After her mother commits suicide, a young woman travels to Italy in search of love, truth and a deeper connection with herself.After her mother commits suicide, a young woman travels to Italy in search of love, truth and a deeper connection with herself.After her mother commits suicide, a young woman travels to Italy in search of love, truth and a deeper connection with herself.
- Director
- Writers
- Stars
- Awards
- 3 wins & 11 nominations total
Sinéad Cusack
- Diana
- (as Sinead Cusack)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
I am a Bertolucci fan, and this film is one of the reasons why. I watch it again and again and never get tired of it. Don't be fooled by the 'losing virginity' theme; this film is about life, and death, and everything that happens in between. It's about what you seek and what you're willing to give up to get it.
One of the best things about this film is that every character has a story, and an arc in the film, most of which is given by just one or two lines or shots in the film. For example, near the end of the film, Sinead Cusack's character slumps at the table after having taken an old friend to the hospital, probably for the last time. She says she misses England "and rain, and milk that goes off", and says that she's tired of looking after people. Then everyone starts coming in and asking about dinner, and she just gets up and opens the fridge. In less than a minute, we see into her life and character in a way that most films would take at least an act to explore. We even learn a lot about Lucy's mother (Lucy is played by a young Liv Tyler), even though she has died before the beginning of the film and never appears in it except in a photograph (also of Tyler).
There is not a flaw in any of the performances. Never do we feel that these are people acting. They just feel like people, interacting, and we always have a feeling of their life leading up to the moments we see them, and they are interesting lives.
The location itself is one of the characters, and it is beautifully shot, the colours saturated and rich. It feels like you can touch the stones, smell the air, feel the grass and flagstones beneath your bare feet. If you don't want to go to Tuscany after seeing this film, you are ill or on the wrong medication. The beauty that is being stolen, or that people want to steal, is not just the beauty of the young virgin on the hill, it is the beauty of life, of living, of learning, of looking back and finally giving it all up, knowing it cannot be stolen. I know that some people criticize Bertolucci for his aesthetic, for bringing the beauty out of every moment, even the horrible ones, and I say to those people that they live the life they choose.
Finally, there is the soundtrack, which runs from alt-pop to classical to everything in between and works perfectly. It illuminates Lucy's internal reality and is true to the music that a girl of her age would have been listening to at that time, and it also helps set the scene and smooth transitions between scenes.
This is a master work by a master director, and one of my favourite films of all time.
One of the best things about this film is that every character has a story, and an arc in the film, most of which is given by just one or two lines or shots in the film. For example, near the end of the film, Sinead Cusack's character slumps at the table after having taken an old friend to the hospital, probably for the last time. She says she misses England "and rain, and milk that goes off", and says that she's tired of looking after people. Then everyone starts coming in and asking about dinner, and she just gets up and opens the fridge. In less than a minute, we see into her life and character in a way that most films would take at least an act to explore. We even learn a lot about Lucy's mother (Lucy is played by a young Liv Tyler), even though she has died before the beginning of the film and never appears in it except in a photograph (also of Tyler).
There is not a flaw in any of the performances. Never do we feel that these are people acting. They just feel like people, interacting, and we always have a feeling of their life leading up to the moments we see them, and they are interesting lives.
The location itself is one of the characters, and it is beautifully shot, the colours saturated and rich. It feels like you can touch the stones, smell the air, feel the grass and flagstones beneath your bare feet. If you don't want to go to Tuscany after seeing this film, you are ill or on the wrong medication. The beauty that is being stolen, or that people want to steal, is not just the beauty of the young virgin on the hill, it is the beauty of life, of living, of learning, of looking back and finally giving it all up, knowing it cannot be stolen. I know that some people criticize Bertolucci for his aesthetic, for bringing the beauty out of every moment, even the horrible ones, and I say to those people that they live the life they choose.
Finally, there is the soundtrack, which runs from alt-pop to classical to everything in between and works perfectly. It illuminates Lucy's internal reality and is true to the music that a girl of her age would have been listening to at that time, and it also helps set the scene and smooth transitions between scenes.
This is a master work by a master director, and one of my favourite films of all time.
The first twenty minutes of this movie had me riveted. The Italian landscape was incredible and upon meeting all the diverse characters, one would think this was the perfect stage for a fine film.
But it wasn't.
Lucy's search for her father is first pushed on the back burner then brought miraculously to life near the end of the movie. Meanwhile the plot involves the entire house buzzing like old maids about the poor girl's virginity, as if the topic were front page news. But then again Jeremy Irons character said it best: "Up here on this hill, the only thing we have to talk about is each other". Hm, maybe so, but the idea quickly becomes dull.
Instead of becoming interested in Lucy, the only scenes I found enjoyable involved Miranda and her dim-witted "boyfriend". Richard made me laugh so much that I nearly forgave the pointless plot. And I would've been very disappointed were it not for Jeremy Irons and his wonderful character of Alex. Alex's musing, thoughts and expressions made me smile and made me think. (" 'The incredible frivolity of the dying' You have to allow me a little frivolity")
As far as what Lucy sees in Nicholo or what made her take the plunge with someone she barely knew, baffles me. Take the beautiful cinemetography, interesting characters and mold them in an entirely different way and you've got yourself a much better movie than what was presented. Such potential..wasted *sigh*
But it wasn't.
Lucy's search for her father is first pushed on the back burner then brought miraculously to life near the end of the movie. Meanwhile the plot involves the entire house buzzing like old maids about the poor girl's virginity, as if the topic were front page news. But then again Jeremy Irons character said it best: "Up here on this hill, the only thing we have to talk about is each other". Hm, maybe so, but the idea quickly becomes dull.
Instead of becoming interested in Lucy, the only scenes I found enjoyable involved Miranda and her dim-witted "boyfriend". Richard made me laugh so much that I nearly forgave the pointless plot. And I would've been very disappointed were it not for Jeremy Irons and his wonderful character of Alex. Alex's musing, thoughts and expressions made me smile and made me think. (" 'The incredible frivolity of the dying' You have to allow me a little frivolity")
As far as what Lucy sees in Nicholo or what made her take the plunge with someone she barely knew, baffles me. Take the beautiful cinemetography, interesting characters and mold them in an entirely different way and you've got yourself a much better movie than what was presented. Such potential..wasted *sigh*
10gks1029
While Liv Tyler is the "star" of this film she is only one facet of a beautiful film. While many comments focus on the coming of age plot line. This film not only presents a sexual beginning, but also an emotional journey. With the death of her poet laureate mother, Lucy (Liv Tyler) must find her way to emotional and sexual adulthood. Fortunately, the film never gets bogged down, or depressing.
Set in the lovely Tuscany province, Lucy's father sends her to spend time with friends of her mother and pose for an artist. Several of the characters are transparent, and easily understood, others are far more complex. Like life not all the answers are give, but the film rewards the viewer on multiple levels.
Enjoy watching the secondary characters grow in their own ways as well.
I hope this helps you.
Set in the lovely Tuscany province, Lucy's father sends her to spend time with friends of her mother and pose for an artist. Several of the characters are transparent, and easily understood, others are far more complex. Like life not all the answers are give, but the film rewards the viewer on multiple levels.
Enjoy watching the secondary characters grow in their own ways as well.
I hope this helps you.
When this filmed first came on the scene, there was a lot of critics that downed the intensity of this film... of course their favorite words were pseudoartistic crap. America is not ready for this film. Look at what we embrace in our films: blood, sex, nudity, shock value. America is not ready for a film that sees the attraction towards a 19 year-old as a natural thing. American normalcy sees this as wrong, deceitful, and impure. Bertolucci did not make a film, he reflected humanity through a camera. This film dives into our own psyche seeking the desires to be pure and innocent. Only America would see this as a piece of psycho sexual fantasy into our own pedophiliac desires. Watch it people, there's a substance that you're not used to seeing in everyday flicks.
I have to say this, so forgive: if you are a woman, you will understand this movie. If only my own adolescence and graduation into womanhood could have been so rich and beautiful. This film is one of my favorites! It is masterfully filmed, it couldn't help but be with Bertolucci at the helm. Liv Tyler is gorgeous and full of youthful innocence, romance and curiosity. For me, the whole experience of naively stumbling into one's sexuality is accurately portrayed. If you go in expecting that you will see a "Hollywood" ending--one that neatly ties up all the loose ends of the character's life--then you will be disappointed. This film is about a "chapter" in the journey of one young woman's life. And it's a fine chapter.
Storyline
Did you know
- TriviaJeremy Irons and Sinéad Cusack are a real-life couple and have been married since 1978.
- GoofsWhen Lucy enters the Tuscan Villa for the first time you see a swallow (Hirundo rustica) flying combined with the screeching call of the swift (Apus apus).
- Quotes
Lucy: Why are you crying?
Osvaldo Donati: Because I want to kiss you.
- Crazy creditsDuring the opening credits, there is a montage of Lucy (Liv Tyler) being recorded on a video camera during her travel to Italy by an unknown man.
- SoundtracksRocket Boy
Performed by Liz Phair
Written by Liz Phair, Jim Ellison
Courtesy of Matador Records/Atlantic Records
- How long is Stealing Beauty?Powered by Alexa
Details
- Release date
- Countries of origin
- Official site
- Languages
- Also known as
- Dancing by Myself
- Filming locations
- Brolio, Castiglion Fiorentino, Arezzo, Tuscany, Italy(Brolio, Gaiole in Chianti, Siena, Tuscany, Italy)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $10,000,000 (estimated)
- Gross US & Canada
- $4,722,310
- Opening weekend US & Canada
- $103,028
- Jun 16, 1996
- Gross worldwide
- $4,900,436
- Runtime1 hour 58 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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