere's was classier and Sledge Hammer's much funnier, but neither could touch this for the number of accents attempted. I actually lost count of how many accents were represented in the supermarket.
Most of the regular characters made appearances in the supermarket. Battleaxe Hotel receptionist Virginia became a battleaxe checkout supervisor married to Security Guard Rocky Wesson. Betty Waddell became a (geographically non-specific) customer in love with Rocky (I ask you!?!?). Thrusting American Businessman Max Samson was transformed into a lager and crisp buying American scruff, while the Samson twins, Ryan and Jimmy, had their roles reversed, with 'sex god' Ryan turned into a total geek, and former geek Jimmy becoming a Cockney sex toy for the Wise sisters (Phil, Lola and Belle). Even camp gay chef Vince underwent a total transformation to a Brummie layabout married to a shell suit wearing Helen Raven.
Perhaps the clumsiest joke was Tracy Boothe, going from booze hound Bar Manager to the alcoholic star of a TV show called, yes, you guessed it..... 'Crossroads'
Using the tried and tested Dallas dream trick, Crossroads bowed out with Angela (Jane Asher) realising her life as vampish hotel owner Angel Samson was a dream. The reality was that she crimped her hair, spoke with a Brummie accent and worked on a supermarket checkout, with former nemesis and sometimes friend Kate Russell as her co-worker.
As gag endings go, St. Elsewhere's was classier and Sledge Hammer's much funnier, but neither could touch this for the number of accents attempted. I actually lost count of how many accents were represented in the supermarket.
Most of the regular characters made appearances in the supermarket. Battleaxe Hotel receptionist Virginia became a battleaxe checkout supervisor married to Security Guard Rocky Wesson. Betty Waddell became a (geographically non-specific) customer in love with Rocky (I ask you!?!?). Thrusting American Businessman Max Samson was transformed into a lager and crisp buying American scruff, while the Samson twins, Ryan and Jimmy, had their roles reversed, with 'sex god' Ryan turned into a total geek, and former geek Jimmy becoming a Cockney sex toy for the Wise sisters (Phil, Lola and Belle). Even camp gay chef Vince underwent a total transformation to a Brummie layabout married to a shell suit wearing Helen Raven.
Perhaps the clumsiest joke was Tracy Boothe, going from booze hound Bar Manager to the alcoholic star of a TV show called, yes, you guessed it..... 'Crossroads'
This had potential. A soap opera set in a hotel could've been good if the producers and writers and cast actually made the effort.
I was disappointed. But I liked the plot line in the 2001-2002 version involving Jake Booth emotionally abusing Tracey Booth, his wife, and Tracey turning into an alcoholic. I loved this plot line and I felt very sorry for Tracey Booth and the way she was being abused by Jake.
I hated having to watch Miss goody-two shoes Nicola Russel get her top GCSE grades though. The plot line was dull, stupid, boring, irrelevant, and ultimately insulting to those who got bad examination results like me. I felt that this plot line took the biscuit out of those students who may've done badly in the year 2001, I did badly and felt like this plot was rubbing my nose in my failures, if that makes sense.
Most of the plot lines were dull, the ending was just pure stupid. I liked Cindy Marshall-Day's performance and Colin Wells was great. But they were the only decent two cast members.
The Samson's were horrible. They should've had more violence, lies, deceit, and betrayals, then the soap could've been much better.
If they try it again, it needs big reforms if it is to have a fighting chance of succeeding.
I was disappointed. But I liked the plot line in the 2001-2002 version involving Jake Booth emotionally abusing Tracey Booth, his wife, and Tracey turning into an alcoholic. I loved this plot line and I felt very sorry for Tracey Booth and the way she was being abused by Jake.
I hated having to watch Miss goody-two shoes Nicola Russel get her top GCSE grades though. The plot line was dull, stupid, boring, irrelevant, and ultimately insulting to those who got bad examination results like me. I felt that this plot line took the biscuit out of those students who may've done badly in the year 2001, I did badly and felt like this plot was rubbing my nose in my failures, if that makes sense.
Most of the plot lines were dull, the ending was just pure stupid. I liked Cindy Marshall-Day's performance and Colin Wells was great. But they were the only decent two cast members.
The Samson's were horrible. They should've had more violence, lies, deceit, and betrayals, then the soap could've been much better.
If they try it again, it needs big reforms if it is to have a fighting chance of succeeding.
Crossroads dared to be different. Whereas the 2001/2002 series was pretty standard fare the 2003 series was fantastically daft and surreal. Where else would you get character names such as "Angel Samson" and "Valentine Startwood"?
Crossroads was a welcome break from the normality of British soaps. It had glamour, sex, singing and the wonderfully sinister Ethan Black all at tea time. No main character was killed off (the exceptions being three guest stars) and near the end the characters were really starting to become developed.
A soap cannot be judged on 8 weeks like Crossroads was. People say that the 2003 series was it's final chance but it was a totally different kettle of fish to the old Crossroads and shouldn't have been seen as the same.
The ending however was fantastic. There were so many digs at ITV and the cast sent themselves up wonderfully. Oona and Dave as the owners of "Stocks Superstore" is the funniest thing I've seen this year.
Crossroads shall be missed by all that wanted escapism from the monotony of normal soaps.
Crossroads was a welcome break from the normality of British soaps. It had glamour, sex, singing and the wonderfully sinister Ethan Black all at tea time. No main character was killed off (the exceptions being three guest stars) and near the end the characters were really starting to become developed.
A soap cannot be judged on 8 weeks like Crossroads was. People say that the 2003 series was it's final chance but it was a totally different kettle of fish to the old Crossroads and shouldn't have been seen as the same.
The ending however was fantastic. There were so many digs at ITV and the cast sent themselves up wonderfully. Oona and Dave as the owners of "Stocks Superstore" is the funniest thing I've seen this year.
Crossroads shall be missed by all that wanted escapism from the monotony of normal soaps.
The New Crossroads is a cracker of a soap to watch. It has inherited all the stigma of the original series but you don't need to have seen that to be able to follow this.
The media is none too happy with this production but then that's their job to pick faults. But if you like this production you'll ignore what they say anyway.
Plotwise is nothing we haven't seen before albeit the inclusion of a gay couple which was groundbreaking for a lunchtime soap. They have now split up and one has moved away, bit of a wasted opportunity really.
The only real trouble is that some storylines will just drag on for weeks and weeks going nowhere storyline wise. Some talent in certain actors/actresses is just totally wasted because they only have minor storylines.
However, brave attempt by Carlton to make the show like it is and it really works, it's good and fun to watch. Constantly hounded by rumours of an axing (mainly from non Crossroads fans it has to be said) which doesn't help.
The media is none too happy with this production but then that's their job to pick faults. But if you like this production you'll ignore what they say anyway.
Plotwise is nothing we haven't seen before albeit the inclusion of a gay couple which was groundbreaking for a lunchtime soap. They have now split up and one has moved away, bit of a wasted opportunity really.
The only real trouble is that some storylines will just drag on for weeks and weeks going nowhere storyline wise. Some talent in certain actors/actresses is just totally wasted because they only have minor storylines.
However, brave attempt by Carlton to make the show like it is and it really works, it's good and fun to watch. Constantly hounded by rumours of an axing (mainly from non Crossroads fans it has to be said) which doesn't help.
- neiljones1981
- Nov 9, 2001
- Permalink
A lot of the UK press are really criticising Crossroads at the moment but that's just because of the stigma it has from the old series. The new version really is a classy soap. Sure it's plots are totally unbelievable (like the current 2 Sarah-Jane's plot) but thats what makes it so good.
It's a world away from the likes of Eastenders and Coronation Street and all the better for it. Sure some of the younger actors leave a lot to be desired in terms of talent but characters like Billy, Kate Russell, Doris and Patrick Russell are brilliantly played.
All Crossroads needs is a few of the creases ironing out and it could easily go up against the likes of Brookside and Emmerdale.
Please Carlton, have some confidence. Don't axe Crossroads!!!
It's a world away from the likes of Eastenders and Coronation Street and all the better for it. Sure some of the younger actors leave a lot to be desired in terms of talent but characters like Billy, Kate Russell, Doris and Patrick Russell are brilliantly played.
All Crossroads needs is a few of the creases ironing out and it could easily go up against the likes of Brookside and Emmerdale.
Please Carlton, have some confidence. Don't axe Crossroads!!!
- millbrand2000
- Sep 25, 2001
- Permalink
'Crossroads' disappeared from ITV1 in mid 2002, and we were assured that the show hadn't been axed..... sure enough on the 13th of January, 2003 it returned, sporting a mostly new cast and a new look.
Any attempt at realism has been thrown out the window, as the show's new Producer Yvon Grace has decided to go for glamour over realism. I have to say, it's so awful that it's actually unmissable - it's almost American in it's sheer awfulness. The new cast are uniformly hopeless, and it's only the old hands from the 2001 revival that seem to know what they're supposed to be doing. Jane Asher is simply terrible as Angel Samson, Emma Noble (the daughter in law of the former British PM John Major) is even worse. She had one line in the first episode of the new run, and couldn't even make 'Good morning' sound convincing.. Anne Charleson (Madge from 'Neighbours') has been thrown in for good measure, and she's actually quite good.
The story picks up a year after where we last left the show, so I assume that Phil Berry is in the slammer. Anyway, the hotel has changed hands yet again, and been given a horrendous new look more in keeping with Caesar's Palace in Las Vegas than any British hotel I've ever seen. The first episode had all the soap necessities - murder, an astonishing amount of adultery, some of which was mingled with the murder, a party and a twin shagging his twins wife in a train toilet (obviously he found out who she was at the end of the episode). All in all, I'd say that 'Crossroads' now has everything it needs to be a moderate teatime success for ITV1 - sex, glamour, pretty men, pretty women (and no Doris Luke!!!) and it's been moved from 5.30pm to 5.00pm and is no longer going to get hammered in the ratings by 'Neighbours' on BBC1.
I think I'll keep watching as it's simply so awful that it's completely unmissable.... it has the same 'train wreck' effect as American soaps like 'Sunset Beach', 'Days of Our Lives' and 'The Bold and The Beautiful', and is infinitely more interesting than the bland post millenial attempt that was foisted upon us in 2001.
*** out of *****
Any attempt at realism has been thrown out the window, as the show's new Producer Yvon Grace has decided to go for glamour over realism. I have to say, it's so awful that it's actually unmissable - it's almost American in it's sheer awfulness. The new cast are uniformly hopeless, and it's only the old hands from the 2001 revival that seem to know what they're supposed to be doing. Jane Asher is simply terrible as Angel Samson, Emma Noble (the daughter in law of the former British PM John Major) is even worse. She had one line in the first episode of the new run, and couldn't even make 'Good morning' sound convincing.. Anne Charleson (Madge from 'Neighbours') has been thrown in for good measure, and she's actually quite good.
The story picks up a year after where we last left the show, so I assume that Phil Berry is in the slammer. Anyway, the hotel has changed hands yet again, and been given a horrendous new look more in keeping with Caesar's Palace in Las Vegas than any British hotel I've ever seen. The first episode had all the soap necessities - murder, an astonishing amount of adultery, some of which was mingled with the murder, a party and a twin shagging his twins wife in a train toilet (obviously he found out who she was at the end of the episode). All in all, I'd say that 'Crossroads' now has everything it needs to be a moderate teatime success for ITV1 - sex, glamour, pretty men, pretty women (and no Doris Luke!!!) and it's been moved from 5.30pm to 5.00pm and is no longer going to get hammered in the ratings by 'Neighbours' on BBC1.
I think I'll keep watching as it's simply so awful that it's completely unmissable.... it has the same 'train wreck' effect as American soaps like 'Sunset Beach', 'Days of Our Lives' and 'The Bold and The Beautiful', and is infinitely more interesting than the bland post millenial attempt that was foisted upon us in 2001.
*** out of *****
Crossroads 2003 was a breath of fresh air compared to the usual, dull and drab TV soaps with tradidtional, boring storylines which take weeks to pan out. But Crossroads was different from the start, with a memorable opening sequence with Jane Asher in a thong (with Angel written on it!).
Glamour, sex, beautiful men and women, Crossroads had all the ingredients to be great, but sadly ITV1 axed it before it had even been on for two months. They don't seem to understand that show's need to be given a chance to develop.
Storylines such as the catfights between Angel Samson and her nemisis Kate Russell, Ethan's reign of terror over King's Oak citizens, the 1970's weel of flashbacks and anything at all with the fab Vince Vaccaro made the show really stand out.
Also memorable big name guest stars, including Lionel Blair and Kate O' Mara also added to the mix. And funny "comedy" storylines which were new compared to stupid, repetitive stories such as those in Eastenders and Coronation Street were great too.
Sadly viewers didn't flock to the show, but it wasn't really given a chance. If the show had had promotion, and a better time slot then it would have beaten Corrie, Eastenders and Emmerdale too in my honest opinion.
Glamour, sex, beautiful men and women, Crossroads had all the ingredients to be great, but sadly ITV1 axed it before it had even been on for two months. They don't seem to understand that show's need to be given a chance to develop.
Storylines such as the catfights between Angel Samson and her nemisis Kate Russell, Ethan's reign of terror over King's Oak citizens, the 1970's weel of flashbacks and anything at all with the fab Vince Vaccaro made the show really stand out.
Also memorable big name guest stars, including Lionel Blair and Kate O' Mara also added to the mix. And funny "comedy" storylines which were new compared to stupid, repetitive stories such as those in Eastenders and Coronation Street were great too.
Sadly viewers didn't flock to the show, but it wasn't really given a chance. If the show had had promotion, and a better time slot then it would have beaten Corrie, Eastenders and Emmerdale too in my honest opinion.
- alanmryan100
- Jan 9, 2004
- Permalink
Auf wiedersein Crossroads....
After returning on January 13th this year (bad luck mefinks), and being officially cancelled less than 2 months later, Crossroads will finally close its doors this Friday after around 90 episodes of the new run. Bye bye Samsons, bye bye Kate Russell, Virginia, Rocky, Beenah etc.... you might have been a tad ropey, but at least you were entertaining.
After returning on January 13th this year (bad luck mefinks), and being officially cancelled less than 2 months later, Crossroads will finally close its doors this Friday after around 90 episodes of the new run. Bye bye Samsons, bye bye Kate Russell, Virginia, Rocky, Beenah etc.... you might have been a tad ropey, but at least you were entertaining.
I was very sorry to hear of the axing of the latest incarnation of
"Crossroads"...surely the closest thing to America's fantastically, wonderfully, ridiculous "Sunset Beach".
I love watching this while at the gym...the yummy Emma Noble enlivened many
a treadmill session. <g>
And some of the storylines were actually quite decent...the episode with the
casino scam was actually quite well written, and more gripping than most of the other episodes.
"Crossroads"...surely the closest thing to America's fantastically, wonderfully, ridiculous "Sunset Beach".
I love watching this while at the gym...the yummy Emma Noble enlivened many
a treadmill session. <g>
And some of the storylines were actually quite decent...the episode with the
casino scam was actually quite well written, and more gripping than most of the other episodes.