Sometimes it can be fun to watch a skillful band cover songs. Tony Tost’s Americana is precisely that: an ode to the drive-in B-movie which in turn influenced filmmakers like Quentin Tarantino, who in turn influenced a generation of filmmakers making quirky violent ensemble films with scrambled chronologies. What’s new is old again and Americana, influenced by films from the 1970s, feels more like a film from the 1990s with notes of Allison Anders’ Gas Food Lodging, David Lynch’s Wild at Heart, and the Kiefer Sutherland-directed neo-noir Truth or Consequences, N.M. The result, thanks in part to a compelling cast, elevates this material past the cinematic equivalent of the local dad band playing Springsteen covers at the corner bar on a Saturday night.
Americana is divided into chapter. In the first, “Old New West,” we’re introduced to Cal (Gavin Maddox Bergman), a caucasian boy who grew...
Americana is divided into chapter. In the first, “Old New West,” we’re introduced to Cal (Gavin Maddox Bergman), a caucasian boy who grew...
- 3/27/2023
- by John Fink
- The Film Stage
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