Judas Kiss

What I really like about this movie is that the kidnapers generally show some intelligence...a rare thing in films. They don't have many of the film clichés that plague this types of films--they don't openly fight showing little or no cohesion, a rift isn't created in which the hostage can exploit to get away, and they don't fall for the "stall them and tell them it takes more time" ploys. The only two discernable "stupid criminal" clichés I noticed was opening up the case and gawking at the money in the gateway car and stopping the car to get another cell phone battery from the trunk...but there are other reasons for that. I also like the way Rickman's and Thompson's characters play off each other...it's fun to watch.

I caught this on cable. It started out well but I figured it would fall apart eventually but instead it got better and better. I don't know why it went to cable so fast and why there are currently no reviews in the database. It was an entertaining caper movie with great characters and truly unsuspected twists and turns set in New Orleans. Watch for great scenes: the Senators (Holbrook) put down of the detective ' .. don't ever even look at me again...' as well as later, Holbrook's "Apologize!' scene; the muscleman Reuben's method of showing how tough he is ; Coco's sexual heat scenes, Lizard's battle of wits with a determined FBI agent Sadie (Emma);Sadie (Emma Thompson) and (Rickman's) clever repartee. I did find the audio a bit difficult to follow because of background noise and character accents, and why an accountant was assigned by the corporation to deal with the kidnappers was unclear but on the whole an 8 out of 10 film.

I caught this film on a lark, never having heard of it, and not knowing what to expect. It is a very well done plot twister, reminiscent of "Body Heat," and with a great cast of unknown young people, backed up by more established stars like Emma Thompson, Alan Ricker, and Hal Holbrooke. You're never really sure about what is happening until the end.

And it got it in France ! Why not in the rest of the world while the studios keep churning out expensive post-Grisham trash (Will anyone remember him as a fine writer, and not the most betrayed-by-the-screen author this side of Stephen King ?) this one has it all. Okay, the situations are not always original, has minor plot holes and it has a tendency to be too clever some (brief) times for its own sake, but it actually delivers and is obviously a work of love. I'd be curious to know what the budget was. AND. for once, this is not a cheap Tarantino copy ! (Well, film noir didn't started with Tarantino, you know.) Will it once again be saved by Europe, like John Dahl's movies were, so Mr Guttierez can make another one like this ? If you ever read this, Mr Guttierez, thank you and se

Came across this film recently after so long hearing about it. It is an excellent not pretentious movie for people who loves film noir literature and films. Not "camp" but humorous.

GREAT CAST! From the magnificent Carla Gugino and Emma Thompson to German superstar Til Schweiger, this movie is a feast for the eyes. Alan Rickman is very funny as the antagonist of gang. Would love to see spin off movie with this character and Emma Thompson solving cases and arguments between them all the time (much like Tracy and Hepburn, etc.)

Intelligent story, nice twists and scope photography (don't watch unless it is scope because compositions are very rich).

Sexy sexy sexy and very fun time.

Best use of Just Like Heaven by The Cure ever (must see to believe!)

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