Poetic Justice

the only reason i don't rate this film higher is because i always thought it was a tad long. john singleton, i love your work! like spike lee ( with a lot of his films) and ice cube (with 'friday' and 'barbershop') you've caught a time and place that's only clear to those that have lived it, or at least have knowledge of its existence. all of you capture black young'uns (east and west coasts) as they were lived during the times depicted in the films. wonderful stuff! great acting, solid story, everything is more heartfelt than not, it's why i go to the movies! i hope u and spike and ice cube and tyler perry (silly as he can b!) and the whole slew of other black filmmakers continue for many years to come. i love your work, your honesty and your sincerity. this is good movie-making, maya angelou's poetry is a plus and a bonus!!!

I saw this film after becoming addicted to 'Boyz n the hood'and 'Higher learning', I think John Singleton is one of the greatest filmmakers working today and Poetic Justice is a great example of a truly dedicated and talented filmmaker. The story starts off with Justice (played brilliantly by Janet Jackson, what a surprise)who witnesses the slaying of her boyfriend at a movie, justice becomes very depressed with life and feels nothing but loneliness. She expresses this by writing poems in a notebook to reveal her pain for her lost love and for the pain of living in America's South central l.a district. Lucky (again played greatly by Tupac Shakur in i feel his most personal and greatest role from 'Juice' right up to 'Gang Related')is a postman with nothing to look forward for in his life except to look after his daughter and a dream of rapping his pain for the hood. Together they go on a road trip with two other friends and learn on how to live again and to find their way in life. The performances are great, Singletons direction is wonderful. If your a fan of other 'hood' movies than this you might find a little different from the others. But nonetheless a deep hearted gem. 9/10

Okay, I'll be the first to admit that this is nowhere near as good as Boyz in the Hood, however, it's not as bad as some make it out to be. The acting is somewhat lacking, but the story as a whole is moving. If you're a diehard Singleton fan, or are just in the mood for a pretty decent movie, go for it, you've got nothing to lose.

I am a white man over the age of 50, so this film wasn't really made for me. That doesn't mean there wasn't anything here, and I could see that this was a quality production.

This film had occasional laughs, which was good because it could get very depressing at times.

I really liked the family reunion, where the movie's main characters pretended to be part of the family just to get some free food and found themselves being accepted rather than questioned. I got the impression they might come back someday just because they liked being with these people. This is also where Maya Angelou delivered an elegant performance. Yes, this film was worthy of her, and she added something to it.

As for her poetry, not my style. Janet Jackson did a great job reading it offscreen, but again, not by sort of thing. For many people, this will be a wonderful part of the movie.

One of my favorite parts of the film was the scene at the gas station/convenience store, one of the few places I heard recorded music that appealed to me (Tammy Wynette's "Stand by Your Man").

Actually, a lot of the background music was smooth jazz with violins or synthesizers that pass for violins. It was actually kind of pleasant compared to the rap and other styles the main characters liked.

Family was important here. Although Jackson's character didn't seem to have anyone except her cat, at least she had friends and a job. I did like the cat and its friends, in the one scene.

Chicago was probably my favorite character. He was funny and likable, most of the time.

Janet Jackson has a nice smile and she can have a nice personality when it is called for. Sometimes here, she had to be depressed or angry. That's fine. She did it well.

And this is my third or fourth time seeing the talents of 2Pac, who was taken away too soon. Although it was not necessarily his finest work, he did a good job here.

I mostly know Regina King from "227". Has it really been that long? She was so much older even here, but she did a good job.

Beautiful mountains and magnificent bridges added to the scenery. Some scenes, and not necessarily pleasant ones, let us enjoy these longer.

These people live hard lives and have tragedy all around them. That's why this is not an easy movie to watch. But having family around means a lot.

It may not be for you, but if you need to get outside your comfort zone, this will be a worthwhile experience.

After making the effective tear-jerker Boyz N The Hood, John Singleton returns to the field of film with Poetic Justice. While this one is significantly different from that masterpiece, it still has its perks and a solid message to add to its formula of an urban-drama. It is the second film in what Singleton has branded his "Hood trilogy," but yet, it is definitely the weakest of them all.

The plot: Justice (Jackson) is a young woman who lives in South Central, Los Angeles, and is still grieving over the loss of her boyfriend who was murdered during a silly confrontation. Justice writes numerous poems, and narrates them throughout the film. The actual poem were written by writer Maya Angelou, but the authenticity of the writing is the least of our concerns.

Justice works as a hairstylist, and one day, a mailman named Lucky (Shakur) waltzes in one day trying to flirt with several women, when Justice and her friend play a mean joke on him. Karma has its way of reuniting the mailman and the stylist when Justice's friend Iesha (King) forces her to come along on a trip to Oakland with her boyfriend Chicago (Torry) and his coworker Lucky. Justice needs to go for a hair show, so reluctantly agrees to hitch a ride in Lucky's mail-truck.

From then on, the film plays like a buddy road-trip film lacking the buddies. These characters must tolerate each other to survive the trip, but social and emotional conflicts continue to get in their way. Some of these situations feel genuine, but others feel contrived and meant to happen only so the film can advance.

Poetic Justice is very distant from its predecessor, with the only similarities being the setting and the fact that Lucky's uncle, seen in the end of the film, looks a lot like Laurence Fishburne's character in Boyz N The Hood. I can't quite figure out why this one is inferior to them. Maybe it's because the characters aren't as well developed and dripping with charisma, maybe because each one of the characters can be bitter and selfish at points in the film struggling socially, or maybe it's just because.

In Boyz N The Hood, Cuba Gooding Jr. was extremely developed to the point of almost going overboard. In Baby Boy, Omar Gooding was extremely developed. But in Poetic Justice, about a chunk of Janet Jackson's personality is almost snatched away. Same with the ending being a little perplexing and open for explanation.

But this can all be overlooked by two things; the writing and the acting. John Singleton manages to squeeze the premise dry in terms of character dialog. It feels like real discussions being had by real human beings. And Tupac Shakur's acting talents are definitely the strongest point in the film.

Poetic Justice has three meanings when I look at it. It describes redemption for one's previous actions, the character herself in the film, and what the slick writing achieves in this picture.

Starring: Janet Jackson, Tupac Shakur, Regina King, Joe Torry, Tyra Ferrell. Directed by: John Singleton.