Beautiful Thing

It seems when it comes to gay-themed movies, the Brits outdo us Americans hands down. This movie is another example of this fact. This movie rates as one of the best in this genre. Get Real comes a close second.

The young actors that play Jamie and Ste do an extraordinary job sometimes forgetting how well they pull off such complex characters throughout the movie. I think any gay man growing up can relate to Jamie. He doesn't excel in sports, and almost too smart for his own mother. He is comfortable with his sexuality, and he doesn't give a damn what the world thinks of him. Ste, on the other hand, fears his older brother, and his father made his life miserable. As he states in the film, "they made me ugly". Ste is not all ugly, and Jamie realizes this, and is attracted to his brash, manly demeanor. Unfortunately, Ste's own demons and his insecurities are present throughout the film. At one point, Ste ashamed of rumors of his questionable sexuality, denies it to a heartbroken Jamie.

Obviously, I enjoyed this movie. The scenes between Jamie and his mother and likewise, between Jamie and Ste, are perhaps the best parts of the movie. I understand having Leah in the movie to provide the supporting role of comic relief was a necessity in most film requirements, but in this one, it distracted the viewer to an extent. I was so glad when it came out on DVD, so I can put my last VHS tape to rest, but disappointed that there were no cast interviews or extras at the end. Granted, the movie was made six years or so after the DVD came out, but you might think the film makers would find something of interest.

So England what will be the next great gay movie ?

This is one of those great British dramas set in a typically grim environment but shot with positivity throughout. Having grown up around the area in the film and being only a few years older than the featured boys, it was a joy to see life there depicted in the film.

I agree with all previous comments about the actors and how true-to-life it feels. Although slightly exaggerated in places, this film is a great comment on London working class life as well as being focused around a gay-based storyline.

However, I wanted to add that this film also comments on the complex class system in the UK which explains why Tony was dropped by Sandra. Many non-British viewers may not have picked up on this. Thoughout, Tony is shown as a middle class character who doesn't really fit into the working class environment. He uses different slang words to the others, has a 'posher' accent and has slightly different attitudes to all the other characters. He and Sandra come from different worlds. As Sandra says, she has been fighting all her life, whereas he has had evertyhing given to him on a plate. Ultimately, this relationship was never going to last. Life in London (and the UK) is still spilt into different social classes, although they do mix a little more than they used to. But you can often tell where someone is from by their accent and their choice of words. This was used to great affect in the film.

Overall, a light-hearted look at life on a London council Estate with some great performances... one of my favourite films.

By the time this was released I was already in my 20's but still this tale of teenage love and awakening desire between these two boys stirred something inside of me and now in my 40's it still breaks my heart and how misspent my youth was, afraid of what others would think of me.

Such bravery in the story telling, so frank and honest in it's portrayal of a same sex love at that time - I adore this movie how ever dated it may feel now. The message still remains - Make your own kind of music !!

Great casting, wonderful soundtrack and, for a change for a movie about gay love, a happy ending !!

The film will always remain in my heart of what could have been for me xxx

A film about the gay working class runs the risk of portraying two sets of stereotypes. But 'Beautiful Thing', Hettie MacDonald's sweet little movie, is lifted above mere cliché through the quirky humanity of its characters, and the atmospheric cinematography of the ugly-beautiful London overspill estate of Thamesmead. Unlike many "gay" films, it manages to display sympathy for its characters without becoming unduly celebratory (a tone that rarely makes for good cinema). In fact, it has something of the feel of a Mike Leigh film, although it's a lower key affair than most of Leigh's movies: a little less intense, a little less depressing, and a just little less funny. But that is, of course, to judge it against the highest of standards. In it's own right, it's a modest, but distinctive and highly likable film.

This film is about two teenagers in a deprived neighbourhood coming out and falling for each other.

Character development is excellent in the movie. The impoverished neighbourhood and the rough people are shown right from the beginning. Ste is an abused teenager, and the mere sight of him evokes sympathy. Jamie's courage and insistence on Ste is to be admired. This film tells the fear and confusion of coming out. A particularly memorable scene is when Ste cries in next to Sandra in her apartment. He cries with his face turned away from Sandra, with his hands covering one side of his face. To me, it is such a powerful scene, because it sums up all the confusion, shame, fear and hurt Ste must have felt in his premature involuntary coming out. The film is warm and affecting. I am glad about the happy ending, which is much needed to bring gay teenagers hope and comfort.