Beverly knows more than others how your life can change direction with one simple action. She had dreams of becoming a writer as a child but when she got pregnant at 15 all of that changed and she found herself married and living in a cheap house raising a son while trying to study for her exams. This is the start of her struggles where her husband never aspires beyond his next beer and she struggles with responsibility towards her son Jason. Years later, riding with her adult son on a trip, she thinks back over her years.
The title and trailer pretty much let me know that this was aimed at a certain demographic that I am not part of, but I decided to give it a go anyway. The plot is a tapestry of moments across Beverly's life from her dreams to middle age; it is a mix of the comic and the tragic and it doesn't sit that well. Penny Marshall seems to want the comedy to come out even when it is not appropriate (for example Beverly allowing Jason to continue drowning for comedy effect) and this sits very uneasily with the more dramatic character side of the film. In fact the more serious (and interesting) aspects are mostly badly handled and fall a bit flat. In particular Marshall cannot cope very well with the fact that her lead character is a deeply flawed person that the audience easily dislike at times; the film gets close to examining this at the end but, typically, chickens out big time. The story is mainly quite dull then and the moments that are meant to be funny just seem strangely out of place.
The cast don't help at all. Barrymore is serviceable but can't get to the heart of her character. OK, she isn't helped by the material but she swings wildly from playing "silly" at one moment to overdoing the histrionics. Zahn is not the first choice you want for a film with a story; he goofs well enough but finding depth is not really his forte and he adds to the shallow feel of the main story. Gilbert is hardly in it but Murphy is actually quite good, but then the material doesn't really ask much of it anyway. Woods and Bracco add familiar faces but really nothing else, in tiny roles. Perez plays a money grabber in a small role and made me wonder if she goes out of her way to find such characters? A minor thing that got to me as well was the fact that this is meant to play over years and years but mostly, nobody ages convincingly: apart from costume and hairstyle Barrymore looks the same at the start and the end of the story and this pretty much goes for everyone. A minor quibble but it bothered me.
Overall this is an average and uneven film. The story is interesting because it features such a flawed lead character and could have been interesting but it is roundly mishandled. The comic moments sit uneasily with the story as a whole, but Marshall seems happier with these touches than actually delivering the drama goods. The cast match her approach and their performances vary wildly depending if the scene they are shooting that day was a "happy scene", "sad scene" or "angry scene". Target audience might like it but it is far too flawed to have wider appeal.
