New Jack City

Van Peebles directs a great cast in this detached-from-reality film about a truly evil drug-lord with a head for business and murder (Snipes), and a tough, street-wise pair of cops (Ice-T and Judd Nelson) hell-bent on bringing him down. The message is an important one - slogans are not going to win the war on drugs, and the way the message is carried in the film is more subtle than you might expect. The end of the film makes the point very clear, and I won't discuss it because I do not write spoilers. Like many of the more intelligent films made in the early 1990s, New Jack City is also an indictment of the euphoria of the Reagan years - telling the true story of what that time was like for those living from paycheck to paycheck, or trying to live without one, and dealing with the invisible "war on drugs" which had little to no effect on anybody in our inner-city neighborhoods.

Snipes, Ice-T, Allen Payne and Chris Rock give stand-out performances, and the rest of the cast provide excellent support. The film also stars New York City, and definitely has an NYC flavor (seasoned with more than a pinch of Hollywood). The cinematography is a little breathless - not unusual for the genre but in this case a bit extreme. The script is good, but perhaps too dense with rich plot details. And the editing provides a few pacing problems toward the middle of the film which, combined with the over-abundance of subplots, detract from the development of the main themes. The soundtrack is excellent - including a nice mix of hip-hop, rap, contemporary soul, and dance music - all blended nicely with the imagery of the film. Van Peebles style is well developed in this film, but I felt that some aspects of the plot were a little too outrageous for the seriousness of the film's message, and I fear that the message may have been lost on many of the film's viewers.

Overall, this is a good film. Entertaining and thoughtful, but definitely not for everybody.

20 years after his father, Melvin Van Peebles, had made a revolutionary film called Sweet Sweetback's Badasssss Song, Mario Van Peebles would direct something of a classic himself with New Jack City. He plays the superior officer of a detective played by rapper Ice-T who we find out has personal reasons for wanting the drug dealer Nino Brown, played by Wesley Snipes, dead. Assisting him is partner Judd Nelson and a former user played by Chris Rock before he joined the cast of "Saturday Night Live". While Rock is better known as a comedian, he gives a fine dramatic performance here. Of course, it's Snipes who gets the lion's share of the acting highlights especially when his character's on trial. While it seems initially the drug lifestyle is glamorous here, it does show eventually that crime doesn't pay. So on that note, New Jack City gets a high recommendation from me. P.S. While I managed to watch this on YouTube, some parts were missing so I checked the Italian upload on the site to watch what I missed and I managed to understand what was going on despite the Italian dubbing.

This movie was a surprise. I remember Mario van Peeble's father's "Watermelon Man", an amusing comedy that turns anti-white about half-way through and winds up rather a racist tract. It's almost a convention in movies about African-Americans who seem destructive to themselves or others that they are turned on to dope by white guys. Or, if they retain their rectitude, it's the white guys that are at the head of the horde of local pushers. Of course white women flock to the heroes, etc. We've seen it hundreds of times. But this one is different. The majority of performers are African-Americans, both the cops and the bad guys, neither of them perfect in their goodness or their evil. The characters seem to choose their own destinies for a change. Wesley Snipes is not given a loving trophy blonde. There is a token white cop, Judd Nelson, who was my supporting player in "From the Hip," an extraordinarily good film itself, who is permitted to say, "It's not a black thing. It's not a white thing." Crack is the problem here, not race. We're all in this together, which, in these days, is a pretty progressive statement. It's strictly a genre film. There is craftsmanship in it, if no noticeable attempt at depth, but it's well and stylishly done too. Van Peebles knows how to place the camera and when to cut. The performances are excellent for a film of this type. Snipes especially is a fine physical actor. It winds up with the expected shootout in an empty warehouse or factory. I'd kind of put off seeing this on TV, afraid of wincing through the prejudices I anticipated being expressed, and I was pleasantly surprised to find them completely absent here.

New Jack City is from is probably an example of an early 90's blaxpilotian flick which is straight up with other greats like Boyz'n'Hood. However this focus's on more of the 1980's era when the crack cocaine problem broke out onto the streets on New York City. The movie is brilliant because unlike most gangster or mafia flicks which almost portrait a hedonistic view , New Jack City is very urban and down to earth . The film waste no time breaking into action with no OTT clichés which we have all gotten used to seeing. The script was great with a lot sharp twists and turns. Ice T performance was certainly note worthy and it is easy to see how he would go onto play Law and Order , although I felt there were some stereotypical 'black cop' moments in his performance which I am afraid I just did not by and his partner did not really do much apart pass sarcasm and comes up with probably one good idea in the movie. Having said that the star of the show was truly Wesley Snipes because truly without him this movie would have been nothing , although I am aware that he models him-self after Tony Montana in certain aspects he was actually basing his performance on a real life gangster , and it was a pleasure to see him on screen because he was not portraying a typical hood rat! Instead we have got a person who almost reminds one of Al Capone with his untouchable attitude but at the same time is very intelligent! One might even be charmed or might find him-self agreeing with the stuff he comes out with but Snipes does a masterful job of showing us how evil this man really is although with Robin Hood and his Merry men crew also it note checking out Chris Rocks performance although he was added for humour he did not shy away from the dangers of crack. The film only faulted with a few minor things like the ending which probably everyone saw coming however have said that , New Jack City was from time when I was growing up where the word 'cool' was at an all time high with wacky track-suits and hair cuts but the rap music still has not lost its shine along with a very sharp anti-drugs message. I would recommend this one to fans of blaxpoltation,Law and Order and also gangster flicks or just for Snipes performance alone as you will watch one man who exploits the misery of others as a business opportunity all in the name of the American Way!

NEW JACK CITY : 8.6 OUT OF 10

'You gotta rob to be rich in the Reagan Era!' - Nino Brown (played by Wesley Snipes)

New Jack City is directed by Mario Van Peebles (who also co-stars) and written by Thomas Lee Wright and Barry Michael Cooper. It stars Wesley Snipes, Ice-T, Judd Nelson, Allen Payne, Chris Rock, Bill Nunn, Bill Cobbs and Michael Michele. Music is by Vassal Benford and Michael Colombier and cinematography by Francis Kenny.

New York City, 1986 and crack cocaine is the drug of choice and Nino Brown (Snipes) and his gang, the Cash Money Brothers, are building a violent empire and cornering the market. Enter streetwise cop Scotty Appleton (Ice-T) and loose cannon Nick Peretti (Nelson), who form an uneasy partnership willing to push the law's boundaries to bring Nino down…

The Black Scarface!

On narrative terms it's basically an urban modernisation of the Scarface story, the themes at work were nothing new back then, never mind in cinema post 1991. That it is predominantly an African American film caused many at the time to call it a Blaxploitation picture for the 90s set, which is unfair, because it has more on offer than that and doesn't shy away from the dramatics available with such a story. True, it isn't pulling up any trees or breaking new ground in the drug/crime order of cinema, but it's incendiary enough to be thrilling whilst never romanticising the lifestyle of the drug gang. It paints a stark world of a drug infested city populated by colourful gang members, hapless addicts and edgy coppers, all sound tracked by pulse pounding hip-hop beats.

This was Van Peebles' first big screen directing outing and it's a hugely impressive debut. So much so it begs the question on why his subsequent directing career has been something of a none event? Here he delves deep into the realm of neo-noir to provide the picture with many visual smarts and techniques. Backgrounds are often showing oblique angles, colour schemes such as garish greens feature in striking compositions, a flashing red light is used adroitly on a character's face as he struggles to hold his rage, a POV shot of a basketball and the opening of the film with a slow zoom in on a crime about to be committed on a bridge, these are just some of the flair tricks showcased by Peebles.

While some of the key characters that form Nino's gang are under developed, Peebles does garner a great performance out of Snipes and very good turns from Ice-T and Nelson. Snipes provides Brown with a sinister swagger, yet a charm exudes from him that makes it believable that people would be willing to be led by him. Ice and Nelson are a cool double act, both Scotty and Nick pulse with machismo but are equally flawed as characters. The other important character and performance is Pookie played by Rock, a reformed crack addict now helping the police. Peebles is unsubtle in his handling of the Pookie situation, but it strikes the requisite emotional chord and puts further dramatic worth into an already tense filled thriller.

It's not as revolutionary as was once heralded, there is some formula familiarity and the finale is telegraphed too easily, but this has energy and style to burn. Making it one of the leading lights of the drug crime sub-genre of neo-noir. It's a damn shame Peebles was never this good again. 8/10