A Russian and a German sniper play a game of cat-and-mouse during the Battle of Stalingrad.A Russian and a German sniper play a game of cat-and-mouse during the Battle of Stalingrad.A Russian and a German sniper play a game of cat-and-mouse during the Battle of Stalingrad.
- Director
- Writers
- Stars
- Awards
- 7 nominations total
Gabriel Thomson
- Sacha Filipov
- (as Gabriel Marshall-Thomson)
Hans-Martin Stier
- Red Army General
- (as Hans Martin Stier)
Clemens Schick
- German NCO
- (as Clemans Schick)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- GoofsIn the scene where Vassili is lighting the cigarette butt he picked up from the German sniper, it's apparent by the flame he uses a butane lighter. Butane lighters were not invented until the 1950's.
- Quotes
Commisar Danilov: I've been such a fool, Vassili. Man will always be a man. There is no new man. We tried so hard to create a society that was equal, where there'd be nothing to envy your neighbour. But there's always something to envy. A smile, a friendship, something you don't have and want to appropriate. In this world, even a Soviet one, there will always be rich and poor. Rich in gifts, poor in gifts. Rich in love, poor in love.
- Crazy creditsThe end credits are slanted and curved.
- ConnectionsFeatured in Siskel & Ebert: The Mexican/Enemy at the Gates/See Spot Run (2001)
- SoundtracksLa Chanson des Artilleurs
Music by Tikhon Khrennikov
Lyrics by Viktor Gusev
(C) Musikvertag Hans Sikorski, Hamburg
Performed by The Red Army Choir (as Les Choers De L'Armee Rouge)
Courtesy of 7 Productions, Paris
Featured review
I went to see "Enemy at the Gates" with my husband, as I knew it was about his favorite battle of his favorite war that he watched continually on the Military Channel. After having to endure a harangue the whole way to the screen about how we would be seeing the real battle that won the war, not that inconsequential D-Day that "Saving Private Ryan" made such a big deal about as the U.S. didn't come in until the Russians already had turned the tide, I asked could he please be quiet during the movie and refrain from commenting on inaccuracies, etc. until after.
But other than the clarification I needed between the Battle of Leningrad and the Siege of Stalingrad which I always mix up (whoops, I think I just did it again), and Hitler's and Stalin's fallacies as military leaders in relation to the symbolic importance of the Volga (and the movie could have used more strategic explanations), he and I pretty much agreed about the movie.
There's a taut, gritty war movie screaming to come out of a drekky melodrama. The best parts are the battles, of troops and individuals. The opening sequence of soldiers thrown from trains to boats to the front line is terrific and frightening.
The one-on-one between Ed Harris's Nazi sharpshooter and Jude Law's hunter (though he doesn't do working class too convincingly) is exciting.
The most captivating surprising is Bob Hoskins as Krushchev. He completely inhabits the character and brings him completely to blood and guts life - showing just what it takes to survive as a top man to Stalin.
There was also more potential in Joseph Fiennes' political officer as insight into propaganda that is only occasionally effective (after all, "Ryan" was similarly about a PR stunt).
I thankfully dozed off during most of the ridiculous sub-plot of the love triangle. There appears to be only a couple of women living in this city, and they sure do get in the way, as these few can themselves provide multi-lingual translations, sex, food, lousy child care and brave sharpshooting.
The music by James Horner is atrociously bombastic, wincibly so.
(originally written 3/31/2001)
But other than the clarification I needed between the Battle of Leningrad and the Siege of Stalingrad which I always mix up (whoops, I think I just did it again), and Hitler's and Stalin's fallacies as military leaders in relation to the symbolic importance of the Volga (and the movie could have used more strategic explanations), he and I pretty much agreed about the movie.
There's a taut, gritty war movie screaming to come out of a drekky melodrama. The best parts are the battles, of troops and individuals. The opening sequence of soldiers thrown from trains to boats to the front line is terrific and frightening.
The one-on-one between Ed Harris's Nazi sharpshooter and Jude Law's hunter (though he doesn't do working class too convincingly) is exciting.
The most captivating surprising is Bob Hoskins as Krushchev. He completely inhabits the character and brings him completely to blood and guts life - showing just what it takes to survive as a top man to Stalin.
There was also more potential in Joseph Fiennes' political officer as insight into propaganda that is only occasionally effective (after all, "Ryan" was similarly about a PR stunt).
I thankfully dozed off during most of the ridiculous sub-plot of the love triangle. There appears to be only a couple of women living in this city, and they sure do get in the way, as these few can themselves provide multi-lingual translations, sex, food, lousy child care and brave sharpshooting.
The music by James Horner is atrociously bombastic, wincibly so.
(originally written 3/31/2001)
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Details
- Release date
- Countries of origin
- Official sites
- Languages
- Also known as
- Enemigo al acecho
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $68,000,000 (estimated)
- Gross US & Canada
- $51,401,758
- Opening weekend US & Canada
- $13,810,266
- Mar 18, 2001
- Gross worldwide
- $96,976,270
- Runtime2 hours 11 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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