Under the guise of a brutally honest documentary, this malevolent propaganda film aims to be an "indispensable tool in the hands of the Aryan race," designed to depict the "true" Jew when th... Read allUnder the guise of a brutally honest documentary, this malevolent propaganda film aims to be an "indispensable tool in the hands of the Aryan race," designed to depict the "true" Jew when the masks of Western civilization fall off.Under the guise of a brutally honest documentary, this malevolent propaganda film aims to be an "indispensable tool in the hands of the Aryan race," designed to depict the "true" Jew when the masks of Western civilization fall off.
- Self (1931)
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- Einstein
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- Self - Speaking at Reichstagssitzung
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- Dimitri Karamasoff
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- Hans Beckert
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- Self
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- Self
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- Self
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- Self
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- Self
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- Self
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- Self
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- Self
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- Self
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Randall Bytwerk points-out in his biography of Nazi leader Julius Streicher (an excellent book which is much more about anti-Jewish propaganda techniques than it is a biography) that it was impossible for the Nazis to actually make the mass of Germans actively hate their Jewish fellow citizens. Bytwerk argues that the propaganda machinery focused on the idea of making Jews seem so wretched, disgusting and hateful that they would appear to be beings simply not worth caring about. This film, it seems to me, takes that as its motivation.
There is one interesting moment that hurts the filmmakers' cause: the camera panning over the crowds in the ghetto, when a group of Jewish youngsters are shown plainly trying to look over one another's shoulders and heads, grinning at the camera. Such moments would remind the average person that these were plainly people like anyone you might know.
Overall, however, the Berlin Gestapo reported that audience reaction to this film was "highly favorable," particularly the scenes equating Jews with disease-spreading rodents.
Testament; this must have been very hard for any Christian to swallow. We see a number of famous Jews, including for example Albert Einstein; they couldn't really leave the greatest physicist of the last century out, but how can you leave him in? There are numerous internal contradictions, for example the assertion that Jews even when rich prefer to live in fly-infested hovels, against the later pictures of Jewish mansions. Perhaps the only really effective scenes are the allegedly kosher slaughter, and Peter Lorre's soliliquy which was stolen from "M".
If you see this movie as a document of the general atmosphere at that time (60 years ago, already dislike of jews in NS-Germany, lower educational level among the public in general, etc.) you can easily imagine how effective it was.
As an illustration of the atmosphere in prewar, nazi-Germany for the historically interested, this movie is a good document.
This is a historical document, no doubt. It is not a document of the Jews of the time but of the producers and the powers to be of that time. As such it is more than a tad enlightening.
The Nazis were masters at mass-manipulation without so much as an agenda, but when they latched onto something they sure wouldn't let go. It seems almost by chance that the Jews became victims of their bizarre ideology; but then anti-semitism had quite a breeding gound in Eastern Europe for half a decade before Hitler's time.
What makes this movie so chilling is that it *does* have an emotional impact on you - whether you like it or not. When the movie goes to ridicule Einstein as a Zionist (which he never was) I was (almost) taken by it.
This movie is dangerous. It is the quintessential counterpart to the 'Protocols of the Learned Elders of Zion' (a book/novel produced apparently in Russia at a time beforehand to discredit the Jew). It is evil propaganda at its best.
Its not Hollywood, its bad quality, its German only (although I understand a subtitled DVD copy will enter circulation) but when you hear Hitler end his Reichstagssitzung with the words that 'if Jewry will not join civilized nations instead of bringing about WW II they will be exterminated' you sure know which way the wind blows.
Wait for the subtitled copy if you don't speak German and wait to see hatred, insanity and bizarre politpropaganda come to life. This movie is intense (some truly disturbing scenes) but much more at what it says about the (unfocused) ideology of the holocaust than any statement it might make about Jewish lifestyle, tradition and culture.
I see the film as a reminder to not always trust what we are told.
Storyline
Did you know
- TriviaThe scene at the end of M (1931) in which Peter Lorre, as a child murderer, is judged by a jury of other criminals was added to this film because Lorre is Jewish and Adolf Hitler felt that this "proved" the criminal mind of the Jew.
- GoofsThis film states that Charlie Chaplin was a Jew. In reality, he was raised Anglican and later professed to be Agnostic. When asked if he was Jewish, he reportedly said, "I do not have such an honor".
- Quotes
Narrator: This is not a religion - it's a conspiracy against all non-Jews by a sick, deceitful, poisoned race against the Aryan peoples and their moral laws.
- ConnectionsEdited into Le péril juif (1941)
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Details
- Release date
- Country of origin
- Languages
- Also known as
- The Eternal Jew
- Filming locations
- Lódz, Lódzkie, Poland(Jewish street scenes)
- Production company
- See more company credits at IMDbPro
- Runtime1 hour 2 minutes
- Color
- Sound mix
- Aspect ratio
- 1.37 : 1
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