A young Greek woman falls in love with a non-Greek and struggles to get her family to accept him while she comes to terms with her heritage and cultural identity.A young Greek woman falls in love with a non-Greek and struggles to get her family to accept him while she comes to terms with her heritage and cultural identity.A young Greek woman falls in love with a non-Greek and struggles to get her family to accept him while she comes to terms with her heritage and cultural identity.
- Nominated for 1 Oscar
- 20 wins & 29 nominations total
Johnny Kalangis
- Greek Teacher
- (as John Kalangis)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
This was a very pleasant surprise. Frankly, I was avoiding it because I thought it was going to be too tacky for my taste. It turned out that I needed some of the Windex, the father of the bride uses for everything, to clear my eyes and enjoy the film.
Nia Vardalos has written from the heart this story of a crazy Greek family with all the stereotypes in it for us to savor and enjoy what has come out under the firm direction of Joel Zwick.
Not only is Ms. Vardalos talented as an actress, but she can write quite a story, star in her own tale, and bring together this cast of loonies and make us believe we are inside these folks' home.
Michael Constantine and Lanie Kazan are the parents of the bride and they preside this crazy household in Chicago. Nia Vardalos is the "ugly duckling" we see at the beginning of the film and she wins John Corbett's heart and disarms him completely. He got her family in the bargain and he's stuck in it for better of for worse. Andrea Martin is very effective as the pushy aunt.
All in all, it should be seen for the fun of it. This is a funny film, very well paced and acted.
Please pass the Windex!!
Nia Vardalos has written from the heart this story of a crazy Greek family with all the stereotypes in it for us to savor and enjoy what has come out under the firm direction of Joel Zwick.
Not only is Ms. Vardalos talented as an actress, but she can write quite a story, star in her own tale, and bring together this cast of loonies and make us believe we are inside these folks' home.
Michael Constantine and Lanie Kazan are the parents of the bride and they preside this crazy household in Chicago. Nia Vardalos is the "ugly duckling" we see at the beginning of the film and she wins John Corbett's heart and disarms him completely. He got her family in the bargain and he's stuck in it for better of for worse. Andrea Martin is very effective as the pushy aunt.
All in all, it should be seen for the fun of it. This is a funny film, very well paced and acted.
Please pass the Windex!!
In Chicago, Toula Portokalos (Nia Vardalos) is a 30 year old Greek spinster. She has always been the frumpy outsider from a large family. Her proud Greek father wants her to marry a nice Greek boy and have a bunch of Greek kids. She works at the family restaurant where Ian Miller (John Corbett) comes in one day. She falls for the tall teacher immediately. She decides to go back to school to study computers and her mother convinces her father. She starts working at Aunt Voula (Andrea Martin)'s travel agency. She meets Ian again and they start dating before getting her father's approval.
I like the family more than the couple. Vardalos and Corbett are not necessarily top rank actors. They don't make for a great rom-com pairing. What excels is the extended Greek family. They are all great and each one brings fun joy. The movie drags when it focuses on the couple. It's not like their relationship is that compelling or dramatic. They are functional but the family is excellent.
I like the family more than the couple. Vardalos and Corbett are not necessarily top rank actors. They don't make for a great rom-com pairing. What excels is the extended Greek family. They are all great and each one brings fun joy. The movie drags when it focuses on the couple. It's not like their relationship is that compelling or dramatic. They are functional but the family is excellent.
i usually hate dissing the other reviewers on these things because everyone is entitled to their opinions, but, even though they usually frustrate me, i always read the reviews to gauge how a movie affects the mainstream public, as i think that's usually the most important thing to be considered.
i just finished commenting on 'the rules of attraction', and it surprised me to see how there were more positive comments about that film than this one. it also surprised me to see that most of the negative reviews of this film talked about how they were 'bored' by this movie, or how nia vardalos is 'ugly', or how this film is only for 'women' or 'old people'.
granted, this movie has very little sex, violence, or MTV editing, but it does what most movies try to do and fail at doing; creates an engaging story with interesting characters. however, it's sad to see that this quality apparently doesn't carry much currency anymore, and that people can't deal with humor that's not shoved in their face or isn't right there on the surface.
the ironic thing about this is that MBFGW isn't even that innovative or unique. it takes the normal three act romantic comedy structure and, well, dehollywoodizes it a little bit. yeah, the main characters aren't typical hollywood hot. (well, john corbett is...) but you probably aren't either. and all these people commenting on how it's 'racist' or 'stereotyped'... nia vardalos, the writer, IS GREEK! this film is adapted from her one woman show! it's interesting that 'ethnic' films have to take on, what, a documentary form or something to seem authentic? if anything is racist, that is.
it's super that 11,000 people have voted on this film and that it grossed so much $$. even though, when it comes down to it, this is just a "better" romantic comedy which stays in the box for much of the time, it IS, indeed, better than most movie fare out there and its popularity gives me hope that the "boring" movies with "ugly" people may have a chance with the jaded tards of middle america.
i just finished commenting on 'the rules of attraction', and it surprised me to see how there were more positive comments about that film than this one. it also surprised me to see that most of the negative reviews of this film talked about how they were 'bored' by this movie, or how nia vardalos is 'ugly', or how this film is only for 'women' or 'old people'.
granted, this movie has very little sex, violence, or MTV editing, but it does what most movies try to do and fail at doing; creates an engaging story with interesting characters. however, it's sad to see that this quality apparently doesn't carry much currency anymore, and that people can't deal with humor that's not shoved in their face or isn't right there on the surface.
the ironic thing about this is that MBFGW isn't even that innovative or unique. it takes the normal three act romantic comedy structure and, well, dehollywoodizes it a little bit. yeah, the main characters aren't typical hollywood hot. (well, john corbett is...) but you probably aren't either. and all these people commenting on how it's 'racist' or 'stereotyped'... nia vardalos, the writer, IS GREEK! this film is adapted from her one woman show! it's interesting that 'ethnic' films have to take on, what, a documentary form or something to seem authentic? if anything is racist, that is.
it's super that 11,000 people have voted on this film and that it grossed so much $$. even though, when it comes down to it, this is just a "better" romantic comedy which stays in the box for much of the time, it IS, indeed, better than most movie fare out there and its popularity gives me hope that the "boring" movies with "ugly" people may have a chance with the jaded tards of middle america.
My Big Fat Greek Wedding makes up for what it lacks in plot with a cast of amusing, lovable characters. Like any large extended family the Portokolos family is a collection of oddball, zany characters. Toula's father Gus can find the Greek root of any word, and believes windex to be a wondrous cure to any ailment. Toula's mother says "the man may be the head of the household, but the woman is the neck, she can turn the head whichever way she wants". And throughout the movie we see matriarchal power in action as she and Aunt Voula subtly manipulate Gus, the father. Toula's Cousin Nikki with her provocative fashion sense and brother Nick with his quiet passion for art, fill out the Portokolos personality tree.
In contrast the Millers are a subdued, small family. Ian has only two cousins. When Toula invites the Millers over for a quiet dinner to meet her parents they are in for quite a shock. The dynamics between the overwhelmingly extroverted Portokolos family and the reserved parents of the groom provide some amusing moments.
My Big Fat Greek Wedding had potential to be an exceptional film. It was hindered by a far too contrived romance and a particularly unconvincing performance by John Corbett as Ian Miller. His character was so lacking in personality, so bland, especially in contrast to the Portokolos family members. Plus the robotic delivery of his declarations of love were unbelievable. His character seemed an afterthought. Had Ian Miller been better acted, and developed as well as all of the supporting characters, the film would have been great. However, it is still an above average romantic comedy, providing many laughs and feel good moments.
In contrast the Millers are a subdued, small family. Ian has only two cousins. When Toula invites the Millers over for a quiet dinner to meet her parents they are in for quite a shock. The dynamics between the overwhelmingly extroverted Portokolos family and the reserved parents of the groom provide some amusing moments.
My Big Fat Greek Wedding had potential to be an exceptional film. It was hindered by a far too contrived romance and a particularly unconvincing performance by John Corbett as Ian Miller. His character was so lacking in personality, so bland, especially in contrast to the Portokolos family members. Plus the robotic delivery of his declarations of love were unbelievable. His character seemed an afterthought. Had Ian Miller been better acted, and developed as well as all of the supporting characters, the film would have been great. However, it is still an above average romantic comedy, providing many laughs and feel good moments.
My Big Fat Greek Wedding is a hilarious and sweet film about a Greek woman, waiting for her life to take off. One day however, she meets and falls in love with Ian and gets engaged. The problem is, he's a non-Greek and her family is uneasy about accepting him. Ian must appease them by being baptized into the Greek Orthodox church in a kiddie pool, and inviting his boring parents to meet the family.
My Big Fat Greek Wedding was an independent smash starting with a budget of barely $5 million and in the end, grossing over $200 million at the box office. And there's a solid reason for that. The film is filled with heart, humour, and romance. It's set in the real world, interacting with real characters and not seeming like they are drawn up from some fantasy. It's living proof that independent films can dream big and achieve just as much. Opa!
My Big Fat Greek Wedding was an independent smash starting with a budget of barely $5 million and in the end, grossing over $200 million at the box office. And there's a solid reason for that. The film is filled with heart, humour, and romance. It's set in the real world, interacting with real characters and not seeming like they are drawn up from some fantasy. It's living proof that independent films can dream big and achieve just as much. Opa!
Storyline
Did you know
- TriviaTom Hanks' wife, Rita Wilson, saw the play and recommended that her husband produce a movie version. In an interview with the German magazine "Cinema," Nia Vardalos mentioned that she hung up when Hanks called because she did not believe it was really him.
- GoofsThe women wear their wedding rings on the left hand - Greek Orthodox women wear wedding rings on the right hand.
- Quotes
Toula Portokalos: Ma, Dad is so stubborn. What he says goes. "Ah, the man is the head of the house!"
Maria Portokalos: Let me tell you something, Toula. The man is the head, but the woman is the neck. And she can turn the head any way she wants.
- Crazy creditsOpening credits: All E's are replaced by the Greek letter Sigma.
- ConnectionsFeatured in The 60th Annual Golden Globe Awards (2003)
- SoundtracksIstanbul Coffee Shop
Written by Daghan Baydur & Richard Keith Thomas (as Richard Thomas)
Published by Jim Long Music
Courtesy of First Com Music, Inc.
- How long is My Big Fat Greek Wedding?Powered by Alexa
Details
- Release date
- Countries of origin
- Languages
- Also known as
- Casarse... está en griego
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $5,000,000 (estimated)
- Gross US & Canada
- $241,438,208
- Opening weekend US & Canada
- $597,362
- Apr 21, 2002
- Gross worldwide
- $368,744,044
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