IMDb RATING
5.3/10
4.6K
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A mental out-patient is mistaken for a missing wealthy man and a con man takes advantage of the situation.A mental out-patient is mistaken for a missing wealthy man and a con man takes advantage of the situation.A mental out-patient is mistaken for a missing wealthy man and a con man takes advantage of the situation.
Gian-Carlo Scandiuzzi
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In this 1991 Tristar Pictures release, Richard Pryor once again portrays a con man and once again Gene Wilder is his costar. Their fourth collaboration may most likely be their last as Pryor's increasing signs of multiple sclerosis made filming extremely difficult for him to get through. It's a real shame in the world of contemporary film comedy as Pryor's possible cinematic swan song (if you don't count his cameos in two 1996 films, "Lost Highway" and "Trigger Happy") turns out to be one of his funniest films and best performances. Pryor portrays Eddie Dash, a con man who has just been released from prison but still has to serve time for community service. He is assigned to be a public escort for a pathological liar (Wilder) who has just been released from a mental hospital. What Pryor doesn't initially know about Wilder is that he is the pawn in a scam to claim a brewery inheritance. The two of them eventually wind up running for their lives when some greedy businessmen decide that they want to cash in on the fortune. Plenty of funny moments from the always dependable duo of Pryor and Wilder.
Seeing that this movie only received an average vote of 4.3, I felt that I had to set the record straight; it deserves at least a 6. True, the plot isn't the best, but the lines are superb. Richard Pryor and Gene Wilder (a great double team) really work wonders together. So please, do yourself a favour and go rent this movie, it's worth it.
After 3 successful collaborations together, Gene Wilder and Richard Pryor came together for the final time in Maurice Phillips's 1991 film Another You. The two definitely did not save the best for last in this story of mistaken identity. Maybe it was a case of wearing out a good thing, or poor directing, or something else entirely; whatever it was, Another You didn't work.
After being in a mental hospital for 3 years, for his pathological lying, it is believed that George (Gene Wilder) is ready to be re- introduced to the world again. Eddie Dash (Richard Pryor) is a con- man trying to stay on the rehabilitated side of life when he is assigned to community service for the remainder of his probation. He is assigned to spend time with George, helping him find an apartment and aid him on his re-introduction to life outside of the mental hospital. On the way to the museum, George bumps into a man who mistakenly believes he is a millionaire to whom he owes a lot of money. George is wholeheartedly against going on with this lie as he is trying to rehabilitate himself from lying. Eddie, however, has no interest in becoming a better person and leaving the con game behind. Seeing this as a great opportunity for getting a lot of money, Eddie urges George to go along with the charade. George then meets the real Abe Fielding's wife and sees the beautiful mansion that he is supposed to live in. Going along with the charade proves difficult when it is revealed that the real Abe Fielding is missing and believed to be murdered.
Everything about this film was disjointed. It's hard to believe, by watching this film alone, that there were 3 other film collaborations of the two principles. Another You is completely missable, likewise, miserable. A flat storyline that never fully develops or works enough to engage the audience, even my intense love of Gene Wilder's work wasn't enough to save this picture for me.
After being in a mental hospital for 3 years, for his pathological lying, it is believed that George (Gene Wilder) is ready to be re- introduced to the world again. Eddie Dash (Richard Pryor) is a con- man trying to stay on the rehabilitated side of life when he is assigned to community service for the remainder of his probation. He is assigned to spend time with George, helping him find an apartment and aid him on his re-introduction to life outside of the mental hospital. On the way to the museum, George bumps into a man who mistakenly believes he is a millionaire to whom he owes a lot of money. George is wholeheartedly against going on with this lie as he is trying to rehabilitate himself from lying. Eddie, however, has no interest in becoming a better person and leaving the con game behind. Seeing this as a great opportunity for getting a lot of money, Eddie urges George to go along with the charade. George then meets the real Abe Fielding's wife and sees the beautiful mansion that he is supposed to live in. Going along with the charade proves difficult when it is revealed that the real Abe Fielding is missing and believed to be murdered.
Everything about this film was disjointed. It's hard to believe, by watching this film alone, that there were 3 other film collaborations of the two principles. Another You is completely missable, likewise, miserable. A flat storyline that never fully develops or works enough to engage the audience, even my intense love of Gene Wilder's work wasn't enough to save this picture for me.
Another turn out for the Pryor/Wilder duo which does have some funny scenes and amusing dialogue. However, Another You does drag its heels and seems to lose its way halfway through. Just a little too slapstick and not a patch on the fantastic 'Silver Streak' and very funny 'Stir Crazy. I'll give it a 5.
This being the last of the Pryor/Wilder Partnership, was a commercial and critical failure, However that said, it was always going be tough as Pryor's multiple sclerosis illness had become more serious and is very evident in the film. His usual fast and erratic luney behaviour is reduced to a very frail skinny man who is obviously in pain and trying very hard just to walk.This would of also have reduced the creative input that Pryor contributed to his films. All this aside, Wilder is actually very funny in the movie, his timing is excellent(especially the restaurant scene) and he carries the film well. Pryor is still funny at times but understandably has more of a supporting role.
A fan of the Pryor Wilder films should still definitely see this, there are many laughs,with some funny impersonation scenes with Kevin Pollack, but its one for people with a love for their comedy partnership. As a film on its own to an outsider it will more than likely disappoint.
It is available on DVD
A fan of the Pryor Wilder films should still definitely see this, there are many laughs,with some funny impersonation scenes with Kevin Pollack, but its one for people with a love for their comedy partnership. As a film on its own to an outsider it will more than likely disappoint.
It is available on DVD
Storyline
Did you know
- TriviaFinal leading role in a theatrical motion picture for Richard Pryor and Gene Wilder.
- GoofsA few minutes in, after getting out of his car, Eddie is carrying a case, but drops it on the floor just before the cops run towards and past him. In the next scene he no longer has the case.
- Quotes
Elaine: [Elaine undresses] Give it a whirl, Abe.
George: Well, I like, I want to, I want to...
Elaine: You want to say something to me?
George: Yes, I do and I want to be completely honest and get this off your chest. I mean, get this off your breast. I mean, my breast. Get this, off my chest.
Elaine: Give it a try.
- Crazy creditsAs the TriStar Pictures logo plays out, Eddie Dash swears at the sight of the horse getting wings, causing it to crash offscreen.
- Alternate versionsIn a Bounce TV airing, Eddie says the word "wait" instead of the word "fuckin' wings" in the normal TriStar Pictures logo and when the logo ends, he say the word "damn" instead of saying of the word "fuckin". Certain TV airing meanwhile have the cursed words removed and Eddie says "wings" and "white horse" instead.
- SoundtracksBe Kind to Your Web-Footed Friends
Written by Tom Glazer
Based on "Stars and Stripes Forever", written by John Philip Sousa
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Details
- Release date
- Country of origin
- Language
- Also known as
- Sen Başkasısın
- Filming locations
- New York City, New York, USA(some exteriors)
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $17,000,000 (estimated)
- Gross US & Canada
- $2,865,916
- Opening weekend US & Canada
- $1,537,965
- Jul 28, 1991
- Gross worldwide
- $2,865,916
- Runtime1 hour 34 minutes
- Color
- Aspect ratio
- 1.85 : 1
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