Jack the Bear

I bet you like me have lots of movies you saw when you were younger, and you remember them being great. Then, years later you get to see these movies, and they aren't that great, you understand that you've grown and that your taste in movies has changed...still some of "those" movies remain "classics" to you. I have a few of those movies...when I saw that Jack The Bear was coming out on DVD, I ordered a copy right away. I hadn't seen this movie since 93-95. I remember it being very powerful, even got my older brother in tears. Although, I wasn't sure how I would find it now 10-11 years later. I must say, it's truly a very powerful drama. It's very very touching, never seen De Vito this good, the kids, Senise etc - Everyone/everything is great. It's a very heart-warming story, and it feels very "real". It's truly a "classic" movie, and I must say I even appreciate it more now that I've grown up (26 years old).

Still - One of my favorite movies.

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Danny DeVito is John Leary, a professional clown, whose wife's death in a car accident has left him to care for his two young boys.

Some aspects of the film are really good. I liked Danny DeVito's Al Gory character, for example. And the performances as a whole are strong -- we get not only DeVito, but also Gary Sinise, Miko Hughes, and Reese Witherspoon in what has to be one of her earliest roles (I could look it up but I didn't).

The overall film seems lacking, though. The kidnapping part feels off, and the whole Neo-Nazi aspects come across as exaggerated and unrealistic. Maybe I just don't know the 1970s, but this did not strike me as a real situation.

I found "Jack The Bear" to be a touching, honest portrayal of how life's trying times effect us, bring us closer together, and teach us to carry on. I found the acting very good and the dialogue believable. Devito does a good job in delivering his character earnestly, and his comic genius is well employed through his character's job as a movie host. Gary Senise does his usual fine job and the young actors are all excellent. The flashbacks of the mother are done tastefully, and though a dark film, it is entertaining and enjoyable. The scenes of the neighborhood kids interacting are accurate and the dialogue very natural and real. The attitudes of that era are captured quite accurately as well. I recommend this film highly.

Jack the Bear is a wonderful movie. It is the story of John Leary (Danny DeVito) and his two boys, Jack (Robert J. Steinmiller, Jr.) and Dylan (young Miko Hughes, known e.g. from his later accomplishment in 'Mercury Rising'). It is a story that takes a bittersweet look at the joys and pains of growing up. By doing so it elaborates on weighty issues, while at the same, it has a certain amount of humor to it. Yet despite the subtle comedian edge, this movie is by no means a comedy. It is a very emotional and instructive tale of one family's struggles, of challenges and tragedies. It features sincere messages of life and can be seen as a symbolic story that stands for the premise that growing up is never easy. Sometimes it is painful. Sometimes it is scaring. Then again, when the chips are low and the world seems to fall apart, there is hope. Hope you find within your family, hope – and the knowledge that there will be brighter days ahead.

Danny DeVito plays Jack Leary, a widower who works as a monster-host of a late night horror show and who entertains the neighborhood kids with silly ghoulish antics. His twelve-year-old son Jack is the movie's main protagonist. He talks to the audience as if he would tell the story of his life – which he does to some extent. The entire developments are told through his eyes mainly. Thus the story is endowed with the childish naivety that makes it so special and so sincere. Dylan, Jack's little brother, is about four years old. The setting is Oakland, California, in 1972.

The main theme that runs through the entire story is the theme of monsters. Jack Leary, the perfect monster in his TV show, is not the only one. Right at the beginning Jack says that he would find out that summer that real monsters existed. Then there is Jack's "monster" crush on the lovely girl at school (young Reece Witherspoon), which is a sub-theme of the plot. We share Jack's joy and his confusion after their first date, which is so funny as many will be able to identify with his tenseness prior to and his enthusiasm after their first kiss. The real monster is introduced as weird and apparently dangerous Norman Strick (Gary Sinise, who completes the quality of the cast), who turns out to be a deceitful and dangerous antagonist.

The strongest emotional theme is that of family life. John's wife, Jack's and Dylan's mom died the previous winter in a road accident after some heavy arguments with her husband. This left a huge gap in the boys' lives and painful scars on Jack in particular. He occasionally seems to see her, and we get some flashbacks to their time together throughout the movie. This is very tough and intensifies the feeling of loss and loneliness. This theme is then even more so addressed when Dylan is kidnapped, which is presented in all its horror and pain for Jack and his dad. Very close to this is John's struggle to be a good father, to overcome his irresponsibility and live up the needs of his boys. All of these aspects mixed together make up the story's strength and provide substantially more than mere entertainment, but real issues of daily struggles and common problems.

Seen from socio-cultural aspects, this movie is typically American in its entire setting and its developments. Following the emotionally stirring showdown with Norman Strick, Jack has an emotional breakdown and cries for his mother. When John tries to comfort him, Jack shouts: "No, nothing is all right!" Then John looks straight into his son's eyes and replies: "Then we gonna make it all right." This is the embodiment of the American Dream, the American attitude never to give up and keep fighting, even if the chips are low and the times are hard and full of privation.

The cast is outstanding, the acting is very convincing and the themes are brilliantly worked out. It is the struggle of a father to keep his kids; it is one boy's quest to find happiness; it is a typically American tale of courage and steadfastness, of values, trust and love. The movie captures pure messages of life, is exciting and displays tremendous wisdom, all woven together in the cultural stratum of 1972. And finally, it has genuine humor and provides first class entertainment for the entire family. You will enjoy Jack the Bear, and you have all reason to do so.

Warning: Contains some spoilers

Although essentially a "coming of age" drama, few coming of age films show the degree of anger experienced by the title character of this movie. Jack is an adolescent who, as the movie opens, has just moved to a new neighborhood after the death of his mother. During the next few months he faces some harsh realities such as a new school, his deteriorating opinion of his father, the abduction of his little brother and his fear of a dangerous neighbor. He deals with his problems the only way he can - by crying. None of these themes are new in a coming of age movie but the emotions Jack goes through seem multiplied by 100 when compared to similar films. When he feels guilt, I was shocked by its intensity. And when he feels angry, I felt uneasy at the degree of rage shown by a basically mild mannered preteen.

The film is also not afraid to show its characters acting unpredictably. I came to care about them and was sometimes shocked by their behavior.

This movie is too intense for small children, but unfortunately adults may be put off by the storyline and the age of the main character. However, I'd recommend it to teens and adults who might have forgotten how rough adolescence can be.