Am I Beautiful?

"Life according to Doris" might be an adequate alternative title to this film. Instead of telling a linear story with a showdown, Dörrie spotlights moments in people's life that tell everything about their past, their present and the world that surrounds them. The way she does it puts her in one line with Jim Jarmusch. As in most of her other films, it is what the characters say and do more than how it is filmed what makes the film. "Bin ich schön?" is the closest any of Dörries's films comes to her remarkable short stories.

This movie deserves a better review than the previous one by Melendez from Brazil. It is true that the plot is complex and not easy to follow, but if you are looking for easy entertainment, this is not for you. There are some very mature sub-plots that will leave some viewers behind, empty, and in the dust. (If you care to look at the votes on this, the demographic breakdown is proof of this; the older the viewers, the higher the rating!) It takes a superb attention span and recall to get to the end of this film in one piece and then you might wonder where you started; but it is worth it. This movie is like a fascinating painting that you can't forget even tho it has some drips,runs,and smudges in it.

Now that is a film that tries to show the modern world of relationships and how many people just do not get what they want, due to mean folks around, lack of communication and trust or just unfitting circumstances. Depressing autumn movie, but with a glimpse of hope and great music of mostly Spanish origin.

I've just seen "Bin ich schön?" today and I totally disagree with the other critic. I think this film is BEAUTIFUL (That's the better word to describe it) because it's made of small things and tries not to give a lesson or just entertain you for two hours, you will leave the cinema with your heart touched... No one had showed me Spain, the way Doris Dörrie did... Plain, simple and yet astonishing... Perhaps I understood her because I come from a country that lives of small rituals like Spain does. The music is also fantastic, like in every Dörrie film.

A disappointment from Germany's Doris Dorrie. In this Altman like cast movie, with dozens of Germany's and Spain's actors "du jour", these stars' talents are wasted on boring and anything but innovative sub plots (there is no single discernible plot) and very little to link all the characters.Not even the excellent Framka Potente (Run Lola Run) nor Maria Schrader (Nobody Loves Me, and Aimee and Jaguar)nor Joachim Krol (Maybe, Maybe Not) can sustain one's interest in this Euro yawner.