IMDb RATING
4.7/10
3.2K
YOUR RATING
A couple circa 30 breaks up after 2 1/2 years - or do they?A couple circa 30 breaks up after 2 1/2 years - or do they?A couple circa 30 breaks up after 2 1/2 years - or do they?
Featured reviews
While someone must have thought this an interesting premise - watch a couple fall apart, rather than come together - its an experiment that didn't work. Without seeing why these 2 people were together in the first place, their constant arguing leaves you wondering what all the fuss is about. However, with that said, for those interested in seeing early films of Russell Crowe, this is a small goldmine. He doesn't get beat up, he doesn't die, and he actually has some love/sex scenes. Crowe also gets to show a little of his comic side, which has been under used since coming to the US to make films. So, while the script would have been better left on the film school floor, or at least left in the computer for more work, this film has definite goodies to recommend it. Any film with Russell in a bathtub can't be all bad....
Steve is a photographer, Monica is a teacher. They don't get along. So it's time for them to break up. Watching two people try to break up for nearly two hours (fortunately, that included lots of commercials) is not my idea of entertainment. Unless they are funny, which these two generally were not.
The film showed promise. At the start, both characters are talking to an unseen interviewer or counselor, or maybe just to the camera (they also talk just to the camera in a later scene). They are giving good performances at that point. Then things go downhill quickly.
The film was not a total waste of time.
The best part of the movie had Steve and Monica doing what appeared to be a documentary, shot in black and white, where they interviewed ordinary people on the street about male-female relationships. These people seemed real and may in fact have been real (they certainly weren't shown in the credits). One little girl said the best thing to do with a man was 'dump him in the garbage'.
Also good: a sequence of fantasies about what the wedding might be like, inside a church, involving a demented minister, an Einstein lookalike, and Steve and Monica both lying on couches with a psychiatrist between them.
Salma Hayek looked good in a swimsuit. Too bad that was only in a fantasy (Steve's, actually) where a Fabio type with Schwarzenegger muscles was bench pressing her.
Several scenes had really good music, most of the good music being real jazz. There was also 40s-style easy listening. And then there was contemporary music that didn't appeal to me at all. (Well, what can you expect when the man in charge of music led Devo?) One scene was spoiled for me when the trumpet and the stand-up bass were cut off prematurely when the couple started bickering again.
I'm not sure what this meant, but several sequences other than the 'documentary' were filmed in black and white with no dialogue from the characters on screen. Two had quick editing and gave the impression of quality. One had Steve and Monica in a restaurant with a series of different dates, in what appeared to be just a few minutes as the camera went back and forth between them.
The only way this could have been a good movie is if it was in fact one of those art films that appeals to the people who go to coffee houses and listen to poetry. I'm not one of those.
The film showed promise. At the start, both characters are talking to an unseen interviewer or counselor, or maybe just to the camera (they also talk just to the camera in a later scene). They are giving good performances at that point. Then things go downhill quickly.
The film was not a total waste of time.
The best part of the movie had Steve and Monica doing what appeared to be a documentary, shot in black and white, where they interviewed ordinary people on the street about male-female relationships. These people seemed real and may in fact have been real (they certainly weren't shown in the credits). One little girl said the best thing to do with a man was 'dump him in the garbage'.
Also good: a sequence of fantasies about what the wedding might be like, inside a church, involving a demented minister, an Einstein lookalike, and Steve and Monica both lying on couches with a psychiatrist between them.
Salma Hayek looked good in a swimsuit. Too bad that was only in a fantasy (Steve's, actually) where a Fabio type with Schwarzenegger muscles was bench pressing her.
Several scenes had really good music, most of the good music being real jazz. There was also 40s-style easy listening. And then there was contemporary music that didn't appeal to me at all. (Well, what can you expect when the man in charge of music led Devo?) One scene was spoiled for me when the trumpet and the stand-up bass were cut off prematurely when the couple started bickering again.
I'm not sure what this meant, but several sequences other than the 'documentary' were filmed in black and white with no dialogue from the characters on screen. Two had quick editing and gave the impression of quality. One had Steve and Monica in a restaurant with a series of different dates, in what appeared to be just a few minutes as the camera went back and forth between them.
The only way this could have been a good movie is if it was in fact one of those art films that appeals to the people who go to coffee houses and listen to poetry. I'm not one of those.
It's Salma Hayak's birthday and i wanted something to watch. I found this unknown romantic comedy that looked interesting.
Hayak and Russell Crowe have been together for two and a half years. The only time their relationship works is when they are having sex. The rest of the the time they argue until one leaves. They can't understand why it doesn't work, no matter what they try. That's it. 90 minutes of them breaking up and getting back together to have sex and breaking up and getting back together. It was funny and interesting, and, since Salma was not out of my sight for more than 30 seconds the entire movie, it was satisfying. Not prurient, just satisfying.
What was most interesting is the fact that it was directed by Robert Greenwald. I have everything he has directed in the last four years: Iraq for Sale: The War Profiteers (2006); Wal-Mart: The High Cost of Low Price (2005); Outfoxed: Rupert Murdoch's War on Journalism (2004); Uncovered: The War on Iraq (2004); and Uncovered: The Whole Truth About the Iraq War (2003). I have even seen films he has produced, but not directed like "The ACLU Freedom Files". I always thought he did documentaries about things that were wrong with America. I had no idea that he directed movies like "The Burning Bed" or Xanadu. Now I do.
Hayak and Russell Crowe have been together for two and a half years. The only time their relationship works is when they are having sex. The rest of the the time they argue until one leaves. They can't understand why it doesn't work, no matter what they try. That's it. 90 minutes of them breaking up and getting back together to have sex and breaking up and getting back together. It was funny and interesting, and, since Salma was not out of my sight for more than 30 seconds the entire movie, it was satisfying. Not prurient, just satisfying.
What was most interesting is the fact that it was directed by Robert Greenwald. I have everything he has directed in the last four years: Iraq for Sale: The War Profiteers (2006); Wal-Mart: The High Cost of Low Price (2005); Outfoxed: Rupert Murdoch's War on Journalism (2004); Uncovered: The War on Iraq (2004); and Uncovered: The Whole Truth About the Iraq War (2003). I have even seen films he has produced, but not directed like "The ACLU Freedom Files". I always thought he did documentaries about things that were wrong with America. I had no idea that he directed movies like "The Burning Bed" or Xanadu. Now I do.
The first time I rented this movie, it seemed a bit annoying because of all the arguing, etc., but it entertained me enough to give it a second look and I ended up buying it. It speaks to the need in all human beings to love and be loved and all those weird things we say and do to somehow keep it from happening to us. I felt like I was in the front row of an off-broadway play and admired the characters so much for having to learn all that dialogue and have no other actors to share the load. My favorite scene is the middle of the night at Monica's place when Steve is quietly trying to leave and the ensuing conversation they have. The very last scene was open to the viewer's own feeling - we know they were each other's one true love but we had to decide what their future held (Personally, I think they ran in to each other in New York - in a taxi - after their children had grown and their first marriages were over and lived happily ever after - unmarried, of course!) Great acting by Salma Hayak and Russell Crowe.
A few technical flaws along the way, but all in all the way the music played with the scenes, a good dose of humor, and the realistic love scenes pretty much rounded out the on again/off again true love relationship Monica & Steve aspired to. *** out of ****
A few technical flaws along the way, but all in all the way the music played with the scenes, a good dose of humor, and the realistic love scenes pretty much rounded out the on again/off again true love relationship Monica & Steve aspired to. *** out of ****
What was the point of making this movie. I can't think of one. The movie stars two big name actors but all that happens is they break up get together break up get together.... We get some silly scenes such as Steve in the tub picturing Monica with a guy at the gym. It was obvious the two didn't belong together, so why should the audience care if they break up. That was part of the problem with it besides it just being a stupid idea for a movie.
FINAL VERDICT: Not to good. Don't expect the Russell Crowe from Gladiator in this. I don't recommend it.
FINAL VERDICT: Not to good. Don't expect the Russell Crowe from Gladiator in this. I don't recommend it.
Storyline
Did you know
- TriviaKelly Preston auditioned for the role of Monica.
- Quotes
Monica: Something happened to the world and nobody understood it. It was confusing and people started jumping to conclusions. There are no more absolutes. Time space good evil the things we know the things we believe in the things we see we thought we understood these things but maybe we don't maybe they're all relative.
- Crazy creditsThe end...(maybe)
- ConnectionsReferenced in Unprecedented: The 2000 Presidential Election (2002)
- SoundtracksCOME TO ME
Written by Diesel
Performed by Diesel
- How long is Breaking Up?Powered by Alexa
Details
Box office
- Gross US & Canada
- $11,690
- Opening weekend US & Canada
- $4,493
- Oct 19, 1997
- Gross worldwide
- $11,690
- Runtime1 hour 30 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
Contribute to this page
Suggest an edit or add missing content
