Bedrooms and Hallways

This is a gentle romantic comedy about the diversity of human sexuality and in some ways not unlike an Ealing comedy with its friendly pokes at New Agers and estate agents.

It was very well worth it alone though for the Jane Austen send up scene - handsome James Purefoy striding about in breeches saying 'I've been out all day whipping stable boys - would you like a whipping, boy' to footman Kevin McKidd who nearly orgasms on the spot. This is a bit of a cinematic in joke anyway as several of the cast (Purefoy, Ehle and Walter) have all starred in recent Austen adapataions.

There are several belly laughs too - this is one for curling up with someone of the same or opposite sex, and having a cuddle and glass of wine whilst you enjoy it.

Leo (Kevin McKidd), handsome, gay, and a bit vacuous, turns 30, still without a special someone in his life. His West London flatmates, the ragingly camp Darren (Tom Hollander) and liberated flight attendant Angie(Julie Graham) throw a surprise birthday party for him. Leo is mortified and retires to his room to watch TV - "the place is full of people I don't want to see." We see why this is by way of flashback through the past few months of Leo's life. Highlights include some very funny scenes in a new age mens' encounter group facilitated with voyeuristic aplomb by Keith (Simon Callow), an affair with Brendan, a hunky Irish cafe owner (an unrecognisable James Purefoy), and reunion with an old female flame Sally (Jennifer Ehle). Tucked into this plotline are the sexual adventures of Darren and real estate agent Jeremy (a straight acting Hugo Weaving). Their scene is making love in the houses Jeremy has for sale while the owners are out, until one day an owner unexpectedly returns with Darren still handcuffed to the bedposts. Darren explains himself as an S & M a-gram sent to the wrong address.

The theme of the film is gender bending. Sexual identity is not set in concrete and given the right circumstances and person many of us can swing between gay and straight. This is hardly an original insight but this film tackles the issue with zest and a great sense of fun. A highlight was the men's group back to the wilderness camp, where the men, having failed to find anything to eat in the forest, call up for Chinese takeaway on a mobile phone. A few things grate. Keith's wife (Harriet Walter), author of a book called "The Obsolete Penis" seems to have strayed in from another movie and Brendan looked a bit too disheveled to be the front man in a trendy cafe operation.

Rose Troche, responsible for the rather didactic lesbian comedy "Go Fish," directs with a much lighter touch here and takes full advantage of Robert Farrer's light hearted but occasionally poignant script. The tone is comedy rather than comic and we do care a bit at the end how it's going to work out for Leo, colourless as he is. Compared with a conventional romantic comedy like "Notting Hill" this film derives its tension from the unexpected rather than the inevitable, and gives the audience a lot more stimulation on the way. As for me, I'll never entrust the keys of my house to a real estate agent again.

I loved this movie! It was adorably touching and funny. Finally, here's a story about a group of people who meet some challenges, flounder a bit, and then decide to just be themselves and end up happy for; when was the last time you saw that in a film? Dealing with the fluidity of life, love, and sexuality, the characters are faced with real problems (albeit in often ridiculous situations like the men's group camping trip, and the explicit realatory liaisons) and manage to learn and grow without the movie getting preachy, darkly desperate, or too unrealistic. You'll love and care about the characters who, far from being hollow stereotypes, portray real people with just a touch of the truth behind their would-be labels.

A good romcom for a Saturday afternoon, and the only movie I've ever seen where sexual fluidity ends happily, and no one is forced to be anything they don't want to be. Far better than Kissing Jessica Stein, a good choice if your tired of watching gay movies that have some painful lesson and bitter lesson. Or, maybe you just like a good British romp? James Purefoy looks dashing as always, and Tom Hollander is deliciously funny. So go forth, watch, enjoy; you won't regret it!

I found this film to be immensely enjoyable and entertaining until the last 20 minutes or so. At that point, it ran out of gas. The ending reminded me of awards show speeches in which the recipient is urged to "wrap it up" as the music swells behind him/her. The sudden pairing off of all the characters feels forced and lacks credibility. I felt quite let down.

This is a thoroughly enjoyable, well-acted film. It is funny and sometimes hilarious. The finale is a bit disappointing, since it tries to wrap everything up into too neat a package. The film is better remembered for its priceless vignettes: the Jane Austen staging, the camping trip as examples. B & H does not attempt to mirror the predominant attitudes toward homosexuality and bisexuality. Most of the characters are quite accepting of sexual diversity. In that sense it is a joyous vacation from homophobic society. And it is a celebration of a flexibility, a loosening of rigid sexual categories--perhaps a happy harbinger of things to come.