Hellraiser III: Hell on Earth

Here's part three of the Hellraiser Saga... Once again this continues from where the last film ended, though it's a looser connection. The battle between Pinhead (Bradley) and his original human self, Captain Elliott Spencer, allowed him to break free of hells shackles. Entrapped in a monolith, he is awoken by Sandy (Leigh), when an accidental cut splashes blood on his stone features. Revealing himself to JP Monroe (Bernhardt), an unscrupulous womanising club owner, Pinhead makes a deal to free himself from his confines and to help JP to achieve his dreams...

This leads to lots of twists and turns in the storyline as you know you can't trust a daemon. The only thing which stands in his way is an aspiring investigative reporter, Joanne "Joey" Summerskill (Farrell), who's investigating the gory and violent murders which are appearing in the city.

The first thing that becomes evident is the amount of budget available for this film. Instead of being kept within the confines of a house or a hospital, now we're out in New York City. Penthouses, apartments, clubs, restaurants, ally's and streets. The locations are so much bigger. This is good, as it gives scope for a larger story with more hellish violence and gore... and it nearly delivers. Nearly, because the scene where the Cenobites finally take to the streets is actually underwhelming. What was required were a few more Cenobites and quite a few more victims, both pedestrians and police. It's nice to have explosions... I just wanted more.

The acting is okay, Bradley still stands out and is excellent as Pinhead. Farrell does a good job as the reporter. However, it's Bernhardt and Marshall, who plays Terri, who have their bouts of woodenness. The direction too is quite different from the first two, gone are the artistic and atmospheric lighting for a more natural feel. This is okay, but the film does lose a little of its mood and spirit, which added strength to the first two movies. I can understand the need for doing this. If you expand the daemons universe to include a lot more of reality then it stands to reason to get that feeling across would be to lose the more imaginative aspects of the filmmaking. That said there are still quite a few iconic shots, such as the entrance of Pinhead at the club and later in the church, and nicely thought out camera shots and angles.

Though I didn't find it as good as the first films it's still as enjoyable, though for different reasons... and as Pinhead would attain, variety is the spice of life.

Another good thing is that this film actually works as a stand-alone, you only need a vague idea about the previous stories; whereas, Hellbound actually made you feel as though you should have watched the first film before viewing. So for that reason, I would recommend this to all horror fans and newbies alike. This is a well written, structured, and acted film... which has its fair share of tension, fear, and suspense.

I have yet to see Bloodline or Inferno, but Hell on Earth is the worst of the first three Hellraiser movies. It lacks both the wit and the sheer terror of the first two films. What's more, it breaks the rules established in the previous Hellraiser films (that is, Cenobites cannot harm the truly innocent, the Cenobites can be summoned or banished by the box, and so on). And while Pinhead actually spoke very little in the first two films, in Hell on Earth he is downright talky. Unfortunately, only a few of his lines are very memorable. It is unfortunate that Clive Barker did not have more to do with this movie (he wrote and directed the first and wrote the story for the second), as it might have turned out much better.

With that `clever' subtitle, how could this film suck?

Enter the mistake all horror films with on screen villains make: because the heroine dies and/or moves on to other projects, the villain moves to the spotlight. This is an even more fatal blow to Hellraiser because Pinhead never was meant to be in the spotlight, have too many lines, and this series was not meant to be a slasher.

Ooh, I know, since Hellbound: Hellraiser II made the mistake of pulling off a tolerable explanation let's correct that mistake and explain it to death! Let's go into more detail about pinhead and the box and set us up for Hellraiser: Bloodline with 90 minutes of backstory and no story for itself!

I really don't have much else to say and don't think I need to say much else. Ashley Lawrence isn't the only one abandoning ship on this one (no, the 10 second cameo doesn't count), Chris Young also disappears on us. The concepts of the first two films go away, and we have Pinhead moving to Elm Street with his band of `clever' new cenobites. This is hardly an ambitious move for any horror franchise, especially for Hellraiser. I mean, don't we have enough ominous unstoppable killing machines wandering around the horror aisles at your local rental place? At least Jeepers Creepers did some things differently.

All the latter Hellraisers get points for ambition. #3 is just mediocre slasher with Cenobites and a box. It's not necessarily the worst in the series, but damn it's the most boring . . .

Cheap looking sequel reduces the complicated Hellraiser and Pinhead legends into your standard Freddy and Jason cliches complete with teenagers running around in distress and discussing their so called problems in between.

This time around Pinhead (Doug Bradley) and a TV news reporter (Terry Farrell) battle it out for possession over a box that can open the gates of hell and end the world as we know it. Not even Bradley's commanding presence can breath life into this.

Unrated; Sexual Situations, Nudity, Extreme Graphic Violence, and Profanity.

first of all, Hellraiser III isn't a BAD film. In fact, it's quite good if it would stand on its own. And it certainly is one of the more decent efforts in the overall disappointing decade of the 90's. Compared to the first two Hellraisers, however, it's a bit of a failure. Hellraiser ('87) and Hellbound ('88) were horrorfilms in the purest possible form and my two all-time favorites. There were 4 indicators in those movies that brought them close to being the definition of horror.

1. Creating a unique and utterly morbid atmosphere (through settings, music etc...)

2. Building up an unbearable tension ( the occasional twists etc..)

3. Showing nasty and very bloody sequences in a beautiful way

4. The presence of a true horror icon !! ( in this case...PINHEAD )

Hellraiser III fails to at least 3 of these points...The dark and macabre settings from Hell and the mental institution are replaced by a bar which plays horrible rock music, there's almost no tension to detect and it's a very predictable story. The gore however is still present, but the quality of it doesn't come near the originals. The Boiler Room massacre puts Clive Barker to shame, I think. The whole story know turns around the character of Pinhead. He's more than ever the star of this movie and that almost goes wrong. He talks too much and he even starts to become funny. That certainly isn't good for a horror icon. ( Look at what a joke Fred Krueger became ). Director Anthony Hickox obviously is a big fan of Pinhead and he wanted the movie to be especially about him. Every now and then Hickox tries to link this film to the original story but it clearly isn't his biggest concern. The tapes about Kirsty in the Chanard institute and the dream-sequences where Joey meets Elliot Spencer are too fake and forced. The movie does explain where Pinhead comes from but it certainly isn't stressed enough...

Hellraiser III goes very much over the top near the end and I almost lost my love towards Pinhead after the church scene ! I'm trying to forget that particular part. It really is a shame that this movie is part of the series. If this would have been a new film ( with a new demon ) it would have been an enjoyable, well-made change. But as part of a great series it fails to deliver and you're left behind with a disappointment. This movie was followed by episode 4: Bloodline and a few others after that. The fourth is a surprisingly good attempt to bring back the spirit of the original ones and should be watched directly after the first two. Everything that came after part 4 should be skipped unless you're a die-hard Pinhead fan.