The turmoil in poet/playwright Oscar Wilde's life after he discovers his homosexuality.The turmoil in poet/playwright Oscar Wilde's life after he discovers his homosexuality.The turmoil in poet/playwright Oscar Wilde's life after he discovers his homosexuality.
- Nominated for 2 BAFTA Awards
- 4 wins & 8 nominations total
Jackson Ellis Leach
- Cyril Wilde, aged 4
- (as Jackson Leach)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
I saw this film for the first time over the weekend, drawn to it I'm ashamed to say for the fact that it contained Orlando Bloom's debut appearance, all one line of it. I was pleasantly surprised to discover Jude Law as Lord Alfred 'Bosie' Douglas as well, making this film highly appealing to the voyeurs of the world. However distracting these heavenly creatures are though, they do become quite rightly overshadowed by Stephen Fry in a role that could not be more perfect for him if it were based on fiction rather than fact.
I have been a fan of Oscar Wilde for some time, and this film gave amazingly accurate insight into the life of a great Irish literary. Indeed, many a speech by Stephen Fry has been quoted word for word from the actual trial monologues, and the uncanny resemblance of Fry to Wilde himself is astounding.
'Wilde' proved to be entertaining and beautiful, maintaining the historical biopic status is revels in, but never drawing away from the fact that this story is of real people and real events.
So much can be gained by observing the prejudices of the past, and such sadness realized from knowing the suffering of those who were not meant for their time.
'Wilde' deserves credit in all aspects from accuracy to acting, direction and scene, it is a beautiful film and a credit not only the cast and crew, but to Oscar Wilde himself.
I have been a fan of Oscar Wilde for some time, and this film gave amazingly accurate insight into the life of a great Irish literary. Indeed, many a speech by Stephen Fry has been quoted word for word from the actual trial monologues, and the uncanny resemblance of Fry to Wilde himself is astounding.
'Wilde' proved to be entertaining and beautiful, maintaining the historical biopic status is revels in, but never drawing away from the fact that this story is of real people and real events.
So much can be gained by observing the prejudices of the past, and such sadness realized from knowing the suffering of those who were not meant for their time.
'Wilde' deserves credit in all aspects from accuracy to acting, direction and scene, it is a beautiful film and a credit not only the cast and crew, but to Oscar Wilde himself.
I've seen Oscar Wilde portrayed on film before. I remember Robert Morley and also Peter Finch. They both provided inklings into the heart and mind of of one of the literary giants of the 19th Century. But one aspect of the tragedy, because, let's face it, it is a tragedy. His relationship with Alfred Douglas that in a very direct way, will mark his destiny. It was so difficult to believe that Peter Finch's Wilde will go to war for someone like John Frazer's Bosie. Good looking yes but devoid of the most important element, if you are going to believe in the power that Bosie had over Wilde. Finch and Frazer have the sexual chemistry of two slices of white bread but here, in this 1997 Wilde with Stephen Fry in the title role the mystery is revealed, Jude Law makes the whole thing totally believable. The desire he inspires we see in Oscar Wilde's eyes. Stephen Fry is another Humbert Humbert to Jude Law's Lolita. Amazing when the most incomprehensible action becomes totally understandable in the face of an actor. That alone, makes this Wilde my favorite.
8=G=
"Wilde" is an elegant film with sterling performances by Fry, the title character, and a superb supporting cast. However, "Wilde" is also a shaded and skewed partial portrait of the 19th century playwright, poet, and master of the epigram. The film is not so much a biopic as it is a drama: A drama which spends too much time on the sensational aspects of the writer's life and not enough on his history, early life, idiosyncrasies, works, and last years. Nonetheless, "Wilde" is solid entertainment for anyone interested in Victorian period dramas or the man himself. (B+)
This film was one of the best to appear in the late 90s, and is a sensitive, involving, honest and moving biography of one of the greatest writers of the Victorian era, the infamous Oscar Wilde.
More realistic and better played than previous studies of the writer (Robert Morley and Peter Finch both played Wilde in the 1950s), this film benefits greatly from a cracking performance by Stephen Fry in the lead. Not even regarded as an actor, more of a comedian, prior to this, Fry (himself gay, and something of an intellectual) puts across all the nuances and contradictions of the subject perfectly.
This Wilde is torn between what is accepted love (his wife, and children), and the 'love that dare not speak its name' (primarily his destructive relationship with the needy, selfish and petulant Lord Alfred Douglas, played here by Jude Law in the role which brought him to world attention). We see his charm and conviction when creating his plays or amusing friends, we also see his weaker side and why he was the cause of his own eventual arrest and imprisonment, we see how prison changed him and - as he wrote himself in De Profundis - broke his spirit and his health.
Watch out for other, now big, names in the cast - Ioan Gruffudd, Michael Sheen, Orlando Bloom - alongside the established players such as Vanessa Redgrave (Oscar's mother, Sperenza), Jennifer Ehle (Lady Constance Wilde), Tom Wilkinson (Marquess of Queensbury, Bosie's father), Gemma Jones (Bosie's mother), and Judy Parfitt.
A fitting musical score, a smattering of Wilde's epigrams, and a large chunk of his children's story 'The Selfish Giant' (driving and commenting on the action at key points) leave this film close to perfection when detailing the story of the misunderstanding of another age, not too far back from our own.
More realistic and better played than previous studies of the writer (Robert Morley and Peter Finch both played Wilde in the 1950s), this film benefits greatly from a cracking performance by Stephen Fry in the lead. Not even regarded as an actor, more of a comedian, prior to this, Fry (himself gay, and something of an intellectual) puts across all the nuances and contradictions of the subject perfectly.
This Wilde is torn between what is accepted love (his wife, and children), and the 'love that dare not speak its name' (primarily his destructive relationship with the needy, selfish and petulant Lord Alfred Douglas, played here by Jude Law in the role which brought him to world attention). We see his charm and conviction when creating his plays or amusing friends, we also see his weaker side and why he was the cause of his own eventual arrest and imprisonment, we see how prison changed him and - as he wrote himself in De Profundis - broke his spirit and his health.
Watch out for other, now big, names in the cast - Ioan Gruffudd, Michael Sheen, Orlando Bloom - alongside the established players such as Vanessa Redgrave (Oscar's mother, Sperenza), Jennifer Ehle (Lady Constance Wilde), Tom Wilkinson (Marquess of Queensbury, Bosie's father), Gemma Jones (Bosie's mother), and Judy Parfitt.
A fitting musical score, a smattering of Wilde's epigrams, and a large chunk of his children's story 'The Selfish Giant' (driving and commenting on the action at key points) leave this film close to perfection when detailing the story of the misunderstanding of another age, not too far back from our own.
Wilde is a film about a man's passions destroying his life. Oscar Wilde was a very interesting man and discovered his dormant homosexuality late in life. The film was very tragic in a lot of ways. The love story between Wilde and Douglas was venomous and sweet. The performances by Jude Law and Stephen Fry were top notch. The direction was a little sluggish I thought and the film could have been better paced. The production design was great though and I loved listening to Wilde's sarcasm of the British class system. If you are a fan of Oscar Wilde, you will probably like this film more than the average movie fan.
Storyline
Did you know
- TriviaOrlando Bloom made his film debut in this film, with a brief appearance as a "Rentboy."
- GoofsWhen Oscar Wilde visits his wife's grave near Genoa, the headstone states "Wife of Oscar Wilde." It originally stated only "Constance Mary, daughter of Horace Lloyd, Q.C." and "Wife of Oscar Wilde" was not added until later.
- Quotes
Oscar Wilde: [last lines]
Oscar Wilde: In this world there are only two tragedies. One is not getting what one wants. The other is getting it.
- Crazy creditsThe credits are in the style of the black-ink drawings of Aubrey Beardsley (1872-1898), leading artist of the Aesthetic movement and colleague of Wilde for whom he illustrated the text of "Salome" in 1894. In the opening credits the pictures reflect the character being played or suggest the role in the production team.
- ConnectionsFeatured in Venice Report (1997)
- SoundtracksAh, Leave me not to Mine Alone
from "The Pirates of Penzance"
Words and Music by W.S. Gilbert (as Gilbert) & Arthur Sullivan (as Sullivan)
- How long is Wilde?Powered by Alexa
Details
- Release date
- Countries of origin
- Languages
- Also known as
- Вайлд
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $10,000,000 (estimated)
- Gross US & Canada
- $2,158,775
- Opening weekend US & Canada
- $69,424
- May 3, 1998
- Gross worldwide
- $2,158,775
- Runtime1 hour 58 minutes
- Sound mix
- Aspect ratio
- 2.35 : 1
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