Two aspiring boxers, life-long friends, get involved in a money-laundering scheme through a low-level organized crime group.Two aspiring boxers, life-long friends, get involved in a money-laundering scheme through a low-level organized crime group.Two aspiring boxers, life-long friends, get involved in a money-laundering scheme through a low-level organized crime group.
- Awards
- 1 nomination total
Kimberley Davies
- Bartender
- (as Kimberly Davies)
Esta-Joy Peters
- Salesperson
- (as Esta Joy Peters)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
MADE writer, director, and co-producer Jon Favreau did a good job with this film in that the movie was shot in twenty-six days. That is a very short amount of time in making a movie. With a low budget, Jon Favreau and Vince Vaughn steal the show as two would-be boxers that are hired by a mob figure(Peter Falk) to settle business with another boss in New York City. Bobby(Favreau) and Ricky(Vaughn) dont know what is in store for them when they are confronted with the "real mob." Vince Vaughn is hilarious in this movie in that he tries to act like a typical mafia figure with money, women, and a rich lifestyle. He fails miserably in his attempts which backfire on him and Bobby completely. I remember seeing Jon Favreau as Sean Astin's best friend at Notre Dame in the movie RUDY, and as Cameron Diaz' husband in VERY BAD THINGS. I enjoy the work he does and RUDY is one of my personal favorites so that probably has something to do with why I like his work. I thought this movie was well worth watching although there is one thing i didnt like. The fact that Sean "P. Diddy" Combs was given the role of a mob boss didnt take to me very well. He should just stick to rapping and bag the acting. Other than that, I enjoyed watching MADE, especially Vince Vaughn's constant humor.
I thought this movie was hilarious. To clarify things I have seen Swingers, but Made was the first that I saw out of the two. I have read another persons review where he goes on to say that after Swingers he was disappointed in Vaughn's character (Ricky). I agree only its reversed for me, Vaughn's character in Made was way funnier then Swingers, but we shouldn't compare the two anyway. Why? So they star the same 2 guys, that shouldn't mean anything other then that. Don't get me wrong I enjoyed Swingers, I just like Made more. It's definitely a movie that you appreciate more the more you watch it, I happen to own the DVD and every time my friends and I watch it we find hilarious bits that might have been missed in prior viewings. Another interesting thing I ran into while reading other reviews is that some people said if you like The Big Lobowski you'll like Made. I think the 2 movies are really different but interestingly enough I love The big Lobowski as well. Maybe its a similar type of humor, it never occurred to me to draw a comparison.
Well, let me start by saying that as a fan of Swingers, I had high hopes for this film despite its bad reviews. After watching it however, I simply wonder why God, why? This might be the most annoying film that came out since "lights, camera, action" first came from a directors mouth. Vince, please Vince, tell me you owed Jon a favor. The character (sorry, I have permanently stricten the name from my memory) might make you feel happy that you were having your wisdom teeth pulled, and I am still dumbfounded how the Saprano's cast go suckered into the roles they played....In any case...save your money...save your sanity...save yourself....chose life.
Jon Favreau's "Made" is an unusual film. It's ostensibly a comedy, and indeed a lot of it made me laugh hard. Still, when I thought about it later, I realized that I had not really seen a comedy at all. The situation isn't funny, the main character doesn't react to it in a funny way, and the resolution isn't played for laughs. What you get is a straight-laced, sometimes even rather flat kitchen-sink crime drama which Vince Vaughn grabs by the throat and, through the sheer force of his heroically obnoxious portrayal, turns into a bizarre sort of almost-comedy.
Jon Favreau is Bobby, a rather unskilled L.A. club fighter who makes his real living doing odd jobs for Max (a gravelly Peter Falk), the local small-time crime boss. Bobby lives with a stripper (Famke Janssen) who he bodyguards for, but one night a bachelor party guest puts his hands where they shouldn't go, and Bobby lays into him rough. Max is furious, but he likes Bobby, and gives him a chance to right his wrong. He must go to New York, rendezvous with big-cheese crime kingpin Ruiz (Sean "Puffy" Combs), and make some sort of ill-defined "drop". It might all go smoothly...if Ricky wasn't along for the ride.
Ricky is Vince Vaughn's character, and he's like a force of nature..if nature was obnoxious and pushy. He is not the sharpest cheese in the fridge, and he begins acting like a Mafia big shot even before they leave L.A., tormenting their stewardess with stupid questions. He bulldozes hotel valets, waitresses, club bouncers, and pick-ups with the sheer volcanic power of his boorishness, and most of it is actually really funny (not all of it; I actually started to feel bad for the stewardess). Vaughn proved his ability to play charmingly rude in "Swingers", still my pick for the best romantic comedy of the last decade. Here, it's like that film's Trent has been given a sharper suit, a mob expense account, and a small but definitely serious chip on his shoulder. Ricky is the reason "Made" is being called a comedy; he basically provides the picture's only laughs.
The other performers operate on various levels of reality. Favreau is more or less the film's lead character, but he's basically there just to play off Vaughn's disgraceful behavior and act indignant when Ricky gets them in another scrape. Falk is like a caricature of a too-powerful- too-long neighborhood kingpin. Janssen's character is played completely straight, and comes off as unlikable and rather depressing. Oddly enough, the only other actors in the film who really seem to be contributing a humorous atmosphere are Combs and Faizon Love, who plays the boys' liaison to Ruiz. Combs has a surprisingly versatile array of put-upon expressions, and Love's massive bulk and hostile bark of a voice work to scary-amusing effect.
Overall, though, Favreau seems a little shaky on what the tone of his film should be ("Swingers", written by Favreau but directed by Doug Liman, had a confidence that this picture never even approaches). There's lots of gritty hand-held camera from Hong Kong-based lensman Chris Doyle, and the sets' grungy low-rent atmosphere (even the hotels that are supposed to be nice look dark and a bit run-down) make it sometimes feel like we're watching a weird documentary rather than a fiction film, let alone a comedy. Favreau's dialogue is yet another "realistic" display that illustrates, if anyone had any doubts, that the f-word in and of itself is not a punchline. The film has a bummer of an ending followed by an out-of-nowhere epilogue that, quite frankly, I didn't understand.
I guess "Made" is what you'd call a human comedy, a picture where we're supposed to smile with recognition as we see characters not unlike ourselves who find themselves in unbelievable situations and try to deal with them just by being who they are. I'm usually not a big fan of this type of film. If you're calling it a comedy, I'd better be laughing. Still, Vaughn, Combs, and Love provide enough good moments that the picture is worth checking out at least once. Just don't expect "Swingers", and you should be all right.
Jon Favreau is Bobby, a rather unskilled L.A. club fighter who makes his real living doing odd jobs for Max (a gravelly Peter Falk), the local small-time crime boss. Bobby lives with a stripper (Famke Janssen) who he bodyguards for, but one night a bachelor party guest puts his hands where they shouldn't go, and Bobby lays into him rough. Max is furious, but he likes Bobby, and gives him a chance to right his wrong. He must go to New York, rendezvous with big-cheese crime kingpin Ruiz (Sean "Puffy" Combs), and make some sort of ill-defined "drop". It might all go smoothly...if Ricky wasn't along for the ride.
Ricky is Vince Vaughn's character, and he's like a force of nature..if nature was obnoxious and pushy. He is not the sharpest cheese in the fridge, and he begins acting like a Mafia big shot even before they leave L.A., tormenting their stewardess with stupid questions. He bulldozes hotel valets, waitresses, club bouncers, and pick-ups with the sheer volcanic power of his boorishness, and most of it is actually really funny (not all of it; I actually started to feel bad for the stewardess). Vaughn proved his ability to play charmingly rude in "Swingers", still my pick for the best romantic comedy of the last decade. Here, it's like that film's Trent has been given a sharper suit, a mob expense account, and a small but definitely serious chip on his shoulder. Ricky is the reason "Made" is being called a comedy; he basically provides the picture's only laughs.
The other performers operate on various levels of reality. Favreau is more or less the film's lead character, but he's basically there just to play off Vaughn's disgraceful behavior and act indignant when Ricky gets them in another scrape. Falk is like a caricature of a too-powerful- too-long neighborhood kingpin. Janssen's character is played completely straight, and comes off as unlikable and rather depressing. Oddly enough, the only other actors in the film who really seem to be contributing a humorous atmosphere are Combs and Faizon Love, who plays the boys' liaison to Ruiz. Combs has a surprisingly versatile array of put-upon expressions, and Love's massive bulk and hostile bark of a voice work to scary-amusing effect.
Overall, though, Favreau seems a little shaky on what the tone of his film should be ("Swingers", written by Favreau but directed by Doug Liman, had a confidence that this picture never even approaches). There's lots of gritty hand-held camera from Hong Kong-based lensman Chris Doyle, and the sets' grungy low-rent atmosphere (even the hotels that are supposed to be nice look dark and a bit run-down) make it sometimes feel like we're watching a weird documentary rather than a fiction film, let alone a comedy. Favreau's dialogue is yet another "realistic" display that illustrates, if anyone had any doubts, that the f-word in and of itself is not a punchline. The film has a bummer of an ending followed by an out-of-nowhere epilogue that, quite frankly, I didn't understand.
I guess "Made" is what you'd call a human comedy, a picture where we're supposed to smile with recognition as we see characters not unlike ourselves who find themselves in unbelievable situations and try to deal with them just by being who they are. I'm usually not a big fan of this type of film. If you're calling it a comedy, I'd better be laughing. Still, Vaughn, Combs, and Love provide enough good moments that the picture is worth checking out at least once. Just don't expect "Swingers", and you should be all right.
Apart from Jim Carrey's Cable Guy character, the role played by Vince Vaughn is perhaps the most annoying and irritating ever. We were so close to turning the DVD off and forgetting about it.
The movie's OK, a good story, but VV's character is too over the top and ruins a good movie.
The movie's OK, a good story, but VV's character is too over the top and ruins a good movie.
Storyline
Did you know
- TriviaVince Vaughn's dad Vernon makes a cameo as the Hollywood High School football coach.
- GoofsRicky says that Strega is a digestif, but both Ruiz and the Waiter correct him, saying it is an apertif. Strega is indeed a digestif.
- Quotes
Ricky Slade: We don't wanna talk, we wanna scream at people, but we don't wanna listen or problem solve and that's what's frustrating about the fucking dynamic of the group
- Crazy creditsThe very last credit is the phrase "Filmed entirely in the United States of America.", under the US stars-and-stripes flag.
- SoundtracksMean to Me
Performed by Dean Martin
Written by Fred E. Ahlert and Roy Turk
Published by Fred Ahlert Music Corporation / Pencilmark Music, Inc. / Bienstock Publishing Company on behalf of Redwood Music, Ltd. / TRO-Cromwell Music, Inc. / Chappell & Co.
Courtesy of Capitol Records
Under license from EMI Capitol Music Special Markets
- How long is Made?Powered by Alexa
Details
- Release date
- Country of origin
- Languages
- Also known as
- Зроблено!
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $5,000,000 (estimated)
- Gross US & Canada
- $5,313,300
- Opening weekend US & Canada
- $118,003
- Jul 15, 2001
- Gross worldwide
- $5,480,653
- Runtime1 hour 35 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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