Metacritic reviews

A tale of negligent homicide, class warfare, vengeance, jealousy and murder, Stephen King's Thinner has the outlines of Shakespearean tragedy and the intellectual content of a jack o'lantern. But as such ventures go, this Halloween handout is more treat than trick, if your tastes run to dripping blood and repellent skin ailments. The production is slick, the Maine scenery is bracing, the characters are well-acted, and in a mumbo-jumbo movie with a few loose ends, the makeup central to the plot and applied by Greg Cannom and Bob Laden to Robert John Burke in the leading role is most admirable.

Particularly impressive is the film's success at making an actor of average weight look emaciated. His cheekbones are built up so his cheeks appear to sink.

Never quite scary, never funny for long, never enough over-the-top. It's never compelling plotwise, either, especially toward the sloppy ending, when Mantegna is inexplicably erased from the plot. [26 Oct 1996, p.F3]

Halloween makes fright fans even more tolerant than usual of second-rate horror pictures, and this one still doesn't cut the mustard.

The problem with Thinner, which went unscreened for critics, is that it's medium-level King. It lacks the gravity of "Shawshank" and the crazed obsession of "Misery." It's more like "Needful Things," another good film of a lightweight story, with a few more servings of gore and gross-out humor to hold us over until the next big thing.

There’s really nothing particularly fresh in this routinely crafted, banally scripted and directed effort. Mantegna’s humorously arrogant performance is the pic’s sole distinctive element, and it’s saved for the finale. Still, it’s just not good enough to make up for the rest of the drudgery and put a smile on one’s face leaving the theater.

Instead of exploiting the mystery and dread, or even the comedy, of Billy’s condition, Thinner turns into an excruciatingly low-grade pursuit thriller, with Billy hunting down the old Gypsy sage (Michael Constantine) who put the curse on him.

Apart from its rushed pacing and occasionally stale dialogue, Thinner suffers even more from the fact that it has no redeemable characters.

Thinner’s problems begin with a grotesquely unconvincing fat suit and makeup that make Burke look less like a big man battling obesity than a melting marshmallow man. The plug really should have been pulled on Thinner after the first makeup and prosthetics tests, since the bad design digs the film into a hole it never begins to shimmy its way out.

Thinner provides little suspense and no chills, not to mention rather offensive treatment of Gypsies, Italians and women. Acting isn't at a premium either.