IMDb RATING
6.5/10
9.3K
YOUR RATING
Lust turns to love for a 40-ish working-class woman and a 20-ish yuppie adman with little in common.Lust turns to love for a 40-ish working-class woman and a 20-ish yuppie adman with little in common.Lust turns to love for a 40-ish working-class woman and a 20-ish yuppie adman with little in common.
- Director
- Writers
- Stars
- Awards
- 1 win & 1 nomination total
Rachel Chagall
- Rachel
- (as Rachel Levin)
Renée Taylor
- Edith Baron
- (as Renee Taylor)
Kim Myers
- Heidi Solomon
- (as Kim Meyers)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
there are very few romance or romantic comedies, which strike a real note for the audience, or anyone who appreciates reality and decent acting.
This film does have that. Sarandon is very good; she is a "down-at-heel" waitress, almost twenty years older than the character portrayed by Spader. Some of the interactions are amusing and sad. Her drinking, her loss of a child. Spader's background is respectable, white-collar but bored, he meets Sarandon after missing his deceased wife.
Films like this are sometimes underrated. There was not a lot of hype about this film, which is one of the reasons I like it (We do not need Hollywood to tell us what's good, i.e. "The Break Up", which was actually not good).
While the scenes with Spader's relatives were a bit stereotyped, overall there are a few good messages here. Life doesn't always work out how we want, "perfect couples" aren't necessarily happy, and the Spader character was actually quite good, not being the negative insensitive character here. Definitely worth viewing. 8/10.
This film does have that. Sarandon is very good; she is a "down-at-heel" waitress, almost twenty years older than the character portrayed by Spader. Some of the interactions are amusing and sad. Her drinking, her loss of a child. Spader's background is respectable, white-collar but bored, he meets Sarandon after missing his deceased wife.
Films like this are sometimes underrated. There was not a lot of hype about this film, which is one of the reasons I like it (We do not need Hollywood to tell us what's good, i.e. "The Break Up", which was actually not good).
While the scenes with Spader's relatives were a bit stereotyped, overall there are a few good messages here. Life doesn't always work out how we want, "perfect couples" aren't necessarily happy, and the Spader character was actually quite good, not being the negative insensitive character here. Definitely worth viewing. 8/10.
For me there really is nothing better than good writing, good actors and an interesting and engaging film. This has all of that.
I won't go saying that this is a fantastic film, it's not going to be on the top 250 list with Shawshank, but what it does attempt to do it does very well, tell a compelling story about two lonely people in different stages of life from two different socioeconomic levels finding each other first for a physical relationship and over time that relationship deepens into something quite beautiful.
Spader is a white collar ad exec who seemingly has everything a 27 year old would want, except he lost his wife two years prior and is still quite depressed and mourning her loss. His friends want to see him find someone new, but it doesn't seem to work for him as he just isn't receptive to the women he is paired with.
He find Susan Sarandon in a bar, she's drinking and they start off awkwardly but there is a palatable connection that these two actors have that is unmistakable. A quite sexy (in my opinion) love scene occurs and in the next morning while Spader is trying his best to be a gentleman but still get out of her home after what he believes is a one night stand there is something there that these two wounded people connect on.
The thing that I love about this movie is it's honesty. It doesn't go where you'd expect this movie to go. It is well directed and the story is quite compelling in addressing the needs to two adults to love and be loved. It's the theme of social expectations and the burdens they cause (rightfully or not) and the impact they can have on a relationship.
It really is a shame that films like this just don't get produced any longer as it's nice to see good actors bring interesting characters to life in a very well produced slice of life film.
I won't go saying that this is a fantastic film, it's not going to be on the top 250 list with Shawshank, but what it does attempt to do it does very well, tell a compelling story about two lonely people in different stages of life from two different socioeconomic levels finding each other first for a physical relationship and over time that relationship deepens into something quite beautiful.
Spader is a white collar ad exec who seemingly has everything a 27 year old would want, except he lost his wife two years prior and is still quite depressed and mourning her loss. His friends want to see him find someone new, but it doesn't seem to work for him as he just isn't receptive to the women he is paired with.
He find Susan Sarandon in a bar, she's drinking and they start off awkwardly but there is a palatable connection that these two actors have that is unmistakable. A quite sexy (in my opinion) love scene occurs and in the next morning while Spader is trying his best to be a gentleman but still get out of her home after what he believes is a one night stand there is something there that these two wounded people connect on.
The thing that I love about this movie is it's honesty. It doesn't go where you'd expect this movie to go. It is well directed and the story is quite compelling in addressing the needs to two adults to love and be loved. It's the theme of social expectations and the burdens they cause (rightfully or not) and the impact they can have on a relationship.
It really is a shame that films like this just don't get produced any longer as it's nice to see good actors bring interesting characters to life in a very well produced slice of life film.
Max Baron (James Spader) is a successful ad executive in St. Louis. His wife Janey (Maria Pitillo) was killed in a car accident two years ago. He buys 50 burgers from White Palace (White Castle refused to give permission) for his friend Neil (Jason Alexander)'s bachelor party and discovers six empty boxes. He berates Nora Baker (Susan Sarandon) and gets his refund. Later at a bar, Max finds common suffering with Nora who lost her son to leukemia. They start an affair based on their shared losses despite their differences.
These are two good performances from great actors of interesting damaged people. The bulk of the interest probably comes from the age difference. For me, more of the interest comes from these sad lives. I would have liked a bit more Sarandon. The hardness of their chemistry is terrific.
These are two good performances from great actors of interesting damaged people. The bulk of the interest probably comes from the age difference. For me, more of the interest comes from these sad lives. I would have liked a bit more Sarandon. The hardness of their chemistry is terrific.
This is a film a lot of people didn't see. It is just a simple tale of a younger rich man who shacks up with an older much poorer, working class woman who works at a hamburger joint called White Palace. The name is obviously taken from the East Coast burger chain White Castle. Susan Sarandon picks up a drunk James Spader in a bar and takes him home for a night of sweet lovin'. The love scenes that follow are actually very erotic and sexy, not dull like most Hollywood love scenes.
We need more stories like this. You always see movies with MUCH older men with MUCH younger women: Sean Connery and Catherine Zeta Jones in Entrapment, Jack Nicholson and Helen Hunt in As Good As It Gets...etc. Where are all the stories of younger men with older women? Welp, this film is one of 'em. And this is one younger guy who likes what he sees when he sees White Palace. Like it said on the poster of this movie: "The story of a younger man and a bolder woman."
We need more stories like this. You always see movies with MUCH older men with MUCH younger women: Sean Connery and Catherine Zeta Jones in Entrapment, Jack Nicholson and Helen Hunt in As Good As It Gets...etc. Where are all the stories of younger men with older women? Welp, this film is one of 'em. And this is one younger guy who likes what he sees when he sees White Palace. Like it said on the poster of this movie: "The story of a younger man and a bolder woman."
White palace has a great sexual dynamic, clearly Susan Sarandon's character (Nora Baker) is a sexually charged self confident woman who is at least 10 years or so older than James Spader's character (Max Baron). This movie shows how deep attraction and passion can change people's lives (perhaps for the better) and overcome class/personality and age differences.
The first and perhaps most noticeable aspect is one of the hottest and more believable seduction scenes in a movie, where Nora shows a raw animal passion for Max rarely shown in movies (and when it is is shown in an unfavorable light, e.g. Single White Female). Susan Sarandon pulls off this challenging scene with great passion AND dignity.
The May/December romance with the older lady is shown in a healthy light (not like say The Graduate).
But more important than the age dynamic, is the deep attraction between Nora and Max, which goes strongly across traditional cultural differences. Max is a compulsively organized widower, neat and decidedly upper-middle/upper class. Nora is more impulsive, living a less ordered existence and is lower/lower middle class. Max has conditional love for Nora, trying to change her (unintentionally acting judgemental?) by trying to help her out (e.g. buying her cleaning supplies as a "gift"). Nora teaches Max about life, and passion. This movie has a much more interesting love story than say "Pretty Woman".
The first and perhaps most noticeable aspect is one of the hottest and more believable seduction scenes in a movie, where Nora shows a raw animal passion for Max rarely shown in movies (and when it is is shown in an unfavorable light, e.g. Single White Female). Susan Sarandon pulls off this challenging scene with great passion AND dignity.
The May/December romance with the older lady is shown in a healthy light (not like say The Graduate).
But more important than the age dynamic, is the deep attraction between Nora and Max, which goes strongly across traditional cultural differences. Max is a compulsively organized widower, neat and decidedly upper-middle/upper class. Nora is more impulsive, living a less ordered existence and is lower/lower middle class. Max has conditional love for Nora, trying to change her (unintentionally acting judgemental?) by trying to help her out (e.g. buying her cleaning supplies as a "gift"). Nora teaches Max about life, and passion. This movie has a much more interesting love story than say "Pretty Woman".
Storyline
Did you know
- TriviaRobert Downey Jr. was considered for the role of Max Baron and even screen tested with Susan Sarandon.
- GoofsIn the final scene where Max and Nora are talking at the restaurant, their hairstyles change mid-conversation.
- SoundtracksLove Or Money
Performed by Slater Sealove Band
Courtesy of Reata
Written by James Slater & Carl Sealove
- How long is White Palace?Powered by Alexa
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- The White Castle
- Filming locations
- Duff;s Reataurant, 392 North Euclid Avenue, St. Louis, Missouri, USA(The NYC restaurant where Sarandon and Spader reunite at end)
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $17,487,531
- Opening weekend US & Canada
- $1,078,697
- Oct 21, 1990
- Gross worldwide
- $17,487,531
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