A woman who lives in her darkened old family house with her two photosensitive children becomes convinced that the home is haunted.A woman who lives in her darkened old family house with her two photosensitive children becomes convinced that the home is haunted.A woman who lives in her darkened old family house with her two photosensitive children becomes convinced that the home is haunted.
- Director
- Writer
- Stars
- Nominated for 2 BAFTA Awards
- 29 wins & 55 nominations total
Videos6
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaNicole Kidman originally tried to persuade Alejandro Amenábar and the Weinstein brothers to find another actress for the part. Coming off the bright and exuberant Moulin Rouge! (2001), the actress was initially reluctant to do a film that explored such dark places.
- GoofsWhen Grace runs out with a shotgun, she mouths the words, "I'll shoot" but on the audio track she says "Don't Move".
- Quotes
Mrs. Mills: Death of a loved one can lead people to do the strangest things.
- Crazy creditsBefore the opening credits or music begin, we hear Grace's voice over a black screen; she says (in the manner of a mother about to tell a bedtime story), "Are you sitting comfortably? Then I'll begin."
- Alternate versionsTheatrical releases included a longer credit sequence with sketches of Nicole Kidman in the attic and the servants, SFX differences, and some lines of dialogue that were deleted from all subsequent home media releases and TV airings (most notably to make certain plot revelations less obvious).
- ConnectionsFeatured in The 59th Annual Golden Globe Awards (2002)
- SoundtracksI Only Have Eyes for You
(1934)
Music by Harry Warren
Lyrics Al Dubin
Sung a cappella by Nicole Kidman (uncredited)
Published by WB Music Corp. (ASCAP)
Top review
A Beautiful Drama Entangled in Intense Thrills and Chills
It's funny that I see this movie the way I do, perhaps I'm more perceptive to little dramatic, human touches, but I saw this movie and was satisfied with it. In fact, I fell in love with it. This movie is chilling, very spooky, with a few moments that will make you jump, but it's a movie that works itself up, and by the end of the movie you feel scared, and like someone has zapped you a few times, chilly from inside out, but fulfilled.
People have been comparing this to "Sixth Sense". Though the movie may share similarities, this stands on it's own. It's content is not trying to send a message, except for a universal theme that you want to grasp onto. There is historical and religious content, purely in context for the twists and turns and nuances to make this film so complete in every aspect. Everything works so well. This movie takes pride in each scene, and each is set up so that you get the most of it. Everything relates to everything, you are given clues the entire movie, but it's set up so masterfully the ending is the suprise you've been waiting for.
The performance by Kidman and the two children are one of a kind. It's a realistic interaction between siblings and a controlling, dysfunctional, but loving mother. The acting and writing (the script) is so well done, it adds for scattered scenes that will, hopefully, stick around with you for a long time. There's this one beautiful scene in the movie, it's where Grace (Nicole Kidman) is hugging her son, and her daughter (who is slightly estranged from her mom) runs up and hugs her, and there this look of absolute release on the face of Grace. Another great scene is when Grace carries her rifle around the house (shoot the ghost!), and she's desperately trying to protect her house and children. There are more like that, so keep your eyes open.
The cinematography is innovative and brilliant, camera angles and the lighting set everything up so well. The lighting is very important as well, in fact, the subject of "light" is so well mixed into the story, the dark feels safer and more secure than the light does. There are times when you long for the darkness, just as the characters long for the darkness (due to a part of the plot including a health condition of the children, which serves a basis for the mental thrill fest to come). To finish off this concoction, try to listen to the score, because it's very fitting.
This is more of a drama than a thriller, though it deserves to be a thriller (it's scary), but the power of it's dramatic side comes bursting through. This is a beautiful movie, it has overtones of a more serious side, and it's a movie that hardly belongs in the horror section because of it's beauty, but it's too darned eerie, weird, and chilling to fit anywhere else.
People have been comparing this to "Sixth Sense". Though the movie may share similarities, this stands on it's own. It's content is not trying to send a message, except for a universal theme that you want to grasp onto. There is historical and religious content, purely in context for the twists and turns and nuances to make this film so complete in every aspect. Everything works so well. This movie takes pride in each scene, and each is set up so that you get the most of it. Everything relates to everything, you are given clues the entire movie, but it's set up so masterfully the ending is the suprise you've been waiting for.
The performance by Kidman and the two children are one of a kind. It's a realistic interaction between siblings and a controlling, dysfunctional, but loving mother. The acting and writing (the script) is so well done, it adds for scattered scenes that will, hopefully, stick around with you for a long time. There's this one beautiful scene in the movie, it's where Grace (Nicole Kidman) is hugging her son, and her daughter (who is slightly estranged from her mom) runs up and hugs her, and there this look of absolute release on the face of Grace. Another great scene is when Grace carries her rifle around the house (shoot the ghost!), and she's desperately trying to protect her house and children. There are more like that, so keep your eyes open.
The cinematography is innovative and brilliant, camera angles and the lighting set everything up so well. The lighting is very important as well, in fact, the subject of "light" is so well mixed into the story, the dark feels safer and more secure than the light does. There are times when you long for the darkness, just as the characters long for the darkness (due to a part of the plot including a health condition of the children, which serves a basis for the mental thrill fest to come). To finish off this concoction, try to listen to the score, because it's very fitting.
This is more of a drama than a thriller, though it deserves to be a thriller (it's scary), but the power of it's dramatic side comes bursting through. This is a beautiful movie, it has overtones of a more serious side, and it's a movie that hardly belongs in the horror section because of it's beauty, but it's too darned eerie, weird, and chilling to fit anywhere else.
helpful•13419
- mercybell
- Aug 10, 2001
Details
- Release date
- Countries of origin
- Official sites
- Language
- Also known as
- The Darkness
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $17,000,000 (estimated)
- Gross US & Canada
- $96,522,687
- Opening weekend US & Canada
- $14,089,952
- Aug 12, 2001
- Gross worldwide
- $209,947,037
- Runtime1 hour 44 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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