Jay Sherman is a New York film critic who has to review films he doesn't like for a living.Jay Sherman is a New York film critic who has to review films he doesn't like for a living.Jay Sherman is a New York film critic who has to review films he doesn't like for a living.
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23 episodes on DVD, plus the webisodes. The first 12 or so episodes are worth the price of admission. All of it is watchable, but the series did indeed start slipping. The remarkable excellence of the first half should not be missed - and you'll want to watch the rest, just because they do show glimmers of the early magic through the rest of it.
It really does help to be a film buff - they do bits from lots of different movies, and part of the fun is spotting the homage (and sniping) at a wide selection of movies. Some of them appear in the opening/closing credits, and change from episode to episode. The 'films' he reviews for his show are, thankfully, collected in the special features on the third DVD, and are well worth watching just by themselves.
It really does help to be a film buff - they do bits from lots of different movies, and part of the fun is spotting the homage (and sniping) at a wide selection of movies. Some of them appear in the opening/closing credits, and change from episode to episode. The 'films' he reviews for his show are, thankfully, collected in the special features on the third DVD, and are well worth watching just by themselves.
Like most Simpsons watching fanatics that are also latched tightly to the Family Guy, I couldn't help but walk (never run) to buy this series when it came out. Jay Sherman is my inspiration for my excessive amounts of film reviews. He was never afraid to speak his mind about the garbage distributed by Hollywood ever week. His classic line, 'It stinks' inspired me to find those horrible films and make sure I warned others before it was too late. He is a God among Gods in my book!
Created by the same team that did The Simpsons, Sherman great to life through not only the witty banter that leapt from his mouth, but also his surrounding characters. Parodying some of cinema's finest, you cannot help but laugh at this obese critic that wants nothing more than to have respect and eat his Charleston Chew. Duke Phillips is one of the funniest characters created and provides some of the funniest social commentary on the extremely wealthy in our country. Sherman, in my eyes, represents the little man. While making $270,000 a year, he doesn't rise above anyone else. He reminds all of us of who we are, whether it would be running a marathon or trying to clean-up his hometown of New York, Sherman represents our desires and wants. One of our biggest desires is to see good cinema. We pay top dollar to see good movies, why does Hollywood continually fill our plate with all the bread we can eat before giving us the main course? Suddenly, we are too full to enjoy it.
I would like to applaud Jay Sherman for his fight against a repetitive and uncreative Hollywood. As an avid film-goer it is nice to see the battle being fought in the animated world. Sadly, I only wish this series could have lasted long enough to endure some of the garbage released today. We need a new Jay Sherman to help us wade through and poke fun of today's Hollywood.
I HIGHLY recommend this series to anyone that is as upset with Hollywood as I. This series will make you laugh at a large man that loves food and life.
He is our, and especially my, hero!
Grade: ***** out of *****
Created by the same team that did The Simpsons, Sherman great to life through not only the witty banter that leapt from his mouth, but also his surrounding characters. Parodying some of cinema's finest, you cannot help but laugh at this obese critic that wants nothing more than to have respect and eat his Charleston Chew. Duke Phillips is one of the funniest characters created and provides some of the funniest social commentary on the extremely wealthy in our country. Sherman, in my eyes, represents the little man. While making $270,000 a year, he doesn't rise above anyone else. He reminds all of us of who we are, whether it would be running a marathon or trying to clean-up his hometown of New York, Sherman represents our desires and wants. One of our biggest desires is to see good cinema. We pay top dollar to see good movies, why does Hollywood continually fill our plate with all the bread we can eat before giving us the main course? Suddenly, we are too full to enjoy it.
I would like to applaud Jay Sherman for his fight against a repetitive and uncreative Hollywood. As an avid film-goer it is nice to see the battle being fought in the animated world. Sadly, I only wish this series could have lasted long enough to endure some of the garbage released today. We need a new Jay Sherman to help us wade through and poke fun of today's Hollywood.
I HIGHLY recommend this series to anyone that is as upset with Hollywood as I. This series will make you laugh at a large man that loves food and life.
He is our, and especially my, hero!
Grade: ***** out of *****
I'm both disappointed and somewhat content with the fate of this ill-received TV show. On one hand, I feel the Critic far outclasses anything on television today and thus deserved more than it received; on the other hand, I'm glad it was concluded before it could suffer the fate of the Simpsons which has grasped at straws for years (and in my opinion just needs to be put out of its misery). I think the Critic could've gone strong for one more season before the ideas started thinning.
Anyway, due to its premature cancellation, the Critic has a concise feel and no degradation in quality. I feel the Critic was cancelled at the height of its potential when its comedic timing was dead on and the most of the jokes made me at least chuckle (well, other than the final episode . . . which was disappointing because it was a reprise of all the faux film clips and little original material.)
As for the Webisodes, I really didn't care much for them due to their lack of the rest of the cast - Alice, Dorris, Duke, Vlada, Jeremy, Martin, Penny, and Jay's family. Even though I like Jay Sherman, the Critic was never a solo act, and the webisodes brings to light how important the supporting cast are who is Jay supposed to bounce jokes off of, and who's going to make fun of the poor guy? Without the rest of the gang, Jay is just a punch line with no build up.
I really liked this quirky cast of misfits, the individual roles they play, and how jokes gain momentum through their personalities and even their art styles. Too many comedies want to depend on quick punch lines and catch phrases. Sure, Coming Attractions was funny as part of a normal TV episode, but it alone was not the episode. No one character was the episode. I think that's why the Webisodes lack the edge its full episode brethren have.
The funniest aspect of the Critic, which is also noted on one of the DVD commentaries, is that not only does Jay wind up criticizing movie-parodies on Coming Attractions, but Jay's life is a series of movie parodies. Everywhere you look is a film reference in some shape or form. From plots that parody famous films of that era, to classics to little known trivia facts featuring Maurice LaMarche impersonating Orson Welles doing a commercial for peas and fish sticks. And of course, a show about a movie critic would eventually involve a plot around Siskel & Ebert, which is perhaps one of the more entertaining episodes.
So, as a fan of films, I found the Critic to be pretty sharp and a pretty fun ride. It was a nice comedic counterpoint to the serious films being released at the time, and some of the trends in filmmaker's art and even in their lives. Part of me is disappointed that it didn't last, but then again, part of me is also glad it stopped before it could go to hell like other shows out there.
Anyway, due to its premature cancellation, the Critic has a concise feel and no degradation in quality. I feel the Critic was cancelled at the height of its potential when its comedic timing was dead on and the most of the jokes made me at least chuckle (well, other than the final episode . . . which was disappointing because it was a reprise of all the faux film clips and little original material.)
As for the Webisodes, I really didn't care much for them due to their lack of the rest of the cast - Alice, Dorris, Duke, Vlada, Jeremy, Martin, Penny, and Jay's family. Even though I like Jay Sherman, the Critic was never a solo act, and the webisodes brings to light how important the supporting cast are who is Jay supposed to bounce jokes off of, and who's going to make fun of the poor guy? Without the rest of the gang, Jay is just a punch line with no build up.
I really liked this quirky cast of misfits, the individual roles they play, and how jokes gain momentum through their personalities and even their art styles. Too many comedies want to depend on quick punch lines and catch phrases. Sure, Coming Attractions was funny as part of a normal TV episode, but it alone was not the episode. No one character was the episode. I think that's why the Webisodes lack the edge its full episode brethren have.
The funniest aspect of the Critic, which is also noted on one of the DVD commentaries, is that not only does Jay wind up criticizing movie-parodies on Coming Attractions, but Jay's life is a series of movie parodies. Everywhere you look is a film reference in some shape or form. From plots that parody famous films of that era, to classics to little known trivia facts featuring Maurice LaMarche impersonating Orson Welles doing a commercial for peas and fish sticks. And of course, a show about a movie critic would eventually involve a plot around Siskel & Ebert, which is perhaps one of the more entertaining episodes.
So, as a fan of films, I found the Critic to be pretty sharp and a pretty fun ride. It was a nice comedic counterpoint to the serious films being released at the time, and some of the trends in filmmaker's art and even in their lives. Part of me is disappointed that it didn't last, but then again, part of me is also glad it stopped before it could go to hell like other shows out there.
I love the Critc. This is a prime example of how unfairly show biz treats its good shows. The basic premise of the show is that a middle aged film critic by the name of Jay Sherman leads an miserable existence. We see him at the work place ripping bad movies a new one everytime he has to review one (plus for the people of the Crtic for having the guts to comment about this era of horrible movies made by Hollywood). We also see him in his private life as a man who's love life is in shambles, has a weird waspy (and adopted) family, and a man who just needs a break now and then. I very much enjoyed the critic, and shame on ABC and FOX executives for taking it down in its prime. And a half a shame to comedy central for not putting it on as often and at a better time. So in short, maybe ABC or Fox or some other network will wise up and bring back this cult classic from the dead.
Though it never really becomes more than the sum of its parts (hindered by quite a few rather generic plot lines and unimaginative film parodies) `The Critic' does contain more than its share of memorable laugh-out-loud moments, generally due to the brilliant voice acting of Maurice LaMarche, who performs most of the celebrity voice impersonations. His Orson Welles impression (`Rosebud... yes, Rosebud frozen peas'), one of the show's standout moments, has to be heard to be believed it's no wonder Tim Burton hired him to overdub D'Onofrio's voice in `Ed Wood'.
Other highlights include the many cameo appearances by film critics Roger Ebert, Gene Siskel, Gene Shalit and Rex Reed. Seeing Siskel and Jay re-enact the `wig' scene from Hitchcock's `Vertigo' is heartwarming, and though I could never stand Rex Reed's reviews, he is a fabulous voice actor. His delivery of the Savvy Indian Chewing Tobacco commercial jingle still makes me laugh out loud any time I hear it.
Not a knockout show, but definitely worth watching. It's a bloody shame this was cancelled.
Other highlights include the many cameo appearances by film critics Roger Ebert, Gene Siskel, Gene Shalit and Rex Reed. Seeing Siskel and Jay re-enact the `wig' scene from Hitchcock's `Vertigo' is heartwarming, and though I could never stand Rex Reed's reviews, he is a fabulous voice actor. His delivery of the Savvy Indian Chewing Tobacco commercial jingle still makes me laugh out loud any time I hear it.
Not a knockout show, but definitely worth watching. It's a bloody shame this was cancelled.
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Did you know
- TriviaThough it has a cult following, "The Critic" is most famous for flip-flopping networks. It started on ABC, where it stayed for less than a month then it was canceled and Fox picked it up where it stayed for an entire season, then Comedy Central had it for a few months as part of their Sunday night animation block, then UPN was slated to pick it up but dropped it. Then it got a good run as a series of shorts at Atomfilms.com. Even still, it has retained a cult status.
- Crazy creditsTwo episodes have Jay kissing Alice before the credits start and as it ends, a theater usher tells them that the show is over and Alice says "Get lost pip-squeak". Jay then says "That's why I love her".
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