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Philadelphia

  • 1993
  • PG-13
  • 2h 5m
IMDb RATING
7.7/10
267K
YOUR RATING
POPULARITY
2,902
14
Tom Hanks and Denzel Washington in Philadelphia (1993)
Official Trailer
Play trailer2:59
5 Videos
76 Photos
Legal DramaDrama

When a man with HIV is fired by his law firm because of his condition, he hires a homophobic small-time lawyer as the only willing advocate for a wrongful dismissal suit.When a man with HIV is fired by his law firm because of his condition, he hires a homophobic small-time lawyer as the only willing advocate for a wrongful dismissal suit.When a man with HIV is fired by his law firm because of his condition, he hires a homophobic small-time lawyer as the only willing advocate for a wrongful dismissal suit.

  • Director
    • Jonathan Demme
  • Writer
    • Ron Nyswaner
  • Stars
    • Tom Hanks
    • Denzel Washington
    • Roberta Maxwell
  • See production info at IMDbPro
  • IMDb RATING
    7.7/10
    267K
    YOUR RATING
    POPULARITY
    2,902
    14
    • Director
      • Jonathan Demme
    • Writer
      • Ron Nyswaner
    • Stars
      • Tom Hanks
      • Denzel Washington
      • Roberta Maxwell
    • 356User reviews
    • 61Critic reviews
    • 66Metascore
  • See production info at IMDbPro
    • Won 2 Oscars
      • 20 wins & 23 nominations total

    Videos5

    Philadelphia
    Trailer 2:59
    Philadelphia
    Philadelphia
    Trailer 2:54
    Philadelphia
    Philadelphia
    Trailer 2:54
    Philadelphia
    Philadelphia
    Trailer 0:31
    Philadelphia
    How Movies and TV Shaped Our Perception of HIV/AIDS
    Clip 4:54
    How Movies and TV Shaped Our Perception of HIV/AIDS
    'Philadelphia' | Anniversary Mashup
    Video 1:37
    'Philadelphia' | Anniversary Mashup

    Photos76

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    + 70
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    Top cast99+

    Edit
    Tom Hanks
    Tom Hanks
    • Andrew Beckett
    Denzel Washington
    Denzel Washington
    • Joe Miller
    Roberta Maxwell
    Roberta Maxwell
    • Judge Tate
    Buzz Kilman
    • 'Crutches'
    Karen Finley
    Karen Finley
    • Dr. Gillman
    Daniel Chapman
    Daniel Chapman
    • Clinic Storyteller
    Mark Sorensen Jr.
    • Clinic Patient
    Jeffrey Williamson
    • Tyrone
    Charles Glenn
    • Kenneth Killcoyne
    Ron Vawter
    Ron Vawter
    • Bob Seidman
    Anna Deavere Smith
    Anna Deavere Smith
    • Anthea Burton
    Stephanie Roth Haberle
    Stephanie Roth Haberle
    • Rachel Smilow
    • (as Stephanie Roth)
    Lisa Talerico
    • Shelby
    Joanne Woodward
    Joanne Woodward
    • Sarah Beckett
    Jason Robards
    Jason Robards
    • Charles Wheeler
    Robert Ridgely
    Robert Ridgely
    • Walter Kenton
    Chandra Wilson
    Chandra Wilson
    • Chandra
    Ford Wheeler
    • Alan
    • Director
      • Jonathan Demme
    • Writer
      • Ron Nyswaner
    • All cast & crew
    • Production, box office & more at IMDbPro

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    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      The moment when Mary Steenburgen's character says that she hates the case was improvised in the moment, when the actress expressed her hate towards her role after shooting the mirror scene and Jonathan Demme encouraged her to incorporate it into the role, so the woman would seem more human.
    • Goofs
      The court stenographer doesn't seem to be actually typing, and the paper tape recording her keystrokes doesn't ever advance.
    • Quotes

      Joe Miller: Have you ever felt discriminated against at Wyatt Wheeler?

      Anthea Burton: Well, yes.

      Joe Miller: In what way?

      Anthea Burton: Well, Mr. Wheeler's secretary, Lydia, said that Mr. Wheeler had a problem with my earrings.

      Joe Miller: Really?

      Anthea Burton: Apparently Mr. Wheeler felt that they were too..."Ethnic" is the word she used. And she told me that he said that he would like it if I wore something a little less garish, a little smaller, and more "American."

      Joe Miller: What'd you say?

      Anthea Burton: I said my earrings are American. They're African-American.

    • Crazy credits
      "This motion picture was inspired in part by Geoffrey Bowers' AIDS discrimination lawsuit, the courage and love of the Angius family and the struggles of the many others who, along with their loved ones, have experienced discrimination because of AIDS."
    • Alternate versions
      The cable and network television versions of Philadelphia edit out portions of the pharmacy scene where a gay University of Pennsylvania law student attempts to pick up Joe Miller. These two versions end this scene with the law student responding "Do I?" to Joe Miller's question concerning whether Miller looked gay. In the theatrical, home video and premium channel versions, Joe Miller continues to berate the law student with bigot remarks regarding homosexuals.
    • Connections
      Edited into Die Geschichte des erotischen Films (2004)
    • Soundtracks
      Streets Of Philadelphia
      Produced by Bruce Springsteen and Chuck Plotkin

      Written and Performed by Bruce Springsteen

      Courtesy of Columbia Records

    User reviews356

    Featured review

    Unfortunately Misguided Criticism Should Not Stop Anyone From Seeing This Film

    This is the first review I've written on IMDB, but I shouldn't have to write one for a film of this caliber. It succeeds in everything it attempts to do and it bothers me when I read comments from gay readers that absolutely loathe this film. After thinking about it for a little bit, I think I've found the reason for why all the gay viewers hated this film: they're sick of the pity and the sympathy. I can understand that, and it is basically impossible to make a quasi-realistic film about gay rights and anti-homophobia without exhibiting some sympathy for the alienated gay population. I admit that I have little experience with gays, although I am acquainted with a few. They are on wonderful terms with their families (even though one homosexual writes here that families are NOT like that). I disagree with people who think that because their family is displeased with their sexual orientation, every gay person is estranged from their family. That is untrue. Another wrong comment I read was that the film gives viewers the impression that gays are the only ones that can get AIDS (and that the disease is always deadly). That is false, as well, since a portion of the movie deals with a woman who is an AIDS survivor and who contracted the disease in a blood transfusion. There are many other ways of getting AIDS, but it would be impossible for the film to identify every single way in order to be PC. The most powerful argument against this film seems to be that it is anti-homosexual propaganda in how it shows the relationship between Tom Hanks and Antonio Banderas. First of all, everyone is making a big deal that Hanks and Banderas do not kiss. Apparently, filmmakers cannot possibly show love between two people without having them kiss. It sounds to me that most disappointed gay readers were hoping to see gay pornography rather than a film about two homosexuals and the troubles they face when one of them contracts AIDS. They do not kiss, fine, but they dance, they talk to one another in such a way that I, a heterosexual man, envied the relationship they had. The first time we see Banderas is when he is racing to the hospital to see if Hanks is okay. I know if my girlfriend were in the hospital, I would probably look and act the exact same way that he does. I disturbs me that so many gay readers would rather see the two of them make out than display affection for one another in more powerful ways. Another argument I noticed more than once was that, aside from Hanks' character, the film portrays all gays as "pansies." Believe me, the critics here are far more stereotypical than this film is. One scene that comes to mind is when Denzel Washington is shopping in a grocery store and a college athlete approaches him to praise him for his work. Washington is gracious and it comes off as a surprise when the athlete starts to hit on him. I suppose that most gay viewers saw that message as something along the lines of "Gays are everywhere...watch out!" If that were the case, the film would have glorified Washington's character, but instead we feel sorry for liking Denzel. Why do we like him? Because too many of us are like him, just average people who want to take a few steps back every time a homosexual walks nearby. By presenting someone that we all can associate with and highlighting his flaws (which are, essentially, our own), maybe we can begin to change. As for the film, I find it hard to believe that anyone would rent this thinking that it is simply a courtroom drama. It is well-written, and well-acted. I mostly enjoyed some fabulous direction on Jonathan Demme's part. I remember, in particular, that when Hanks would recall when he was fired, his associates had the appearance of monsters. The camera would show them in a darker light, up-close, at an awkward angle. Many other viewers found this to be "cartoony," but they're forgetting that these scenes were not reality. They were simply memories, and although Hanks' character is a noble, honorable, unfortunately ill homosexual, he naturally feels angry towards his former employers. He's furious, even though he rarely lets out any of that fury directly. The only way we see these memories is through his distorted memories. Hanks is frustrated and furious with what happened and he cannot look at his former employers anymore without seeing monsters. In this way, the filmmakers build a connection between Hanks' character and the viewers, gay or not. This also helps the viewer sympathize for homosexuals and see how they are essentially no different than anyone else. I apologize. I am sorry that so many gays would rather remain alienated, would rather see Hanks and Banderas act in gay porn than a meaningful film. I am sorry that there is even one homosexual out there who are is alienated from their families that they have no one to really turn to. This film is not the most accurate portrayal of homosexuals, but is far from the worst. Do not even attempt to persuade me, that this film is nothing but worthless drivel, that it tries to alienate gays even more. It is as accurate as it has to be. If it were to go too far over the line, it would be too much for the average person to handle. Viewers have to remember that controversial topics like these have to be handled carefully, and it could not have been done better than in "Philadelphia." If all gay people are looking for is a depressing, uninventive, inaccurate P.O.S. that emphasizes homosexual kissing rather than acceptance and integration, then maybe they should remain alienated. Sorry.
    • FilmAficionado
    • Apr 3, 2002
    • Permalink

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    FAQ23

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    Details

    Edit
    • Release date
      • January 14, 1994 (United States)
    • Country of origin
      • United States
    • Language
      • English
    • Also known as
      • Filadelfia
    • Filming locations
      • Furness Building, University of Pennsylvania, Philadelphia, Pennsylvania, USA
    • Production companies
      • TriStar Pictures
      • Clinica Estetico
    • See more company credits at IMDbPro

    Box office

    Edit
    • Budget
      • $26,000,000 (estimated)
    • Gross US & Canada
      • $77,446,440
    • Opening weekend US & Canada
      • $143,433
      • Dec 26, 1993
    • Gross worldwide
      • $206,678,440
    See detailed box office info on IMDbPro

    Tech specs

    Edit
    • Runtime
      2 hours 5 minutes
    • Color
      • Color
    • Sound mix
      • SDDS
      • Dolby Stereo
    • Aspect ratio
      • 1.85 : 1

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